AI may be a dirty word in Hollywood, but Mr Mooser says their version of the technology is "clean." "Artists should be at the table," he says, adding that it's better to build the tool for filmmakers rather than get "rolled over by big tech companies". Artificial Intelligence has long been depicted as a villain in Hollywood. In "The Terminator," AI used by the US military decides it must destroy everyone on Earth. But it's AI's creators, and not the technology itself, that has received the brunt of real-life criticism.

'Beetlejuice Beetlejuice' star Justin Theroux tells Fox News Digital his thoughts on artificial intelligence and how it will impact future Hollywood films. A producer for the Oscar-winning film, "The Brutalist," is defending the production's use of artificial intelligence. D.J. Gugenheim, one of several producers involved in the film, spoke with Deadline at the Oscars on Sunday night, saying the technology is simply a tool. "If you're in post [-production] on a film, there's so many tools that you use, whether it's lighting, sound, and these are all versions of functions of numbers," he told the outlet. "What's important about how we're making a film is that we're trusting the actors and the creatives and the talent to make a film. So, if no one is losing a job, and you're making the best version of the product, that's when you're using a tool."

If you were on social media over the holiday weekend--and really, what better use of a holiday weekend is there--you might have noticed a controversy brewing around the use of artificial intelligence in The Brutalist, Brady Corbet's sprawling saga about a Jewish architect who escapes the Holocaust and immigrates to the U.S. to ply his trade. If you didn't happen to catch the initial backlash, good news: By Monday, Variety, the Hollywood Reporter, and Deadline had all picked up the story, and by this morning the internet was awash in aggregations and explainers, all blossoming two days before the Oscar nominations are announced. The flap traced back to an article published by RedShark News on Jan. 11--an eternity ago in internet time--that actually praised the film's "subtle and sensitive" use of artificial intelligence. Editor Dávid Jancsó detailed how the production used a tool called Respeecher to enhance "certain sounds" in Adrien Brody and Felicity Jones' Hungarian dialogue. Jancsó, a native speaker, explained that Hungarian is "one of the most difficult languages to learn to pronounce," and even after working with a dialogue coach, there were still lingering inaccuracies.

The filmmakers behind The Brutalist, a likely Oscar contender currently being distributed by A24, used AI to alter actor's dialogue and create images used in the film's epilogue, the film's editor Dávid Jancsó shared in an interview with RedShark News. The epic drama follows a fictional Hungarian architect (as played by Adrien Brody) who struggles to make art under the fickle system of American capitalism (and the weirdos that run it). To make Brody and his costar Felicity Jones' Hungarian pronunciation as accurate as possible, Jancsó says the production used AI from a company called Respeecher to alter the actor's speech. Respeecher was able to adjust the actor's vocals to make them match a native Hungarian speaker's pronunciation, though Jancsó says the process didn't do anything you couldn't achieve with traditional dialogue editing. "You can do this in ProTools yourself, but we had so much dialogue in Hungarian that we really needed to speed up the process, otherwise we'd still be in post."