If the six projects presented at a recent TV documentary pitch session held at the Unifrance Rendez-Vous in Paris share relatively few thematic or stylistic points in common, when taken as a whole, the diverse titles relay two incontrovertible truths: While advances in filmmaking technology now offer industry creatives unprecedented freedoms, when it comes to hooking the audience, nothing beats a good story well told. Three of the six projects presented at the Rendez-Vous forum reflect the format's growing technological trends. To offer competing visions of the future, Mad Films/Camera Subjective's speculative science-fiction project "2080" will use CGI, motion capture and some of the digital production techniques pioneered by Disney's "The Mandalorian," whereas to open a window into the past, France Televisions/Program33's historical doc "The Joan of Arc Case" will use detailed digital recreations of 15th-century France. On a similar front, the four-episode edutainment project "Science in Archeology 3.0," directed by Alexandra Barbot and Ste phane Jacques, produced by Roche Productions, and handled internationally by Lucky You, looks to employ recent advances in digital mapping, photogrammetry, and scanning techniques to recreate digital models of the ancient world. At the pitch presentation, co-director Alexandra Barbot likened the digital recreations to "entering Ali Baba's cave," arguing that these new model could rekindle that same spark of discovery that lit up so many young imaginations.
Jan-19-2022, 13:05:38 GMT