The last decade has seen tremendous progress in our ability to generate realistic-looking data, be it images, text, audio, or video. Here, we discuss the closely related problem of quantifying realism, that is, designing functions that can reliably tell realistic data from unrealistic data. This problem turns out to be significantly harder to solve and remains poorly understood, despite its prevalence in machine learning and recent breakthroughs in generative AI. Drawing on insights from algorithmic information theory, we discuss why this problem is challenging, why a good generative model alone is insufficient to solve it, and what a good solution would look like. In particular, we introduce the notion of a universal critic, which unlike adversarial critics does not require adversarial training. While universal critics are not immediately practical, they can serve both as a North Star for guiding practical implementations and as a tool for analyzing existing attempts to capture realism.

Most neural compression models are trained on large datasets of images or videos in order to generalize to unseen data. Such generalization typically requires large and expressive architectures with a high decoding complexity. Here we introduce C3, a neural compression method with strong rate-distortion (RD) performance that instead overfits a small model to each image or video separately. The resulting decoding complexity of C3 can be an order of magnitude lower than neural baselines with similar RD performance. C3 builds on COOL-CHIC (Ladune et al.) and makes several simple and effective improvements for images. We further develop new methodology to apply C3 to videos. On the CLIC2020 image benchmark, we match the RD performance of VTM, the reference implementation of the H.266 codec, with less than 3k MACs/pixel for decoding. On the UVG video benchmark, we match the RD performance of the Video Compression Transformer (Mentzer et al.), a well-established neural video codec, with less than 5k MACs/pixel for decoding.

Neural compression is the application of neural networks and other machine learning methods to data compression. Recent advances in statistical machine learning have opened up new possibilities for data compression, allowing compression algorithms to be learned end-to-end from data using powerful generative models such as normalizing flows, variational autoencoders, diffusion probabilistic models, and generative adversarial networks. The present article aims to introduce this field of research to a broader machine learning audience by reviewing the necessary background in information theory (e.g., entropy coding, rate-distortion theory) and computer vision (e.g., image quality assessment, perceptual metrics), and providing a curated guide through the essential ideas and methods in the literature thus far.

Despite the tremendous success of diffusion generative models in text-to-image generation, replicating this success in the domain of image compression has proven difficult. In this paper, we demonstrate that diffusion can significantly improve perceptual quality at a given bit-rate, outperforming state-of-the-art approaches PO-ELIC and HiFiC as measured by FID score. This is achieved using a simple but theoretically motivated two-stage approach combining an autoencoder targeting MSE followed by a further score-based decoder. However, as we will show, implementation details matter and the optimal design decisions can differ greatly from typical text-to-image models.

We consider a novel lossy compression approach based on unconditional diffusion generative models, which we call DiffC. Unlike modern compression schemes which rely on transform coding and quantization to restrict the transmitted information, DiffC relies on the efficient communication of pixels corrupted by Gaussian noise. We implement a proof of concept and find that it works surprisingly well despite the lack of an encoder transform, outperforming the state-of-the-art generative compression method HiFiC on ImageNet 64x64. DiffC only uses a single model to encode and denoise corrupted pixels at arbitrary bitrates. The approach further provides support for progressive coding, that is, decoding from partial bit streams. We perform a rate-distortion analysis to gain a deeper understanding of its performance, providing analytical results for multivariate Gaussian data as well as theoretic bounds for general distributions. Furthermore, we prove that a flow-based reconstruction achieves a 3 dB gain over ancestral sampling at high bitrates.

We consider the problem of reverse channel coding, that is, how to simulate a noisy channel over a digital channel efficiently. We propose two new coding schemes with practical advantages over previous approaches. First, we introduce ordered random coding (ORC) which uses a simple trick to reduce the coding cost of previous approaches based on importance sampling. Our derivation also illuminates a connection between these schemes and the so-called Poisson functional representation. Second, we describe a hybrid coding scheme which uses dithered quantization to efficiently communicate samples from distributions with bounded support.

The rate-distortion-perception function (RDPF; Blau and Michaeli, 2019) has emerged as a useful tool for thinking about realism and distortion of reconstructions in lossy compression. Unlike the rate-distortion function, however, it is unknown whether encoders and decoders exist that achieve the rate suggested by the RDPF. Building on results by Li and El Gamal (2018), we show that the RDPF can indeed be achieved using stochastic, variable-length codes. For this class of codes, we also prove that the RDPF lower-bounds the achievable rate

Stochastic encoders have been used in rate-distortion theory and neural compression because they can be easier to handle. However, in performance comparisons with deterministic encoders they often do worse, suggesting that noise in the encoding process may generally be a bad idea. It is poorly understood if and when stochastic encoders do better than deterministic encoders. In this paper we provide one illustrative example which shows that stochastic encoders can significantly outperform the best deterministic encoders. Our toy example suggests that stochastic encoders may be particularly useful in the regime of "perfect perceptual quality".

A popular approach to learning encoders for lossy compression is to use additive uniform noise during training as a differentiable approximation to test-time quantization. We demonstrate that a uniform noise channel can also be implemented at test time using universal quantization (Ziv, 1985). This allows us to eliminate the mismatch between training and test phases while maintaining a completely differentiable loss function. Implementing the uniform noise channel is a special case of the more general problem of communicating a sample, which we prove is computationally hard if we do not make assumptions about its distribution. However, the uniform special case is efficient as well as easy to implement and thus of great interest from a practical point of view. Finally, we show that quantization can be obtained as a limiting case of a soft quantizer applied to the uniform noise channel, bridging compression with and without quantization.

Despite many years of research into latent Dirichlet allocation (LDA), applying LDA to collections of non-categorical items is still challenging. Yet many problems with much richer data share a similar structure and could benefit from the vast literature on LDA. We propose logistic LDA, a novel discriminative variant of latent Dirichlet allocation which is easy to apply to arbitrary inputs. In particular, our model can easily be applied to groups of images, arbitrary text embeddings, and integrate well with deep neural networks. Although it is a discriminative model, we show that logistic LDA can learn from unlabeled data in an unsupervised manner by exploiting the group structure present in the data. In contrast to other recent topic models designed to handle arbitrary inputs, our model does not sacrifice the interpretability and principled motivation of LDA.