Generative AI systems for music and video commonly use text-based filters to prevent the regurgitation of copyrighted material. We expose a fundamental flaw in this approach by introducing Adversarial PhoneTic Prompting (APT), a novel attack that bypasses these safeguards by exploiting phonetic memorization. The APT attack replaces iconic lyrics with homophonic but semantically unrelated alternatives (e.g., "mom's spaghetti" becomes "Bob's confetti"), preserving acoustic structure while altering meaning; we identify high-fidelity phonetic matches using CMU pronouncing dictionary. We demonstrate that leading Lyrics-to-Song (L2S) models like SUNO and YuE regenerate songs with striking melodic and rhythmic similarity to their copyrighted originals when prompted with these altered lyrics. More surprisingly, this vulnerability extends across modalities. When prompted with phonetically modified lyrics from a song, a Text-to-Video (T2V) model like Veo 3 reconstructs visual scenes from the original music video-including specific settings and character archetypes-despite the absence of any visual cues in the prompt. Our findings reveal that models memorize deep, structural patterns tied to acoustics, not just verbatim text. This phonetic-to-visual leakage represents a critical vulnerability in transcript-conditioned generative models, rendering simple copyright filters ineffective and raising urgent concerns about the secure deployment of multimodal AI systems. Demo examples are available at our project page (https://jrohsc.github.io/music_attack/).

Drake and Kendrick Lamar's ongoing beef has left their devoted fans utterly divided over who's winning. The rappers have released several diss songs against each other and their fan bases are certain their team is winning. To try and strip biases out of the debate, we asked artificial intelligence chatbots who is winning the ongoing feud - and it produced some surprising insights. Three out of four AI chatbots remained politically correct when addressing which rapper is winning the beef, calling it'subjective' and saying it is up to the fans to decide. But Meta's AI bot said Kendrick had a slight edge in the beef so far. Gemini called Drake a'commercial powerhouse with numerous hit singles and albums that have topped the charts,' but said who is winning the feud remains subjective'Ultimately, the winner of the Drake versus Kendrick Lamar beef is subjective and depends on personal preference,' said DeepAI.

By now you've probably heard the deepfake AI-generated verses mimicking rappers like Drake, Kendrick Lamar, Nas, and Jay-Z. While the technology was shaky at first, these days it's so eerily good it's almost impossible to even tell you're listening to a fake -- especially when the creator has the cadence and delivery of your favorite rapper down pat. As the world continues to immerse itself in AI -- from sophisticated language models like ChatGPT and Bing (or Sydney if you ask it the right way) to AI image generators, and more -- the lightening-fast pace of the technology seems to be outrunning society's ability to adapt to the new future. Deepfakes can be entertaining -- we all loved Kendrick Lamar's "The Heart Part 5" video, but they can also be scary, even dangerous. As Axios pointed out in February, right now generative AI is a legal minefield.

Kendrick Lamar is out to show that deepfakes are useful for more than misinformation and creepy porn. The rapper has shared a music video for his "The Heart Part 5" single that revolves exclusively around deepfake celebrity faces superimposed on Kendrick's body as he spits bars. Deep Voodoo, a studio formed by South Park creators Trey Parker and Matt Stone, was responsible for the deepfake imagery. The video was directed by Kendrick and Dave Free. As with the lyrics themselves, the overlaid faces serve as commentary on the Black experience.

At first it seemed like director Ryan Coogler was simply listening to cultural kismet when he tapped Kendrick Lamar to put together the companion album to Black Panther. Casting the decade's reigning monarch (butterfly) of complex blackness in popular music logically followed from assembling a royal procession of black actors (among whom even Angela Bassett can sashay in as the Wakandan queen mother and barely steal focus) and a palatial retinue of behind-the-camera black excellence to mount a redefinition of the decade's reining genre of popcorn entertainment, the superhero movie. From Good Kid, M.A.A.D. City onward, Lamar's always represented his own trinity of black superhero, supervillain, and mortal in one person, exiled in a world not of his making. Who else, then, but King Kendrick or, as he's more Afrocentrically dubbed himself, King Kunta, for this epic of imagined African kingship transcending an American cartoon mythos? Who else but Kung Fu Kenny for this action film meant to dropkick historical trauma with a kinetic pivot to utopian possibility?

The new single by the superstar Compton rapper arrived suddenly last week, and on it he sounds like he's been storing this venom since birth. Lamar lunges at anyone in his way on the fourth installment of a song series he started in 2010. In one set of couplets, he slams the president with rhymes about complicity and truth: "Donald Trump is a chump/ Know how we feel, punk/ Tell'em that God comin'/ And Russia need a replay button/ Y'all up to somethin'." Big Sean?) and derides disgraced former L.A. County Sheriff Lee Baca -- "tables turned, lesson learned" -- who was recently convicted of obstructing a federal investigation and then lying about his actions. Musically, "The Heart, Part 4" features contributions from producers the Alchemist, Axl Folie, Syk Sense and DJ Dahi, who collaborate on a track that rolls through a few different movements and tempos.