Language models are often said to face a symbol grounding problem. While some have argued the problem can be solved without resort to other modalities, many have speculated that grounded learning is more efficient. We explore this question in Othello, a simplified, rule-based world that offers a controlled and interpretable testbed for studying world understanding. Building on prior work, we introduce VISOTHELLO, a multi-modal model trained jointly on move sequences and board images. Using the Othello rule understanding task, we examine whether multi-modal learning provides advantages over text-only approaches. We further evaluate robustness under semantically irrelevant perturbations and analyze the consistency of cross-modal alignment. Our results suggest that multi-modal training not only improves performance and robustness but also promotes convergence toward shared internal representations across different model architectures.

Novel view synthesis (NVS) from a single image is highly ill-posed due to large unobserved regions, especially for views that deviate significantly from the input. While existing methods focus on consistency between the source and generated views, they often fail to maintain coherence and correct view alignment across long-range or looped trajectories. We propose a model that addresses this by decomposing single-view NVS into a 360-degree scene extrapolation followed by novel view interpolation. This design ensures long-term view and scene consistency by conditioning on keyframes extracted and warped from a generated panoramic representation. In the first stage, a panorama diffusion model learns the scene prior from the input perspective image. Perspective keyframes are then sampled and warped from the panorama and used as anchor frames in a pre-trained video diffusion model, which generates novel views through a proposed spatial noise diffusion process. Compared to prior work, our method produces globally consistent novel views -- even in loop closure scenarios -- while enabling flexible camera control. Experiments on diverse scene datasets demonstrate that our approach outperforms existing methods in generating coherent views along user-defined trajectories. Our implementation is available at https://github.com/YiGuYT/LookBeyond.

The ability to rapidly adapt to novel and unforeseen environmental changes is a cornerstone of artificial general intelligence (AGI), yet it remains a critical blind spot in most existing AI benchmarks. Traditional evaluation largely focuses on optimizing performance within fixed environments, failing to assess systems' flexibility and generalization capabilities when faced with even subtle rule or structural modifications. Addressing this gap, I introduce the Othello AI Arena, a novel benchmark framework designed to evaluate intelligent systems based on their capacity for limited-time adaptation to unseen environments. Our platform poses a meta-learning challenge: participants must develop systems that can analyze the specific configuration and rules of a novel Othello board within a strict time limit (60 seconds) and generate a tailored, high-performing strategy for that unique environment. With this, evaluation of the meta-level intelligence can be separated from the task-level strategy performance. The Arena features a diverse set of game stages, including public stages for development and private stages with structural and rule variations designed to test genuine adaptive and generalization capabilities. Implemented as an accessible web-based platform, the Arena provides real-time visualization, automated evaluation using multi-dimensional metrics, and comprehensive logging for post-hoc analysis. Initial observations from pilot tests and preliminary student engagements highlight fascinating patterns in adaptation approaches, ranging from rapid parameter tuning to rudimentary environmental model learning through simulation. The Othello AI Arena offers a unique educational tool and a valuable research benchmark for fostering and evaluating the crucial skill of rapid, intelligent adaptation in AI systems.

Although multi-agent systems based on large language models show strong capabilities on multiple tasks, they are still limited by high computational overhead, information loss, and robustness. Inspired by ResNet's residual learning, we propose Residual Mixture-of-Agents (RMoA), integrating residual connections to optimize efficiency and reliability. To maximize information utilization from model responses while minimizing computational costs, we innovatively design an embedding-based diversity selection mechanism that greedily selects responses via vector similarity. Furthermore, to mitigate iterative information degradation, we introduce a Residual Extraction Agent to preserve cross-layer incremental information by capturing inter-layer response differences, coupled with a Residual Aggregation Agent for hierarchical information integration. Additionally, we propose an adaptive termination mechanism that dynamically halts processing based on residual convergence, further improving inference efficiency. RMoA achieves state-of-the-art performance on the benchmarks of across alignment, mathematical reasoning, code generation, and multitasking understanding, while significantly reducing computational overhead. Code is available at https://github.com/mindhunter01/RMoA.

More than 30 performing arts leaders in the UK, including the bosses of the National Theatre, Opera North and the Royal Albert Hall, have joined the chorus of creative industry concern about the government's plans to let artificial intelligence companies use artists' work without permission. They also urged the government to support the "moral and economic rights" of the creative community in music, dance, drama and opera. The 35 signatories of the statement include the chief executives of the Sadler's Wells dance theatre, the Royal Shakespeare Company, the City of Birmingham Symphony Orchestra and the Leeds Playhouse. The performing arts bosses added that they embraced advances in technology and were "participants" in innovation, but stated the government's plans risked undermining their ability to participate in the development and deployment of AI. Critics of the opt out plan have described it as unfair and impractical.

Li et al. (2023) used the Othello board game as a test case for the ability of GPT-2 to induce world models, and were followed up by Nanda et al. (2023b). We briefly discuss the original experiments, expanding them to include more language models with more comprehensive probing. Specifically, we analyze sequences of Othello board states and train the model to predict the next move based on previous moves. We evaluate seven language models (GPT-2, T5, Bart, Flan-T5, Mistral, LLaMA-2, and Qwen2.5) on the Othello task and conclude that these models not only learn to play Othello, but also induce the Othello board layout. We find that all models achieve up to 99% accuracy in unsupervised grounding and exhibit high similarity in the board features they learned. This provides considerably stronger evidence for the Othello World Model Hypothesis than previous works. Li et al. (2023) used the Othello board game to probe the ability of LLMs to induce world models. Their network had a 60-word input vocabulary, corresponding to the 64 tiles of an Othello board, except for the four that are already filled at the start. They trained the network on two datasets: one on about 140,000 real Othello games and another on millions of synthetic games. They then trained 64 independent non-linear probes (two-layer MLP classifiers) to classify each of the 64 tiles into three states: black, blank, and white, using internal representations from Othello-GPT as input.

Recent sparse multi-view scene reconstruction advances like DUSt3R and MASt3R no longer require camera calibration and camera pose estimation. However, they only process a pair of views at a time to infer pixel-aligned pointmaps. When dealing with more than two views, a combinatorial number of error prone pairwise reconstructions are usually followed by an expensive global optimization, which often fails to rectify the pairwise reconstruction errors. To handle more views, reduce errors, and improve inference time, we propose the fast single-stage feed-forward network MV-DUSt3R. At its core are multi-view decoder blocks which exchange information across any number of views while considering one reference view. To make our method robust to reference view selection, we further propose MV-DUSt3R+, which employs cross-reference-view blocks to fuse information across different reference view choices. To further enable novel view synthesis, we extend both by adding and jointly training Gaussian splatting heads. Experiments on multi-view stereo reconstruction, multi-view pose estimation, and novel view synthesis confirm that our methods improve significantly upon prior art. Code will be released.

The game of Othello is one of the world's most complex and popular games that has yet to be computationally solved. Othello has roughly ten octodecillion (10 to the 58th power) possible game records and ten octillion (10 to the 28th power) possible game positions. The challenge of solving Othello, determining the outcome of a game with no mistake made by either player, has long been a grand challenge in computer science. This paper announces a significant milestone: Othello is now solved. It is computationally proved that perfect play by both players lead to a draw. Strong Othello software has long been built using heuristically designed search techniques. Solving a game provides a solution that enables the software to play the game perfectly.

Foundation models exhibit significant capabilities in decision-making and logical deductions. Nonetheless, a continuing discourse persists regarding their genuine understanding of the world as opposed to mere stochastic mimicry. This paper meticulously examines a simple transformer trained for Othello, extending prior research to enhance comprehension of the emergent world model of Othello-GPT. The investigation reveals that Othello-GPT encapsulates a linear representation of opposing pieces, a factor that causally steers its decision-making process. This paper further elucidates the interplay between the linear world representation and causal decision-making, and their dependence on layer depth and model complexity. We have made the code public.

The multi-talented entertainer Tracey Ullman has compiled an outstanding résumé throughout the course of her career. For your upcoming production, are you looking for a dynamic and adaptable entertainer? The most notable feature of Tracey's career is her aptitude at switching between many mediums with ease. Tracey has repeatedly shown that she is a genuine chameleon of the entertainment business, from her early days as a stand-up comedian on stage to her success on television with her own sketch comedy shows to her more recent work in film and theater. Tracey is a talented writer who has written and produced a number of her own television shows in addition to penning several novels.