'I feel like I'm at war': are we losing the battle against machine-made music? This year, the battle for song of the summer has been eclipsed by a much more complicated - some would even say disturbing - debate. That's because we find ourselves asking not "What's the song of the summer?" but rather "Is the song of the summer even?" Among the top contenders for the title is Fenix Flexin's Rubberz, a single released in June that has ascended to No 58 on the Billboard Hot 100 and racked up more than 35m Spotify streams. The artist is known for his trap music as part of the rap duo Shoreline Mafia, but Rubberz is a mildly noirish, 80s-inspired synth-pop track featuring a voice nothing like his.

Dr François Pachet is an AI researcher and musician, and one of the most influential figures in AI and music. His innovative contributions have defined the field over the past decades through creative systems such as the Continuator, and Flow Machines, among others. After leading the Spotify Creator Technology Research Lab and the Sony Computer Science Lab, he went on to create his own companies: Imagine All The People and Ynosound. In the context of IJCAI2025, he spoke about what deep learning changed, and what still remains wide open. He explains why tools like Suno and Udio--ChatGPT-like platforms for music generation--can produce astonishing results that still feel unsatisfying; why the next step for music generation requires combining sampling with search; and why the most important problems in artistic domains are, by nature, ill-defined--because there is no loss function to determine what is "good". Above all, he defends the importance of researcher autonomy: work on the questions that genuinely fascinate you, even when they fall outside prevailing trends--perhaps especially then. Thank you for joining me for this interview. Could you begin by telling us when was your first IJCAI and a memory related to it? I think the first IJCAI I attended was in Montreal in '95. I was there for a couple of workshops, one of them was about music and AI, and the other one I think was on advisor systems, something like that. And I remember there was a French colleague who was there also, at the time he was doing his PhD. And there was this researcher called Herbert Simon, who is a Nobel Prize pioneer of AI. I remember having chatted a little bit with this French guy who was very bold, and he just went up to Simon, said "Hey," and he started a conversation with him. And I was very impressed by the fact that you could meet those kinds of guys informally in a corridor or something at this conference.

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US rapper Afroman has defeated seven sheriff's deputies in a court case after they sued him for releasing songs and videos that mocked them and a raid they carried out on his home. The officers broke down the musician's door in 2022 as part of a drug and kidnapping investigation, but the raid didn't lead to any charges. Afroman, best known for his 2000 hit Because I Got High, responded by using home security footage in viral videos that ridiculed the deputies. His video for the song Lemon Pound Cake was inspired by a deputy apparently eyeing a cake in his kitchen, while another video attributed personal and sexual transgressions to the officers. They sued him for defamation, but a jury has sided with the colourful rapper after a three-day trial. Afroman yelled outside the Ohio court, surrounded by supporters, in a clip posted on social media after the verdict.

Sony removes 135,000 'deepfakes' of its artists' music Music giant Sony Music says it has requested the removal of more than 135,000 songs by fraudsters impersonating its artists on streaming services. The so-called deepfakes were created using generative AI, and targeted some of the company's biggest acts, who include Beyoncé, Queen and Harry Styles In the worst cases, [the deepfakes] potentially damage a release campaign or tarnish the reputation of an artist, said Dennis Kooker, president of Sony's global digital business. The company says the number of songs generated in this fashion is only increasing as artificial intelligence technology becomes cheaper and easier to access. It believes the 135,000 tracks it has discovered to date represents just a percentage of the total uploaded to streaming services. Since last March alone, it has identified some 60,000 songs falsely purporting to feature artists from their roster.

Hackers made death threats against this security researcher. In April 2024, a mysterious someone using the online handles "Waifu" and "Judische" began posting death threats on Telegram and Discord channels aimed at a cybersecurity researcher named Allison Nixon. These anonymous personas targeted Nixon because she had become a formidable threat: As chief research officer at the cyber investigations firm Unit 221B, named after Sherlock Holmes's apartment, she had built a career tracking cybercriminals and helping get them arrested. Though she'd done this work for more than a decade, Nixon couldn't understand why the person behind the accounts was suddenly threatening her. And although she had taken an interest in the Waifu persona in years past for crimes he boasted about committing, he hadn't been on her radar for a while when the threats began, because she was tracking other targets. Now Nixon resolved to unmask Waifu/Judische and others responsible for the death threats--and take them down for crimes they admitted to committing.

ALS stole this musician's voice. AI let him sing again. Patrick Darling used a music tool from ElevenLabs to perform a song with his former bandmates. There are tears in the audience as Patrick Darling's song begins to play. It's a heartfelt song written for his great-grandfather, whom he never got the chance to meet. But this performance is emotional for another reason: It's Darling's first time on stage with his bandmates since he lost the ability to sing two years ago.

'Music is not a problem to solve' Mikey Shulman, co-founder and CEO of Suno. 'Music is not a problem to solve' Mikey Shulman, co-founder and CEO of Suno. Is this man the future of music - or its executioner? AI evangelist Mikey Shulman says he's making pop, not slop Worth a staggering $2.45bn, Suno is an AI music company that can create a track with just a few prompts. Why is its CEO happy to see it called'the Ozempic of the music industry'?

AI struggles to write a good jingle. You'd be forgiven if you can't hum the 18th-century Cumbrian folk song "Do Ye Ken John Peel." But in 1942, a version of that tune, reworked with lyrics about Pepsi-Cola, was the most recognized melody in America. Three years earlier, two men walked into the office of Pepsi-Cola's president, carrying a phonograph. They played a demo of what would become one of America's earliest advertising jingles.