Mr. Smith Goes to Washington 1939 TCM Tue. 7 p.m. Mean Streets 1973 Cinemax Sun. 6 a.m. Batman Begins 2005 AMC Sun. Throw Momma From the Train 1987 EPIX Sun. Die Hard 1988 IFC Sun. I Know What You Did Last Summer 1997 Starz Tue. Gone in 60 Seconds 2000 CMT Wed. 8 p.m., Thur. Total Recall 1990 Encore Thur. 2 a.m. A Fish Called Wanda 1988 Encore Thur. 2 p.m., 9 p.m. The World Is Not Enough 1999 EPIX Sat. 4 p.m. Look Who's Talking 1989 OVA Sun. Die Hard With a Vengeance 1995 IFC Thur. Oil-platform workers, including an estranged couple, and a Navy SEAL make a startling deep-sea discovery. A clueless politician falls in love with a waitress whose erratic behavior is caused by a nail stuck in her head. After glimpsing his future, an ambitious politician battles the agents of Fate itself to be with the woman he loves. To help a friend, a suburban baby sitter drives into downtown Chicago with her two charges and a neighbor. Two teenage baby sitters and a group of children spend a wild night ...

Frantz Beautifully shot in black and white with the occasional warm burst of color, French writer-director François Ozon's intricately layered post-World War I drama puts a feminist spin on Ernst Lubitsch's 1932 antiwar film "Broken Lullaby." Graduation A film of gripping moral suspense from the writer-director Cristian Mungiu, this tough, clear-eyed and humane movie follows a father (Adrien Titieni) who will do anything to help his daughter (Maria Dragus) escape post-Ceausescu Romania. The Happiest Day in the Life of Olli Mäki A lovely piece of work from Finland, a sweet, warmly observed tale about a boxer falling in love before his biggest bout overlaid with just the right amount of Scandinavian melancholy. I Am Not Your Negro As directed by the gifted Raoul Peck, this documentary on James Baldwin uses the entire spectrum of movie effects, not only spoken language but also sound, music, editing and all manner of visuals, to create a cinematic essay that is powerful and painfully relevant. La La Land Starring a well-paired Ryan Gosling and Emma Stone, writer-director Damien Chazelle's tuneful tribute to classic movie musicals is often stronger in concept than execution, but it's lovely and transporting all the same.

After the Storm A sublimely simple family drama from Japanese writer-director Hirokazu Kore-eda, a filmmaker assured enough to hide his mastery in plain sight. Nothing is overemphasized, and nothing escapes his attention. Frantz Beautifully shot in black-and-white with the occasional warm burst of color, French writer-director François Ozon's intricately layered post-World War I drama puts a feminist spin on Ernst Lubitsch's 1932 anti-war film, "Broken Lullaby." Heal the Living Unusual in its story, unexpected in its structure, made with an unerring instinct for emotional connection, this French drama wallops us without ever overplaying its hand. I Am Not Your Negro As directed by the gifted Raoul Peck, this documentary on James Baldwin uses the entire spectrum of movie effects, not only spoken language but also sound, music, editing and all manner of visuals, to create a cinematic essay that is powerful and painfully relevant.

After the Storm A sublimely simple family drama from the Japanese writer-director Hirokazu Kore-eda, a filmmaker assured enough to hide his mastery in plain sight. Nothing is overemphasized, and nothing escapes his attention. Donnie Darko A haunted miasma of youthful alienation, suburban malaise, cosmic upheaval and 1980s pop-cultural infatuation, writer-director Richard Kelly's captivatingly strange 2001 debut, starring Jake Gyllenhaal, has returned to theaters just in time for our latest brush with the apocalypse. Frantz Beautifully shot in black-and-white with the occasional warm burst of color, French writer-director François Ozon's intricately layered post-World War I drama puts a feminist spin on Ernst Lubitsch's 1932 anti-war film, "Broken Lullaby." I Am Not Your Negro As directed by the gifted Raoul Peck, this documentary on James Baldwin uses the entire spectrum of movie effects, not only spoken language but also sound, music, editing and all manner of visuals, to create a cinematic essay that is powerful and painfully relevant.

After the Storm A sublimely simple family drama from the Japanese writer-director Hirokazu Kore-eda, a filmmaker assured enough to hide his mastery in plain sight. Nothing is overemphasized, and nothing escapes his attention. The Founder Michael Keaton gives a performance of ratty, reptilian brilliance as Ray Kroc, the American salesman who turned a California burger stand into the global fast-food behemoth that is McDonald's, in John Lee Hancock's shrewd and satisfyingly fat-free biopic. Frantz Beautifully shot in black-and-white with the occasional warm burst of color, French writer-director François Ozon's intricately layered post-World War I drama puts a feminist spin on Ernst Lubitsch's 1932 anti-war film, "Broken Lullaby." I Am Not Your Negro As directed by the gifted Raoul Peck, this documentary on James Baldwin uses the entire spectrum of movie effects, not only spoken language but also sound, music, editing and all manner of visuals, to create a cinematic essay that is powerful and painfully relevant.

Arrival Amy Adams stars in this elegant, involving science-fiction drama that is simultaneously old and new, revisiting many alien-invasion conventions but with unexpected intelligence, visual style and heart. Elle Paul Verhoeven's brilliantly booby-trapped thriller starring Isabelle Huppert is a gripping whodunit, a tour de force of psychological suspense and a wickedly droll comedy of manners. The Founder Michael Keaton gives a performance of ratty, reptilian brilliance as Ray Kroc, the American salesman who turned a California burger stand into the global fast-food behemoth that is McDonald's, in John Lee Hancock's shrewd and satisfyingly fat-free biopic. I Am Not Your Negro As directed by the gifted Raoul Peck, this documentary on James Baldwin uses the entire spectrum of movie effects, not only spoken language but also sound, music, editing and all manner of visuals, to create a cinematic essay that is powerful and painfully relevant. La La Land Starring a well-paired Ryan Gosling and Emma Stone, writer-director Damien Chazelle's tuneful tribute to classic movie musicals is often stronger in concept than execution, but it's lovely and transporting all the same.

Arrival Amy Adams stars in this elegant, involving science-fiction drama that is simultaneously old and new, revisiting many alien-invasion conventions but with unexpected intelligence, visual style and heart. Elle Paul Verhoeven's brilliantly booby-trapped thriller starring Isabelle Huppert is a gripping whodunit, a tour de force of psychological suspense and a wickedly droll comedy of manners. The Founder Michael Keaton gives a performance of ratty, reptilian brilliance as Ray Kroc, the American salesman who turned a California burger stand into the global fast-food behemoth that is McDonald's, in John Lee Hancock's shrewd and satisfyingly fat-free biopic. I Am Not Your Negro As directed by the gifted Raoul Peck, this documentary on James Baldwin uses the entire spectrum of movie effects, not only spoken language but also sound, music, editing and all manner of visuals, to create a cinematic essay that is powerful and painfully relevant. La La Land Starring a well-paired Ryan Gosling and Emma Stone, writer-director Damien Chazelle's tuneful tribute to classic movie musicals is often stronger in concept than execution, but it's lovely and transporting all the same.

Arrival Amy Adams stars in this elegant, involving science-fiction drama that is simultaneously old and new, revisiting many alien-invasion conventions but with unexpected intelligence, visual style and heart. Elle Paul Verhoeven's brilliantly booby-trapped thriller starring Isabelle Huppert is a gripping whodunit, a tour de force of psychological suspense and a wickedly droll comedy of manners. The Founder Michael Keaton gives a performance of ratty, reptilian brilliance as Ray Kroc, the American salesman who turned a California burger stand into the global fast-food behemoth that is McDonald's, in John Lee Hancock's shrewd and satisfyingly fat-free biopic. I Am Not Your Negro As directed by the gifted Raoul Peck, this documentary on James Baldwin uses the entire spectrum of movie effects, not only spoken language but also sound, music, editing and all manner of visuals, to create a cinematic essay that is powerful and painfully relevant. La La Land Starring a well-paired Ryan Gosling and Emma Stone, writer-director Damien Chazelle's tuneful tribute to classic movie musicals is often stronger in concept than execution, but it's lovely and transporting all the same.

Arrival Amy Adams stars in this elegant, involving science-fiction drama that is simultaneously old and new, revisiting many alien-invasion conventions but with unexpected intelligence, visual style and heart. The Eagle Huntress A portrait of a 13-year-old Kazakh girl from Mongolia who defies eons of tradition by learning to hunt with fierce golden eagles is a documentary so satisfying it makes you feel good about feeling good. Elle Paul Verhoeven's brilliantly booby-trapped thriller starring Isabelle Huppert is a gripping whodunit, a tour de force of psychological suspense and a wickedly droll comedy of manners. The Founder Michael Keaton gives a performance of ratty, reptilian brilliance as Ray Kroc, the American salesman who turned a California burger stand into the global fast-food behemoth that is McDonald's, in John Lee Hancock's shrewd and satisfyingly fat-free biopic. I Am Not Your Negro As directed by the gifted Raoul Peck, this documentary on James Baldwin uses the entire spectrum of movie effects, not only spoken language but also sound, music, editing and all manner of visuals, to create a cinematic essay that is powerful and painfully relevant.

Arrival Amy Adams stars in this elegant, involving science-fiction drama that is simultaneously old and new, revisiting many alien-invasion conventions but with unexpected intelligence, visual style and heart. The Eagle Huntress A portrait of a 13-year-old Kazakh girl from Mongolia who defies eons of tradition by learning to hunt with fierce golden eagles is a documentary so satisfying it makes you feel good about feeling good. The Edge of Seventeen Hailee Steinfeld gives a superb performance as a high-school misfit in Kelly Fremon Craig's disarmingly smart teen dramedy, the rare coming-of-age picture that feels less like a retread than a renewal. Elle Paul Verhoeven's brilliantly booby-trapped thriller starring Isabelle Huppert is a gripping whodunit, a tour de force of psychological suspense and a wickedly droll comedy of manners. The Founder Michael Keaton gives a performance of ratty, reptilian brilliance as Ray Kroc, the American salesman who turned a California burger stand into the global fast-food behemoth that is McDonald's, in John Lee Hancock's shrewd and satisfyingly fat-free biopic.