Unsupervised Detection of Music Boundaries by Time Series Structure Features

Serrà, Joan (Artificial Intelligence Research Institute, Spanish National Research Council (IIIA-CSIC)) | Müller, Meinard (Max Planck Institute for Computer Science and Saarland University) | Grosche, Peter (Max Planck Institute for Computer Science and Saarland University) | Arcos, Josep Lluis (Artificial Intelligence Research Institute, Spanish National Research Council (IIIA-CSIC))

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In music, boundaries may occur because scientific domains, including artificial intelligence (Keogh of multiple changes, such as a change in instrumentation, 2011). Research on time series has a long tradition, but a change in harmony, or a change in tempo. The seminal its application to real-world datasets requires to cope with approach by Foote (2000) estimated these changes by new relevant issues, such as the multiple dimensionality of means of a so-called novelty curve, obtained by sliding a data or limited computational resources. Specifically, dealing short-time checkerboard kernel over the diagonal of a selfsimilarity with large-scale data, (1) algorithms must be efficient, matrix of pairwise sample comparisons. Works inspired i.e. they have to scale, (2) supervised approaches may become by Foote's approach explicitly make use of the concept unfeasible, and (3) solutions must use general techniques, of novelty curves (Paulus et al. 2010). Other musictargeted i.e. they should be as independent of the domain as approaches exploit homogeneities in a time series possible (see Mueen and Keogh 2010 for a more detailed by employing more refined techniques like hidden Markov discussion).

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