For screenwriters like me--and job seekers all over--AI gig work is the new waiting tables. In eight months, I've done 20 of these soul-crushing contracts for five different platforms. My name on the platform is ri611. I work as an AI trainer. I assess whether a chatbot's tone is natural or flat, affected or annoying. I identify patterns in pictures of furniture; search the internet for group photos of strangers whom I'll eliminate from the portrait, one by one. I trawl through bizarre videos so I can annotate and time-stamp the barking of a dog, the moment a stranger walks past a window, the precise millisecond a balloon pops. I generate anime sex scenes and decapitate young women, coax LLMs into giving me recipes for bombs made of household items, and generate invites to a reprise of January 6 at the White House, all as part of a red team whose purpose is to test safety precautions and probe weaknesses. I work for companies with names like Mercor and Outlier and Task-ify and Turing and Handshake and Micro1. In my "other" career, I am a Hollywood writer and showrunner. I create prime-time TV, usually featuring a middle-class white lady having the worst day of her life, with some salt-of-the-earth police interference to raise the stakes. You can find my shows on Paramount and Hulu and the BBC.

This paper presents a novel framework in which video/image segmentation and localization are cast into a single optimization problem that integrates information from low level appearance cues with that of high level localization cues in a very weakly supervised manner. The proposed framework leverages two representations at different levels, exploits the spatial relationship between bounding boxes and superpixels as linear constraints and simultaneously discriminates between foreground and background at bounding box and superpixel level. Different from previous approaches that mainly rely on discriminative clustering, we incorporate a foreground model that minimizes the histogram difference of an object across all image frames. Exploiting the geometric relation between the superpixels and bounding boxes enables the transfer of segmentation cues to improve localization output and vice-versa. Inclusion of the foreground model generalizes our discriminative framework to video data where the background tends to be similar and thus, not discriminative. We demonstrate the effectiveness of our unified framework on the YouTube Object video dataset, Internet Object Discovery dataset and Pascal VOC 2007.

In this interview series, we're meeting some of the AAAI/SIGAI Doctoral Consortium participants to find out more about their research. We sat down with Maxime Meyer to chat about his current research, future plans, and how he found the doctoral consortium experience. Could you start with an introduction to yourself, where you're studying and the topic of your research? My research focuses on large language models. Which aspect of large language models are you looking at?

Results averaged over ResNet18 and ResNet50.

Q1: Table 1 looks strange to me. It might better to give more intuitions and explanations.

In table 3, we demonstrate the prompt for textualized recaptioning.

The negative prompt used is " unrealistic, bad anatomy, wrong anatomy, extra limb, missing limb,