September is typically the time when television gets serious again. The summer's biggest TV shows have aired their finales, the fall schedule is kicking into high gear, and streamers are rolling out everything from high-concept sci-fi to prestige dramas. There's plenty of familiar IP in the mix, but also some genuinely original shows worth putting on your to-watch list. While plenty of outlets will tell you what everyone is watching (see:), that's not our goal. As always, the TV shows we're watching this month reflect the kinds of stories WIRED covers every day--shows that explore technology, science, politics, culture, and the sometimes unsettling ways they intersect.

Mashable's Best: E-readers, robovacs, laptops, earbuds, smart home and more Creator Playbook Look Up Back to School Mashable Selects Say More Trending Now Good Connection: Uplifting stories for a digital age Switch Off Mashable Voices Safety Net Versus All Series TIFF 2026 preview: 18 films (and shows) you'll want to see (and how) Hudson Williams, Mahershala Ali, Andrew Scott, and more have new projects coming soon. Shannon Connellan is Mashable's Senior Editor, General Assignments, based in London. She has been Mashable's UK Editor (and still manages the illustrious UK team) and Australia Editor, but emotionally, she lives searching for . A Tomatometer-approved critic, Shannon writes about entertainment, tech, social good, science, culture, and Australian horror, and loves to nerd out with movie stars, filmmakers, and TV creators . Belen Edwards is an Entertainment Reporter at Mashable. She covers movies and TV with a focus on fantasy and science fiction, adaptations, animation, and more nerdy goodness. She is a member of the Critics Choice Association and the Television Critics Association, as well as a Tomatometer-approved critic.

Look Up Say More Switch Off Mashable's Best: E-readers, robovacs, laptops, earbuds, smart home and more Creator Playbook Mashable Voices Trending Now Mashable Selects Safety Net Versus Gift Ideas For Everyone On Your List In My Bag All Series Shannon Connellan is Mashable's Senior Editor, General Assignments, based in London. She has been Mashable's UK Editor (and still manages the illustrious UK team) and Australia Editor, but emotionally, she lives searching for . A Tomatometer-approved critic, Shannon writes about entertainment, tech, social good, science, culture, and Australian horror, and loves to nerd out with movie stars, filmmakers, and TV creators . Belen Edwards is an Entertainment Reporter at Mashable. She covers movies and TV with a focus on fantasy and science fiction, adaptations, animation, and more nerdy goodness. She is a member of the Critics Choice Association and the Television Critics Association, as well as a Tomatometer-approved critic. Kristy Puchko is the Entertainment Editor at Mashable. Based in New York City, she's an established film critic and entertainment reporter who has traveled the world on assignment, covered a variety of film festivals, co-hosted movie-focused podcasts, and interviewed a wide array of performers and filmmakers. All products featured here are independently selected by our editors and writers. If you buy something through links on our site, Mashable may earn an affiliate commission.

What happens if pretending to be someone else becomes your entire life? It is a question at the heart of many of the biggest spy dramas, from Slow Horses to Black Doves - and it is one that TV thriller series The Agency explores more deeply than most. Returning for a second season, the Paramount+ thriller follows CIA operatives living under deep-cover identities. It examines not just the dangers of espionage, but the psychological cost of maintaining a lie for years. Starring Michael Fassbender, Richard Gere and Katherine Waterston, the series is based on acclaimed French drama The Bureau.

It is not only OpenAI but the AI race itself that was vindicated in the California courtroom last night . Even though Elon Musk essentially lost on a technicality, there's a clear signal from the verdict that making lots of money from AI and competing fiercely with rivals is simply business. The industry sometimes tries to display a united front, especially when it comes to safety, research and inclusivity. But this case served as a powerful reminder that none of the AI giants are charities and don't have to be, even if they once said otherwise. Cracks in the façade of industry collaboration for the sake of humanity have been exposed before.

The viral short dramas are increasingly being created entirely with AI, with hundreds of new shows spun up each day. In a dimly lit bedroom, a frightened young woman is thrown onto a bed by a tall, muscular man. He grabs her hand, and flame-like vines crawl across her body, fusing with her flesh. A dragon-shaped tattoo appears across her chest. "Two months," the man says. "Give me an heir, or I will eat you."

Miniature people have been a staple of science fiction and fantasy going all the way back to Jonathan Swift's, and shrunken characters have taken the spotlight in everything from classic Hollywood movies like and to family-friendly blockbusters like and . References to these movies and others are strewn throughout the new Peacock limited series, but the drawn-out, 10-episode show isn't a particularly worthwhile addition to the sci-fi shrinking canon. Taking only the title and basic premise from Manuel Gonzales's 2014 short story, stars Elizabeth Banks as Lindy Littlejohn, a once-prominent author who now works as a university professor and has been overshadowed by her scientist husband Les (Matthew Macfadyen). Lindy, you see, feels metaphorically small in both her personal and professional lives, and is about to become literally small following an accident - or it? The most pressing problem for Lindy is that Les has yet to develop a stable antidote to his formula, and everything that he has attempted to return to its original size thus far has almost immediately exploded.

Collaborative filtering methods based on implicit feedback (e.g., purchase records and browsing history) are widely used in recommender systems. Compared to explicit feedback (e.g., 1-5 star ratings), implicit feedback is more abundant and accessible in real-world applications. However, the missing data of implicit feedback also brings two challenges.

New Year is a time of reinvention. In that spirit, I would like to shake up this preview of 2026's best sci-fi and science-related TV with a radical act: including a series that started last year. That may seem strange, but the second season of Fallout (Amazon Prime Video) aired in only mid-December, so, for my money, it counts. Set in a retrofuturistic US, generations of humans have lived inside radiation-proof bunkers sold to them by the shadowy Vault-Tec corporation. Last season, former vault-dweller Lucy (Ella Purnell) went surface-side to find her missing father, encountering cowboys and cannibals along the way.

As large language models (LLMs) are increasingly used in human-AI interactions, their social reasoning capabilities in interpersonal contexts are critical. We introduce SCRIPTS, a 1k-dialogue dataset in English and Korean, sourced from movie scripts. The task involves evaluating models' social reasoning capability to infer the interpersonal relationships (e.g., friends, sisters, lovers) between speakers in each dialogue. Each dialogue is annotated with probabilistic relational labels (Highly Likely, Less Likely, Unlikely) by native (or equivalent) Korean and English speakers from Korea and the U.S. Evaluating nine models on our task, current proprietary LLMs achieve around 75-80% on the English dataset, whereas their performance on Korean drops to 58-69%. More strikingly, models select Unlikely relationships in 10-25% of their responses. Furthermore, we find that thinking models and chain-of-thought prompting, effective for general reasoning, provide minimal benefits for social reasoning and occasionally amplify social biases. Our findings reveal significant limitations in current LLMs' social reasoning capabilities, highlighting the need for efforts to develop socially-aware language models.