Under the Influence at the Whitney Biennial

How the artists in this year's survey do or, more often, don't acknowledge those who paved the way for them. Machado makes pieces that one might call documents of reverence, excavated burial grounds. If nothing else, the 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer (at the Whitney Museum through August 23rd), introduces viewers to what I call ChatGPT art--facsimiles of facsimiles by makers who have little if any relationship to what they're putting out there, aside from its being a product in service of a career. Indeed, it's difficult to think of the people who grew up with and apparently condone the use of A.I. sources in the creation of "art" as artists themselves, especially if you define art as a creative expression of thoughts or feelings that have changed, and contributed to the vision of, the artists who made it. It's true that, nearly from the beginning, postmodern art challenged the notion of originality, or, more specifically, the weight of originality--often with great joy and wit and not a little fear.