"Sirāt" Is a Harrowing, Exhilarating Dance of Death

The New Yorker 

At one point, Luis assumes that he and Esteban have been abandoned, only to realize, with a start, that their newfound friends are actually circling back to help. In such moments, we grasp the source of the story's mysterious power: a tough-minded understanding that kindness is rare yet persistent, and quite possibly an affront to the laws of nature. "Sirāt" is a chain of defiantly compassionate acts--noble human improbabilities that take on, in retrospect, an air of fatalistic inevitability. Laxe, a restless wanderer himself, knows Morocco well. He shot his first feature, "You All Are Captains" (2011), in Tangier, where he'd spent several years working at a shelter for disadvantaged children. Several of these children appeared in the movie--a formally playful collision of fiction and documentary in which Laxe, also making an appearance, slyly interrogated his European outsider-artist role. Next came "Mimosas" (2016), an elusive, arrestingly gorgeous drama about a caravan bearing a dying sheikh across Morocco's Atlas Mountains to his homeland. The film had the beauty of a travelogue and the opacity of a parable. Its most dynamic character was a fiery Muslim preacher who warned his fellow-travellers not to stray, geographically or morally.