A few weeks ago, OpenAI pulled off one of the greatest corporate promotions in recent memory. Whereas the initial launch of ChatGPT, back in 2022, was "one of the craziest viral moments i'd ever seen," CEO Sam Altman wrote on social media, the response to a new upgrade was, in his words, "biblical": 1 million users supposedly signed up to use the chatbot in just one hour, Altman reported, thanks to a new, more permissive image-generating capability that could imitate the styles of various art and design studios. Altman called it "a new high-water mark for us in allowing creative freedom." Almost immediately, images began to flood the internet. The most popular style, by a long shot, was that of Studio Ghibli, the Japanese animation studio co-founded by Hayao Miyazaki and widely beloved for films such as Spirited Away and Princess Mononoke.

Social media has recently been flooded with images that look like they belong in a Studio Ghibli film. Selfies, family photos and even memes have been re-imagined with the soft pastel palette characteristic of the Japanese animation company founded by Hayao Miyazaki. The update significantly improved ChatGPT's image generation capabilities, allowing users to create convincing Ghibli-style images in mere seconds. It has been enormously popular – so much so, in fact, that the system crashed due to user demand. Generative artificial intelligence (AI) systems such as ChatGPT are best understood as "style engines".

If asked to come up with a quintessentially "human" work of art, one could do worse than to name a film by Studio Ghibli. The Japanese animation studio, founded by the legendary eighty-four-year-old director Hayao Miyazaki, is known for its hand-drawn imagery, lushly organic color palettes, epic narratives, and evocation of both the emotional ambiguities of childhood and the twisting path to becoming an adult. We American millennials were blessed to have the films translated and distributed in English just as we were growing up, and so movies including "My Neighbor Totoro," "Princess Mononoke," and "Spirited Away" are nigh-universally recognizable touchstones of our youth. Any Ghibli imagery is primed to make us feel a combination of pleasurable nostalgia and mournful shivers, evoking the doomed forest creatures, greedy bathhouse ghosts, and missed connections featured in Miyazaki's cinematic story lines. Unfortunately, that sense of poignancy quickly erodes when you are bombarded with thousands of Ghibli-esque copycat images, as we all were online last week, thanks to OpenAI's latest version of its ChatGPT tool.

Sign up for the Slatest to get the most insightful analysis, criticism, and advice out there, delivered to your inbox daily. Since OpenAI released an update earlier this week that improved ChatGPT's ability to generate images based on detailed requests, a dark evil has infected the internet, responsible for the shriveling of souls and the wanton destruction of life and nature itself: Studio Ghibli A.I. slop. Social media has been flooded with images of the most random shit imaginable rendered in the signature style of Hayao Miyazaki, the legendary animator and co-founder of the Japanese company Studio Ghibli, renowned for hand-drawn animated films such as Princess Mononoke, Spirited Away, and My Neighbor Totoro. X in particular, Elon Musk's land of the rising bot, is rife with viral posts extolling the virtues of an innovation that steals human-made creations, chews them into paste, and spits out the reassembled remains, stripped of any of the originality, spirit, and labor that makes art art. It's been 24 hours since OpenAI unexpectedly shook the AI image world with 4o image generation.

Put bluntly, picking the best movies of 2023 was tough. The double-whammy of Barbie and Oppenheimer gave the box office a long-overdue, post-Covid-19 jolt, only to be followed by a pair of months-long strikes in Hollywood that shut down production on nearly all the films in the works for 2024 and beyond. Even now, with the strikes over, the industry is scratching its head at what happened and what's to come. Still, amidst all the noise, 2023 provided a wealth of quietly beautiful films. Even as Hollywood fretted over the possibility of artificial intelligence upending filmmaking and giving writing and acting gigs to bots, it's impossible to watch the movies on this list and not feel such a possibility is faintly ridiculous.

In 2016, Studio Ghibli co-founder and director Hayao Miyazaki, responsible for beloved anime classics like Princess Mononoke and Kiki's Delivery Service, made headlines around the world for his reaction to an AI animation program. "I would never wish to incorporate this technology into my work at all," Miyazaki told the software engineers who came to show their creation to him. "I strongly feel that this is an insult to life itself." A half-decade later, artificial intelligence and the potential role it could play in anime productions is once again in the spotlight. This week, Netflix shared Dog and Boy, an animated short the streaming giant described as an "experimental effort" to address the anime industry's ongoing labor shortage.

There's a tweet that I saw recently which referenced an old video of Hayao Miyazaki, a famous Japanese animator, which started me philosophising about AI and it's relevance in art. In the video, Miyazaki makes some strong comments about the AI generated footage he is shown to the obvious dismay of the software engineers giving the presentation. Even though I have been like those software engineers sitting across from a potential client being told "your software is garbage" and can empathise with how that may hurt, I definitely agree with Miyazaki -- AI art will never be art. I think it's fair to say, art has never been about the outcome. As my high school literature teacher would often say "how does it make you feel?".

We've reached a turning point in the story of machine learning where the technology has moved from the realm of theory and academics and into the "real world"--that is, businesses providing all kinds of services and products to people across the globe. While this shift is exciting, it's also challenging, as it combines the complexities of machine learning models with the complexities of the modern organization. One difficulty, as organizations move from experimenting with machine learning to scaling it in production environments, is maintenance. How can companies go from managing just one model to managing tens, hundreds, or even thousands? This is not only where MLOps comes into play, but it's also where the aforementioned complexities, both on the technical and business sides, appear.

A film's themes, or its plot, can be misconstrued by a lazy viewer. Only a video game, however, can punish an audience's faults. If a player mistimes a jump, falls to an adversary, or fails to reach the end of a level, a game can deny them access to the rest of the work, halting progress until they pass the test or resign in defeat. The video-game director Hidetaka Miyazaki, who's in his late forties, has punished more players than perhaps anyone else. In Dark Souls, the 2011 fantasy game that made him famous, you play as a loin-clothed wretch, racing through sewers and cowering in forests.

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