Ada Palmer is a professor of European history at the University of Chicago. Her four-volume science fiction series, Terra Ignota, was inspired by 18th-century philosophers such as Voltaire and Diderot. "I wanted to write a story that Voltaire might have written if Voltaire had been able to read the last 70 years' worth of science fiction and have all of those tools at his disposal," Palmer says in Episode 495 of the Geek's Guide to the Galaxy podcast. Palmer says that Voltaire could actually be considered the first science fiction writer, thanks to a piece he wrote in 1752. "Voltaire has a short story called'Micromégas,' in which an alien from Saturn and an alien from a star near Sirius come to Earth, and they are enormous, and they explore the Earth and have trouble finding life-forms because to them a whale is the size of a flea," she says.

People tend to rejoice in the disclosure of a secret. Or, at the very least, media outlets have come to realize that news of "mysteries solved" and "hidden treasures revealed" generate traffic and clicks. So I'm never surprised when I see AI-assisted revelations about famous masters' works of art go viral. Over the past year alone, I've come across articles highlighting how artificial intelligence recovered a "secret" painting of a "lost lover" of Italian painter Modigliani, "brought to life" a "hidden Picasso nude", "resurrected" Austrian painter Gustav Klimt's destroyed works and "restored" portions of Rembrandt's 1642 painting "The Night Watch."The As an art historian, I've become increasingly concerned about the coverage and circulation of these projects.

People tend to rejoice in the disclosure of a secret. Or, at the very least, media outlets have come to realize that news of "mysteries solved" and "hidden treasures revealed" generate traffic and clicks. So I'm never surprised when I see AI-assisted revelations about famous masters' works of art go viral. Over the past year alone, I've come across articles highlighting how artificial intelligence recovered a "secret" painting of a "lost lover" of Italian painter Modigliani, "brought to life" a "hidden Picasso nude", "resurrected" Austrian painter Gustav Klimt's destroyed works and "restored" portions of Rembrandt's 1642 painting "The Night Watch." As an art historian, I've become increasingly concerned about the coverage and circulation of these projects.

Legal AI company Voltaire has launched an application that will allow lawyers and litigation consultants to rapidly analyse potential jurors by crunching public Big Data, including social media posts. The system is of primary use in America and similar legal systems where lawyers for either side in a trial are allowed to research potential jurors before the case commences and selectively apply preemptory strikes, or make a case for a'for-cause' in order to seek a better outcome for their client. Also known as the voir dire phase of trial, jury analysis and selection is an often complex and time-consuming element to much US litigation. Voltaire hopes to use AI, such as machine learning and natural language processing (NLP) to not just greatly speed up the process, but to provide lawyers with new insights via Big Data analysis that would normally be very hard and expensive to attain using manual methods. Colorado-based founder and former IBM staffer, Basit Mustafa, explains to Artificial Lawyer that Voltaire explores all public data related to the potential juror, correlates the data against known patterns in human behaviour and then produces a detailed profile, with indications of the type of person they are and how their views and biases may be a positive or negative factor as part of a jury.

Of all the prejudices of pundits, presentism is the strongest. It is the assumption that what is happening now is going to keep on happening, without anything happening to stop it. If the West has broken down the Berlin Wall and McDonald's opens in St. Petersburg, then history is over and Thomas Friedman is content. If, by a margin so small that in a voice vote you would have no idea who won, Brexit happens; or if, by a trick of an antique electoral system designed to give country people more power than city people, a Donald Trump is elected, then pluralist constitutional democracy is finished. The liberal millennium was upon us as the year 2000 dawned; fifteen years later, the autocratic apocalypse is at hand. You would think that people who think for a living would pause and reflect that whatever is happening usually does stop happening, and something else happens in its place; a baby who is crying now will stop crying sooner or later. Exhaustion, or a change of mood, or a passing sound, or a bright light, something, always happens next. But for the parents the wait can feel the same as forever, and for many pundits, too, now is the only time worth knowing, for now is when the baby is crying and now is when they're selling your books.

'The best is the enemy of the good," said Voltaire. It's a maxim that has a particular resonance for tech designers, because it highlights the intrinsic tension between ambition and pragmatism that haunts them. Many perfectly viable products have never made it beyond the prototype stage because their designers felt they fell too far short of the ideals they had set for themselves. One of the reasons why Steve Jobs was so remarkable as a company boss is that he was the exception that proved Voltaire's rule. He was a perfectionist for whom the good was the enemy of the best.

Scientists at Glasgow University have established a world first by cracking the communication code of our brains. Pioneering research in the field of cognitive neuroimaging has revealed how brains process what we see. The work has been led by Prof Philippe Schyns, the head of Glasgow's school of psychology, with more than a little help from Voltaire and Salvador Dali. How Dali's mind worked is a matter of continuing conjecture. But one of his works has helped unlock how our minds work.