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Under the Influence at the Whitney Biennial

The New Yorker

How the artists in this year's survey do or, more often, don't acknowledge those who paved the way for them. Machado makes pieces that one might call documents of reverence, excavated burial grounds. If nothing else, the 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer (at the Whitney Museum through August 23rd), introduces viewers to what I call ChatGPT art--facsimiles of facsimiles by makers who have little if any relationship to what they're putting out there, aside from its being a product in service of a career. Indeed, it's difficult to think of the people who grew up with and apparently condone the use of A.I. sources in the creation of "art" as artists themselves, especially if you define art as a creative expression of thoughts or feelings that have changed, and contributed to the vision of, the artists who made it. It's true that, nearly from the beginning, postmodern art challenged the notion of originality, or, more specifically, the weight of originality--often with great joy and wit and not a little fear.


Gamers Hate Nvidia's DLSS 5. Developers Aren't Crazy About It, Either

WIRED

Nvidia's new AI upscaling gaming technology struck gamers as uncanny and off-putting. Developers don't seem to like it, either, but it could be "the default" in a few years. Nvidia announced a new version of its DLSS AI upscaling technology for its graphics cards earlier this week at its GPU Technology Conference (GTC), which it calls the Super Bowl of AI . But unlike previous versions of DLSS that used AI to improve frame rates in video games, DLSS 5 has a much more ambitious calling: using generative AI to make character faces in games look more realistic and detailed. The demonstration received sharp blowback on social media, with many finding the effect off-putting, reacting with outright disgust, and calling it yet another example of AI slop .


UK reverses course on AI copyright position after backlash

Engadget

Sir Paul McCartney was among the artists who spoke out on the issue. After significant backlash, the UK backed off from that position. We have listened, Technology Secretary Liz Kendall said on Wednesday. However, the government's new stance is, well, not a stance at all. It currently no longer has a preferred option about how to handle the issue.


Sony removes 135,000 deepfakes of its artists' music

BBC News

Sony removes 135,000 'deepfakes' of its artists' music Music giant Sony Music says it has requested the removal of more than 135,000 songs by fraudsters impersonating its artists on streaming services. The so-called deepfakes were created using generative AI, and targeted some of the company's biggest acts, who include Beyoncé, Queen and Harry Styles In the worst cases, [the deepfakes] potentially damage a release campaign or tarnish the reputation of an artist, said Dennis Kooker, president of Sony's global digital business. The company says the number of songs generated in this fashion is only increasing as artificial intelligence technology becomes cheaper and easier to access. It believes the 135,000 tracks it has discovered to date represents just a percentage of the total uploaded to streaming services. Since last March alone, it has identified some 60,000 songs falsely purporting to feature artists from their roster.


Government backtracks on AI and copyright after outcry from major artists

BBC News

We have listened, Technology Secretary Liz Kendall said on Wednesday, saying the government no longer favours that approach. However, the government's position is now unclear, saying it no longer has a preferred option for what to do next. Kendall said the government had engaged extensively with people in the creative and AI industries. It is attempting to balance the interests of the two sectors by giving creatives control how their work is used, while recognising AI models need to be trained on work such as writing, music and video. In a report published on Wednesday, the government said there was no consensus on how these objectives should be achieved.




Electronic artist and YouTuber Look Mum No Computer to represent UK at Eurovision

BBC News

Electronic music artist and tech creator Look Mum No Computer has been chosen to represent the UK at this year's Eurovision Song Contest in Vienna, the BBC has announced. Look Mum No Computer is a solo artist, songwriter and YouTuber, who is also described as an inventor of unique musical machines. The singer first arrived on the music scene back in 2014 as Sam Battle, frontman of indie rock band Zibra. The group performed at Glastonbury in 2015 for BBC Introducing. Since then, he has been performing and recording under his solo name.


aa7ef4c0f4aaabf376088a1a74e09d4c-Supplemental-Datasets_and_Benchmarks.pdf

Neural Information Processing Systems

Pleaseprovideadescription.531 We want to provide an open-source large-scale music dataset for the research com-532 munity. Such large datasets do not yet exist in this domain, and we believetheyare533 neededtodemocratize innovationinmusicresearch andML-assisted musiccreation.534