The Limits of A.I.-Generated Miyazaki

The New Yorker 

If asked to come up with a quintessentially "human" work of art, one could do worse than to name a film by Studio Ghibli. The Japanese animation studio, founded by the legendary eighty-four-year-old director Hayao Miyazaki, is known for its hand-drawn imagery, lushly organic color palettes, epic narratives, and evocation of both the emotional ambiguities of childhood and the twisting path to becoming an adult. We American millennials were blessed to have the films translated and distributed in English just as we were growing up, and so movies including "My Neighbor Totoro," "Princess Mononoke," and "Spirited Away" are nigh-universally recognizable touchstones of our youth. Any Ghibli imagery is primed to make us feel a combination of pleasurable nostalgia and mournful shivers, evoking the doomed forest creatures, greedy bathhouse ghosts, and missed connections featured in Miyazaki's cinematic story lines. Unfortunately, that sense of poignancy quickly erodes when you are bombarded with thousands of Ghibli-esque copycat images, as we all were online last week, thanks to OpenAI's latest version of its ChatGPT tool.