This spanning of scope reflects the genius of Peirce's insight wherein semiosis can begin literally at the cusp of Nothingness [20] and then proceed to capture the process of signmaking, language, logic, the scientific method and thought abstraction to embrace the broadest and most complex of topics. This process is itself mediated by truth-testing and community use and consensus, with constant refinement as new insights and knowledge arise.

Although it has contributed to remarkable improvements in some specific areas, attempts to develop a universal design theory are generally characterized by failure. This paper sketches arguments for a new approach to engineering design based on Semiotics - the science about signs. The approach is to combine different design theories over all the product life cycle stages into one coherent and traceable framework. Besides, it is to bring together the designer's and user's understandings of the notion of 'good product'. Building on the insight from natural sciences that complex systems always exhibit a self-organizing meaning-influential hierarchical dynamics, objective laws controlling product development are found through an examination of design as a semiosis process. These laws are then applied to support evolutionary design of products. An experiment validating some of the theoretical findings is outlined, and concluding remarks are given.

This paper investigates the concept of digital city. First, a functional analysis of a digital city is made in the light of the modern study of urbanism; similarities between the virtual and urban constructions are pointed out. Next, a semiotic perspective on the subject matter is elaborated, and a terminological basis is introduced to treat a digital city as a self-organizing meaning-producing system intended to support social or spatial navigation. An explicit definition of a digital city is formulated. Finally, the proposed approach is discussed, conclusions are given, and future work is outlined.