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The demand offers a preview of the intense scrutiny Trump would face in the final years of his presidency if Democrats reclaim the House in next week’s midterm elections.

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Kleber Mendonça Filho wants his films to reclaim lost history. For Kleber Mendonça Filho, filmmaking is an act of both provocation and preservation. Mendonça was born in 1968, in the early years of a ruthless military dictatorship--a time when cinema, like much else, was harshly constrained. His mother, Joselice Jucá, was a historian who studied Brazil's abolitionist movement, and she taught him that filling gaps in the cultural memory was a way to expose concealed truths. His relationship with film is inextricably linked with his home town, Recife--a port city where attractive beaches and high-rise developments coexist with sprawling favelas and rampant crime. In his youth, Mendonça was fascinated by the city's grand cinema palaces. He carried a Super 8 camera to the tops of marquees and shot dizzying images; he spent hours in projection booths, learning the mechanics of how films reached the screen. Over time, Mendonça watched those theatres fall into decline, an experience that he likened to being aboard a ship as it wrecked. But even as Recife lost its allure, he made the city a fixture of his films--a way of vindicating its place in history. His first narrative feature, "Neighboring Sounds," takes place on a street where he lived as a child, a setting that he spent years documenting. Later, he made "Pictures of Ghosts," a documentary about Recife told largely through its cinemas.

The people of Venezuela have spent years learning resilience in the face of censorship, disinformation, and repression. They now rely on those tools more than ever. In the early morning hours of Saturday, January 3, the roar of bombs dropping from the sky announced the US military attack on Venezuela, waking the sleeping residents of La Carlota, in Caracas, a neighborhood adjacent to the air base that was a target of Operation Absolute Resolve. Marina G.'s first thought, as the floors, walls, and windows of her second-story apartment shook, was that it was an earthquake. Her cat scrambled and hid for hours, while the neighbors' dogs began to bark incessantly.

MAGA's'Manifest Destiny' Coalition Has Arrived Warring factions of right-wing influencers and MAGA pundits can finally agree on something: American imperialism. For the past few months, some of the most influential figures in MAGA politics have been locked in bitter infighting . But with a new year comes new priorities, and the warring factions are reuniting around a new cause: a new era of American "manifest destiny." Major players, from influencers to politicians, have been arguing over the Trump administration's plans on issues like H-1B visas, Jeffrey Epstein document dumps, AI regulation, Israel's war with Hamas, and even white nationalist Nick Fuentes. But in recent weeks, these feuds have faded into background noise as the US raided Venezuela, arresting president Nicolás Maduro, and, more recently, as President Donald Trump publicly toys with invading Greenland and destroying NATO as we know it.

The news is a blow for Thinking Machines Lab. Two narratives are already emerging about what happened. Thinking Machines cofounders Barret Zoph and Luke Metz are leaving the fledgling AI lab and rejoining OpenAI, the ChatGPT-maker announced on Thursday. OpenAI's CEO of applications, Fidji Simo, shared the news in a memo to staff Thursday afternoon. The news was first reported on X by technology reporter Kylie Robison, who wrote that Zoph was fired for "unethical conduct."

January 3 marked the return of US military intervention in Latin America. While the events unfolded between Caracas and Brooklyn, social networks had already fabricated their own reality. A fire is seen in the distance at Fort Tiuna, Venezuela's largest military complex, following a series of explosions in Caracas on January 3, 2026. Geopolitics are being reduced to videos lasting just a few minutes. Social media has surpassed traditional media, not only in the speed with which it is created and shared, but also in its ability to frame our reality. People have the illusion of knowing what is happening and why within just a few hours--or less--of major world events. But reality is more complicated.