Oscar nominations are an important factor in the movie industry because they can boost both the visibility and the commercial success. This work explores whether it is possible to predict Oscar nominations for screenplays using modern language models. Since no suitable dataset was available, a new one called Movie-O-Label was created by combining the MovieSum collection of movie scripts with curated Oscar records. Each screenplay was represented by its title, Wikipedia summary, and full script. Long scripts were split into overlapping text chunks and encoded with the E5 sentence em bedding model. Then, the screenplay embed dings were classified using a logistic regression model. The best results were achieved when three feature inputs related to screenplays (script, summary, and title) were combined. The best-performing model reached a macro F1 score of 0.66, a precision recall AP of 0.445 with baseline 0.19 and a ROC-AUC of 0.79. The results suggest that even simple models based on modern text embeddings demonstrate good prediction performance and might be a starting point for future research.

Vision-Language Models (VLMs) often struggle to balance visual and textual information when summarizing complex multimodal inputs, such as entire TV show episodes. In this paper, we propose a zero-shot video-to-text summarization approach that builds its own screenplay representation of an episode, effectively integrating key video moments, dialogue, and character information into a unified document. Unlike previous approaches, we simultaneously generate screenplays and name the characters in zero-shot, using only the audio, video, and transcripts as input. Additionally, we highlight that existing summarization metrics can fail to assess the multimodal content in summaries. To address this, we introduce MFactSum, a multimodal metric that evaluates summaries with respect to both vision and text modalities. Using MFactSum, we evaluate our screenplay summaries on the SummScreen3D dataset, demonstrating superiority against state-of-the-art VLMs such as Gemini 1.5 by generating summaries containing 20% more relevant visual information while requiring 75% less of the video as input.

Guillermo del Toro Hopes He's Dead Before AI Art Goes Mainstream The director tells WIRED the real Victor Frankensteins are tyrannical politicians and Silicon Valley tech bros. Guillermo del Toro attends the Headline Gala screening of Netflix's during the 69th BFI London Film Festival. Guillermo del Toro loves a challenge. Nothing the 61-year-old director does could be termed "half-assed," and each of his movies is planned, scripted, and storyboarded with immense attention to detail. Such discipline is evident in, his adaptation of Mary Shelley's 1818 novel. It's a movie del Toro has been trying to make for years, and it shows. The elaborate sets and costumes--as well as some embellishing of Shelley's story--could only be the work of someone as connected as he is with his source material.

Large Language Models (LLMs) have demonstrated remarkable proficiency in generating highly structured texts. However, while exhibiting a high degree of structural organization, movie scripts demand an additional layer of nuanced storytelling and emotional depth-the 'soul' of compelling cinema-that LLMs often fail to capture. To investigate this deficiency, we first curated CML-Dataset, a dataset comprising (summary, content) pairs for Cinematic Markup Language (CML), where 'content' consists of segments from esteemed, high-quality movie scripts and 'summary' is a concise description of the content. Through an in-depth analysis of the intrinsic multi-shot continuity and narrative structures within these authentic scripts, we identified three pivotal dimensions for quality assessment: Dialogue Coherence (DC), Character Consistency (CC), and Plot Reasonableness (PR). Informed by these findings, we propose the CML-Bench, featuring quantitative metrics across these dimensions. CML-Bench effectively assigns high scores to well-crafted, human-written scripts while concurrently pinpointing the weaknesses in screenplays generated by LLMs. To further validate our benchmark, we introduce CML-Instruction, a prompting strategy with detailed instructions on character dialogue and event logic, to guide LLMs to generate more structured and cinematically sound scripts. Extensive experiments validate the effectiveness of our benchmark and demonstrate that LLMs guided by CML-Instruction generate higher-quality screenplays, with results aligned with human preferences.

Large language models (LLMs) have been prominent in various tasks, including text generation and summarisation. The applicability of LLMs to the generation of product reviews is gaining momentum, paving the way for the generation of movie reviews. In this study, we propose a framework that generates movie reviews using three LLMs (GPT-4o, DeepSeek-V3, and Gemini-2.0), and evaluate their performance by comparing the generated outputs with IMDb user reviews. We use movie subtitles and screenplays as input to the LLMs and investigate how they affect the quality of reviews generated. We review the LLM-based movie reviews in terms of vocabulary, sentiment polarity, similarity, and thematic consistency in comparison to IMDB user reviews. The results demonstrate that LLMs are capable of generating syntactically fluent and structurally complete movie reviews. Nevertheless, there is still a noticeable gap in emotional richness and stylistic coherence between LLM-generated and IMDb reviews, suggesting that further refinement is needed to improve the overall quality of movie review generation. We provided a survey-based analysis where participants were told to distinguish between LLM and IMDb user reviews. The results show that LLM-generated reviews are difficult to distinguish from IMDB user reviews. We found that DeepSeek-V3 produced the most balanced reviews, closely matching IMDb reviews. GPT-4o overemphasised positive emotions, while Gemini-2.0 captured negative emotions better but showed excessive emotional intensity.

Published as a conference paper at ICLR 2025R 2: A LLM B ASED N OVEL-TO-S CREENPLAYG ENER-ATIONF RAMEWORK WITH C AUSALP LOT G RAPHS Zefeng Lin 1, Yi Xiao 1, Zhiqiang Mo 1, Qifan Zhang 1, Jie Wang 2, Jiayang Chen 2, Jiajing Zhang 2, Hui Zhang 1, Zhengyi Liu 3, Xianyong Fang 3, Xiaohua Xu 1 1 University of Science and Technology of China 2 Anhui Jianzhu University 3 Anhui University A BSTRACT Automatically adapting novels into screenplays is important for the TV, film, or opera industries to promote products with low costs. The strong performances of large language models (LLMs) in long-text generation call us to propose a LLM based framework Reader-Rewriter (R 2) for this task. However, there are two fundamental challenges here. First, the LLM hallucinations may cause inconsistent plot extraction and screenplay generation. Second, the causality-embedded plot lines should be effectively extracted for coherent rewriting. Therefore, two corresponding tactics are proposed: 1) A hallucination-aware refinement method (HAR) to iteratively discover and eliminate the affections of hallucinations; and 2) a causal plot-graph construction method (CPC) based on a greedy cycle-breaking algorithm to efficiently construct plot lines with event causalities. Recruiting those efficient techniques, R 2 utilizes two modules to mimic the human screenplay rewriting process: The Reader module adopts a sliding window and CPC to build the causal plot graphs, while the Rewriter module generates first the scene outlines based on the graphs and then the screenplays. HAR is integrated into both modules for accurate inferences of LLMs.

Computational narrative understanding studies the identification, description, and interaction of the elements of a narrative: characters, attributes, events, and relations. Narrative research has given considerable attention to defining and classifying character types. However, these character-type taxonomies do not generalize well because they are small, too simple, or specific to a domain. We require robust and reliable benchmarks to test whether narrative models truly understand the nuances of the character's development in the story. Our work addresses this by curating the Chatter dataset that labels whether a character portrays some attribute for 88148 character-attribute pairs, encompassing 2998 characters, 13324 attributes and 660 movies. We validate a subset of Chatter, called ChatterEval, using human annotations to serve as an evaluation benchmark for the character attribution task in movie scripts. ChatterEval assesses narrative understanding and the long-context modeling capacity of language models.

The proliferation of creative video content has driven demand for textual descriptions or summaries that allow users to recall key plot points or get an overview without watching. The volume of movie content and speed of turnover motivates automatic summarisation, which is nevertheless challenging, requiring identifying character intentions and very long-range temporal dependencies. The few existing methods attempting this task rely heavily on textual screenplays as input, greatly limiting their applicability. In this work, we propose the task of automatic screenplay generation, and a method, ScreenWriter, that operates only on video and produces output which includes dialogue, speaker names, scene breaks, and visual descriptions. ScreenWriter introduces a novel algorithm to segment the video into scenes based on the sequence of visual vectors, and a novel method for the challenging problem of determining character names, based on a database of actors' faces. We further demonstrate how these automatic screenplays can be used to generate plot synopses with a hierarchical summarisation method based on scene breaks. We test the quality of the final summaries on the recent MovieSum dataset, which we augment with videos, and show that they are superior to a number of comparison models which assume access to goldstandard screenplays.

Movie screenplay summarization is challenging, as it requires an understanding of long input contexts and various elements unique to movies. Large language models have shown significant advancements in document summarization, but they often struggle with processing long input contexts. Furthermore, while television transcripts have received attention in recent studies, movie screenplay summarization remains underexplored. To stimulate research in this area, we present a new dataset, MovieSum, for abstractive summarization of movie screenplays. This dataset comprises 2200 movie screenplays accompanied by their Wikipedia plot summaries. We manually formatted the movie screenplays to represent their structural elements. Compared to existing datasets, MovieSum possesses several distinctive features: (1) It includes movie screenplays, which are longer than scripts of TV episodes. (2) It is twice the size of previous movie screenplay datasets. (3) It provides metadata with IMDb IDs to facilitate access to additional external knowledge. We also show the results of recently released large language models applied to summarization on our dataset to provide a detailed baseline.

Generative AI has demonstrated unprecedented creativity in the field of computer vision, yet such phenomena have not been observed in natural language processing. In particular, large language models (LLMs) can hardly produce written works at the level of human experts due to the extremely high complexity of literature writing. In this paper, we present HoLLMwood, an automated framework for unleashing the creativity of LLMs and exploring their potential in screenwriting, which is a highly demanding task. Mimicking the human creative process, we assign LLMs to different roles involved in the real-world scenario. In addition to the common practice of treating LLMs as ${Writer}$, we also apply LLMs as ${Editor}$, who is responsible for providing feedback and revision advice to ${Writer}$. Besides, to enrich the characters and deepen the plots, we introduce a role-playing mechanism and adopt LLMs as ${Actors}$ that can communicate and interact with each other. Evaluations on automatically generated screenplays show that HoLLMwood substantially outperforms strong baselines in terms of coherence, relevance, interestingness and overall quality.