Staring enigmatically at an unseen object to her right, the black-haired woman bears a striking resemblance to the person depicted in Pierre-Auguste Renoir's painting Gabrielle, which Sotheby's recently valued at between £100,000-150,000. However, art connoisseurs disagree over whether the work, which is owned by a private Swiss collector, is the real deal. Now, artificial intelligence has waded in to help settle the dispute, and the computer has deemed that it probably is a genuine Renoir. AI is increasingly being used to help adjudicate on whether valuable artworks are real or fake. Earlier this month, Art Recognition, the Swiss company that developed the technology, announced it had concluded that Switzerland's only Titian – a work titled Evening Landscape with Couple, held by Kunsthaus Zürich – was probably not painted by the 16th-century Venetian artist.

Nobody wants to be fat and men don't often want to be seen as effeminate, but for those in the gay community who live at the intersection of such identities, life can be like the worst case of double jeopardy. For Jamal Lewis however, who is also black and gender deviant, being fat and effeminate is a source of power, and a subject worthy of exploration in a documentary titled "No Fats, No Femmes." "For me, I'm just interested in the spaces that people are afraid to occupy," said Lewis, who uses "he-she" as a gender pronoun. "I think there is something to be learned from what we are most afraid of and so, if that's what I was taught to be afraid of, well [forget] that. I am the Fat Femme." Jamal Lewis, director of "No Fats, No Femmes," poses for a portrait on Third Street and Broadway in Los Angeles, Calif.

Being overweight carries with it a social stigma, as does being a man who embraces the feminine, but for those in the gay community who live at the intersection of such identities, life can be like the worst case of double jeopardy. To Jamal Lewis, however, who is also black and who identifies as "gender deviant," being fat and effeminate is a source of power and a subject worthy of exploration in a documentary titled "No Fats, No Femmes." "For me, I'm just interested in the spaces that people are afraid to occupy," said Lewis, who uses "he-she" as a gender pronoun. "I think there is something to be learned from what we are most afraid of, and so, if that's what I was taught to be afraid of, well [forget] that. I am the Fat Femme."