Teresa Carey: This is Scientific American's 60-Second Science. Every morning at five o'clock, composer Walter Werzowa would sit down at his computer to anticipate a particular daily e-mail. It came from six time zones away, where a team had been working all night (or day, rather) to draft Beethoven's unfinished 10th Symphony--almost two centuries after his death. The e-mail contained hundreds of variations, and Werzowa listened to them all. Carey: Werzowa was listening for the perfect tune--a sound that was unmistakably Beethoven.
Oct-17-2021, 10:05:46 GMT