Look Up Mashable's Best: E-readers, robovacs, laptops, earbuds, smart home and more Getting Technical with Mashable Mashable Selects Gift Ideas For Everyone On Your List Say More Versus Trending Now In My Bag Mashable @Home Top creators, ranked Creator Playbook All Series It's hurricane season, which means the internet's favorite blue-collar soap opera is making the rounds again. Chance Townsend is the General Assignments Editor at Mashable, covering tech, video games, dating apps, digital culture, and whatever else comes his way. He has a Master's in Journalism from the University of North Texas and is a proud orange cat father. His writing has also appeared in PC Mag and . If your timeline has suddenly filled up with talk of linemen, no, it's not about the big boys working in the NFL trenches.

Mashable's Best: E-readers, robovacs, laptops, earbuds, smart home and more Mashable @Home Look Up Trending Now Mashable Selects Say More Top creators, ranked Gift Ideas For Everyone On Your List Creator Playbook In My Bag AI at School Safety Net All Series'Behemoth!' review: Pedro Pascal's cellist drama is (mostly) music to our ears Pedro Pascal and Tony Gilroy team up for a musical drama that could use a tad more fine-tuning. Belen Edwards is an Entertainment Reporter at Mashable. She covers movies and TV with a focus on fantasy and science fiction, adaptations, animation, and more nerdy goodness. She is a member of the Critics Choice Association and the Television Critics Association, as well as a Tomatometer-approved critic. Pedro Pascal's time as Hollywood's go-to leading man has mostly been defined by his ability to bring deep sensitivity to high-profile genre projects.

That OpenAI may have brooked issues with makes sense. The film is almost completely unflattering, depicting Altman and other OpenAI stakeholders--as well as all the major drivers of the AI boom--as vain, reckless, and insufferably boring. Where 2010's succeeded in making Silicon Valley computer savants look like robust titans of industry and architects of the future, works to opposing ends. It depicts its tech titans as self-regarding dweebs. Comparisons to David Fincher's Facebook drama are inevitable.

Look Up Mashable's Best: E-readers, robovacs, laptops, earbuds, smart home and more Trending Now Mashable Selects Say More Top creators, ranked Gift Ideas For Everyone On Your List Creator Playbook In My Bag AI at School Safety Net Versus All Series'A Statement' review: Star-studded climate change drama is more than just hot air Belen Edwards is an Entertainment Reporter at Mashable. She covers movies and TV with a focus on fantasy and science fiction, adaptations, animation, and more nerdy goodness. She is a member of the Critics Choice Association and the Television Critics Association, as well as a Tomatometer-approved critic. That is one of the early questions posed in director Tom McCarthy's (), which dramatizes a real-life 1980 meeting between scientists, policymakers, and activists about the issue of climate change . By the end of the conference, participants are expected to have prepared a statement on the problem, and what to do next.

September is typically the time when television gets serious again. The summer's biggest TV shows have aired their finales, the fall schedule is kicking into high gear, and streamers are rolling out everything from high-concept sci-fi to prestige dramas. There's plenty of familiar IP in the mix, but also some genuinely original shows worth putting on your to-watch list. While plenty of outlets will tell you what everyone is watching (see:), that's not our goal. As always, the TV shows we're watching this month reflect the kinds of stories WIRED covers every day--shows that explore technology, science, politics, culture, and the sometimes unsettling ways they intersect.

Mashable's Best: E-readers, robovacs, laptops, earbuds, smart home and more Creator Playbook Look Up Back to School Mashable Selects Say More Trending Now Good Connection: Uplifting stories for a digital age Switch Off Mashable Voices Safety Net Versus All Series TIFF 2026 preview: 18 films (and shows) you'll want to see (and how) Hudson Williams, Mahershala Ali, Andrew Scott, and more have new projects coming soon. Shannon Connellan is Mashable's Senior Editor, General Assignments, based in London. She has been Mashable's UK Editor (and still manages the illustrious UK team) and Australia Editor, but emotionally, she lives searching for . A Tomatometer-approved critic, Shannon writes about entertainment, tech, social good, science, culture, and Australian horror, and loves to nerd out with movie stars, filmmakers, and TV creators . Belen Edwards is an Entertainment Reporter at Mashable. She covers movies and TV with a focus on fantasy and science fiction, adaptations, animation, and more nerdy goodness. She is a member of the Critics Choice Association and the Television Critics Association, as well as a Tomatometer-approved critic.

Look Up Say More Switch Off Mashable's Best: E-readers, robovacs, laptops, earbuds, smart home and more Creator Playbook Mashable Voices Trending Now Mashable Selects Safety Net Versus Gift Ideas For Everyone On Your List In My Bag All Series Shannon Connellan is Mashable's Senior Editor, General Assignments, based in London. She has been Mashable's UK Editor (and still manages the illustrious UK team) and Australia Editor, but emotionally, she lives searching for . A Tomatometer-approved critic, Shannon writes about entertainment, tech, social good, science, culture, and Australian horror, and loves to nerd out with movie stars, filmmakers, and TV creators . Belen Edwards is an Entertainment Reporter at Mashable. She covers movies and TV with a focus on fantasy and science fiction, adaptations, animation, and more nerdy goodness. She is a member of the Critics Choice Association and the Television Critics Association, as well as a Tomatometer-approved critic. Kristy Puchko is the Entertainment Editor at Mashable. Based in New York City, she's an established film critic and entertainment reporter who has traveled the world on assignment, covered a variety of film festivals, co-hosted movie-focused podcasts, and interviewed a wide array of performers and filmmakers. All products featured here are independently selected by our editors and writers. If you buy something through links on our site, Mashable may earn an affiliate commission.

What happens if pretending to be someone else becomes your entire life? It is a question at the heart of many of the biggest spy dramas, from Slow Horses to Black Doves - and it is one that TV thriller series The Agency explores more deeply than most. Returning for a second season, the Paramount+ thriller follows CIA operatives living under deep-cover identities. It examines not just the dangers of espionage, but the psychological cost of maintaining a lie for years. Starring Michael Fassbender, Richard Gere and Katherine Waterston, the series is based on acclaimed French drama The Bureau.

It is not only OpenAI but the AI race itself that was vindicated in the California courtroom last night . Even though Elon Musk essentially lost on a technicality, there's a clear signal from the verdict that making lots of money from AI and competing fiercely with rivals is simply business. The industry sometimes tries to display a united front, especially when it comes to safety, research and inclusivity. But this case served as a powerful reminder that none of the AI giants are charities and don't have to be, even if they once said otherwise. Cracks in the façade of industry collaboration for the sake of humanity have been exposed before.

The viral short dramas are increasingly being created entirely with AI, with hundreds of new shows spun up each day. In a dimly lit bedroom, a frightened young woman is thrown onto a bed by a tall, muscular man. He grabs her hand, and flame-like vines crawl across her body, fusing with her flesh. A dragon-shaped tattoo appears across her chest. "Two months," the man says. "Give me an heir, or I will eat you."