Envisioning Narrative Intelligence: A Creative Visual Storytelling Anthology

Halperin, Brett A., Lukin, Stephanie M.

arXiv.org Artificial Intelligence 

In this paper, we collect an anthology of 100 visual stories from Visual imagery and language have long since complemented each authors who participated in our systematic creative process of improvised other in visual storytelling. From children's picture books to comics story-building based on image sequences. Following close and news articles, this multimedia nexus forms a complementary reading and thematic analysis of our anthology, we present five interplay between imagery and spoken or written language. While themes that characterize the variations found in this creative visual audiences often experience stories and pictures together, visual storytelling process: (1) Narrating What is in Vision vs. Envisioning; images alone can also operate as starting points--sources of creative (2) Dynamically Characterizing Entities/Objects; (3) Sensing inspiration--for authors to write stories [42]. Researchers have Experiential Information About the Scenery; (4) Modulating the found that visual thinking [5, 6] and drawing [3] can prompt storytelling Mood; (5) Encoding Narrative Biases. In understanding the varied from a multitude of perspectives as long as creativity is not ways that people derive stories from images, we offer considerations disturbed in the process [17]. This affirms how creative writing and for collecting story-driven training data to inform automatic visual imagery are interconnected such that stories can be derived story generation. In correspondence with each theme, we envision from images to culminate in creative visual storytelling.

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