The novelist Ewan Morrison was alarmed, though amused, to discover he had written a book called Nine Inches Pleases a Lady. Intrigued by the limits of generative artificial intelligence (AI), he had asked ChatGPT to give him the names of the 12 novels he had written. "I've only written nine," he says. "Always eager to please, it decided to invent three." The "nine inches" from the fake title it hallucinated was stolen from a filthy Robert Burns poem.

EXCLUSIVE - Author and filmmaker Justine Bateman expressed optimism for the country following President-elect Donald Trump's historic victory, saying it felt like a cloud had been lifted. I feel great, in fact," Bateman told Fox News Digital in an interview. "I feel like there was this kind of suffocating cloud that was kind of over us… Regular people who had questions about decisions that were being made were threatened subtly or obviously into silence. And I feel like that's been broken, that sort of suppression has been kind of broken." Bateman, best known for playing Mallory Keaton on the hit 1980s sitcom "Family Ties," recently went viral for referring to the last four years as being "a very un-American period" for free expression and that only "permitted positions" were accepted by the powers that be. "My belief is that everyone should be free to live their life exactly how they want to live it.

Justine Bateman won't name names, but a TV showrunner friend once came to her with a dilemma: their show's team was well into filming its second season when a network executive had an idea. A character in the pilot hadn't tested well with audiences, so they were just going to go in, use a little AI, and swap in someone else. The showrunner – and Bateman, an actor and director – were understandably incensed. "When you change the beginning of something, you change the creative trajectory," says Bateman. "There's going to be whiplash for the viewer when they get to episode three or four because what was set up in the pilot got messed with and now doesn't make sense." Using AI might have seemed like a simple solution to the executive, but to the showrunner, it was catastrophic.

Not everyone in Hollywood is happy with the film industry's historic AI deal. A provision allowing for the creation of digital replicas and synthetic performers could, critics argue, decrease the number of jobs available to both performers and crew. This, in turn, could allow big-name stars--and their AI-generated clones--to feature in multiple projects at once, pushing out emerging actors as Hollywood becomes awash with synthetic performers. Feelings are so strong that 14 percent of the national board of the Screen Actors Guild-American Federation of Television and Radio Artists, or SAG-AFTRA for short, actually voted against taking the deal to its general membership for ratification. Leaders of the Directors Guild of America and the Writers Guild of America, in contrast, overwhelmingly agreed to have their members accept the agreements they hammered out with the Alliance of Motion Picture and Television Producers (AMPTP).

Media mogul Barry Diller urged all parties to reach a resolution by September 1 amid ongoing Hollywood strikes during a Sunday interview on'Face the Nation.' Since the publication of the Bible, good vs. evil has long been a universal theme in literature - and in Hollywood storytelling. But could the same perceived evil force, also be good? As of May 2 of this year, 11,500 Hollywood screenwriters, represented by the Writers Guild of America (WGA) have been on strike over a three-pronged fight that boils down to money, autonomy, and Artificial Intelligence (AI). The writers are asking for increased and commensurate pay, for a guaranteed number of writers per room, and for regulated use of artificial intelligence in the writing process.

Justine Bateman told Fox News Digital using artificial intelligence to write a script is not solving any problems because there is no lack of talent in the industry. Not just anyone or anything can make it in Hollywood, according to Justine Bateman. The former "Family Ties" actress and accredited director is adamant artificial intelligence should not have its shot. "I think AI has no place in Hollywood at all. To me, tech should solve problems that humans have," Batemen told Fox News Digital.

He graduated w/Special Honors in ChE & later Cert. in Quality Mgmt. Syndicated research (silicon photonics); writes for trade press and web communities. Served Fortune 1000 and FTSE 250 companies in a variety of projects, including global market/product strategy and most recently deep analytics and forecasting. Following ten years in government research and management (Deputy Director, National Measurement Laboratory (US DoC NIST) and Chief, Chemical Engineering Division of NIST), Mr. Bateman worked at several start-ups in electronics and antennas, resulting in 100s of products and several patents. Mr. Bateman led efforts to bring design and manufacturing of telematics and in-building antennas to China and Malaysia, and was key in creating an Automotive Connectivity Unit in Laird, and led technical diligence for multiple acquisitions and creation of an Infrastructure Antenna Unit.

In this article, we propose a multimodal perspective to diagrammatic representations by sketching a description of what may be tentatively termed the diagrammatic mode . We consider diagrammatic representations in the light of contemporary multimodality theory and explicate what enables diagrammatic representations to integrate natural language, various forms of graphics, diagrammatic elements such as arrows, lines and other expressive resources into coherent organisations. We illustrate the proposed approach using two recent diagram corpora and show how a multimodal approach supports the empirical analysis of diagrammatic representations, especially in identifying diagrammatic constituents and describing their interrelations.

The Super Bowl is usually a terrible football game. Not in 2017 and 2018, though: Those games were unusually great! This year, however, the Super Bowl reverted to form--and it had a forgettable half-time show and largely forgettable ads to match. Were the commercials more entertaining than the game itself? The ads this year were largely risk-averse, save for a weird Burger King ad featuring Andy Warhol and a spot for the NFL itself featuring a very large cake.

Unlike technology, sometimes science fiction improves with age. Double Take is Popular Mechanics' look back at sci-fi classics that have something prescient to say about today. Four years ago, when Alex Garland's instant sci-fi classic Ex Machina debuted, it dropped into a different era--the time before Cambridge Analytica, before Russian election trolling, before the catastrophic Equifax leak and too many others like it. We'd spent decades knowing our personal data could be hacked, leaked, and abused by nefarious parties, of course. But back then, people tended to worry along individual lines, about a stolen identity or a maxed-out account--not the data-driven mass manipulation that has been repeatedly uncovered over the past few years.