A.I. is here, and it's making movies. Is Hollywood ready?

Scott Mann had a problem: too many f-bombs. The writer-director had spent production on "Fall," his vertigo-inducing thriller about rock climbers stuck atop a remote TV tower, encouraging the two leads to have fun with their dialogue. That improv landed a whopping 35 "f-cks" in the film, placing it firmly in R-rated territory. But when Lionsgate signed on to distribute "Fall," the studio wanted a PG-13 edit. Sanitizing the film would mean scrubbing all but one of the obscenities. "How do you solve that?" Mann recalled from the glass-lined conference room of his Santa Monica office this October, two months after the film's debut.