The Editor Who Moves Theory Into the Mainstream

In her 2018 book "Double Negative: The Black Image and Popular Culture," Racquel Gates explores the disruptive potential of stereotypical or so-called negative images of Black people onscreen: Flavor Flav on VH1's "Flavor of Love," for example, and the stars of "ratchet" reality shows such as "Basketball Wives." These images, Gates argues, intervene against narratives of racial uplift that are overly tethered to white and middle-class definitions of respectability. In her acknowledgments section, Gates, a professor of film and media studies at Columbia, invokes a scene from "Love & Hip Hop," in which an aspiring singer tells an entertainment manager, "I want to be on your roster." Gates writes, "While I was tempted to quote this bit of dialogue to my editor, Ken Wissoker, during our first meeting, I erred on the side of caution." Wissoker, who has been an editor at Duke University Press since 1991, has a formidable roster, and one could easily imagine a reality show about junior scholars fighting for a chance to work with him.