I Work in Hollywood. Everyone Who Used to Make TV Is Now Secretly Training AI

For screenwriters like me--and job seekers all over--AI gig work is the new waiting tables. In eight months, I've done 20 of these soul-crushing contracts for five different platforms. My name on the platform is ri611. I work as an AI trainer. I assess whether a chatbot's tone is natural or flat, affected or annoying. I identify patterns in pictures of furniture; search the internet for group photos of strangers whom I'll eliminate from the portrait, one by one. I trawl through bizarre videos so I can annotate and time-stamp the barking of a dog, the moment a stranger walks past a window, the precise millisecond a balloon pops. I generate anime sex scenes and decapitate young women, coax LLMs into giving me recipes for bombs made of household items, and generate invites to a reprise of January 6 at the White House, all as part of a red team whose purpose is to test safety precautions and probe weaknesses. I work for companies with names like Mercor and Outlier and Task-ify and Turing and Handshake and Micro1. In my "other" career, I am a Hollywood writer and showrunner. I create prime-time TV, usually featuring a middle-class white lady having the worst day of her life, with some salt-of-the-earth police interference to raise the stakes. You can find my shows on Paramount and Hulu and the BBC.