Creating an African American-Sounding TTS: Guidelines, Technical Challenges,and Surprising Evaluations

This poses challenges for applications interested in targeting specific demographics (e.g., an African American business or NGO; a voice-tutoring system for children that are not of White ethnicity, etc.). The ultimate goal of the project described in this paper is to provide to designers, developers, and enterprises the choice of having a professional voice which is clearly recognizable as African American, and therefore more able to address diversity and inclusiveness issues. Being more precise, our goal is to create an African American Text-to-Speech system, which we will refer simply as an African American voice or AA voice, able to produce synthetic audio segments from standard English texts, and which will be recognized by African American speakers and non-speakers as sounding like a native African American speaker. The AA voice should exhibit a level of technical quality similar to the Standard American English (SAE) synthetic voices currently available through professional platforms. The evaluation of the technical quality of the AA voice, however, is not addressed in this paper, which focuses primarily on whether the AA voice can be recognized as sounding like an African American speaker. Linguists [27, 28] have described a continuum of dialects under what is often termed African American Vernacular English (AAVE). At one end of the spectrum, one finds the largest deviation from SAE in terms of lexicon (including slang), syntax and morphology, and phonological/phonetic properties. At the other end, AAVE speakers begin to approach SAE in terms of lexicon and grammar but still retain marked speech characteristics (primarily in terms of intonation, phonation, and vowel placement [14, 28]) which grant the speech a distinctive identity which listeners use as cues in the perception of African American English [44].