Nicolas Cage continues to share his fears about artificial intelligence in Hollywood. At the 25th Newport Beach Film Festival on Sunday, the actor gave a speech ahead of his Icon Award reception during the Honors Brunch where he emphasized the need to control your own image and performance as AI rises in popularity with studios. "There is a new technology in town. It's a technology that I didn't have to contend with for 42 years until recently. But these 10 young actors, this generation, most certainly will be, and they are calling it'EBDR.' This technology wants to take your instrument. We are the instruments as film actors. We are not hiding behind guitars and drums," Cage said, per Deadline.

Large Language Models have introduced novel opportunities for text comprehension and generation. Yet, they are vulnerable to adversarial perturbations and data poisoning attacks, particularly in tasks like text classification and translation. However, the adversarial robustness of abstractive text summarization models remains less explored. In this work, we unveil a novel approach by exploiting the inherent lead bias in summarization models, to perform adversarial perturbations. Furthermore, we introduce an innovative application of influence functions, to execute data poisoning, which compromises the model's integrity. This approach not only shows a skew in the models behavior to produce desired outcomes but also shows a new behavioral change, where models under attack tend to generate extractive summaries rather than abstractive summaries.

In this paper, we introduce CloserMusicDB, a collection of full length studio quality tracks annotated by a team of human experts. We describe the selected qualities of our dataset, along with three example tasks possible to perform using this dataset: hook detection, contextual tagging and artist identification. We conduct baseline experiments and provide initial benchmarks for these tasks.

Traditional recommender systems rely on high-dimensional (latent) embeddings for modeling user-item interactions, often resulting in opaque representations that lack interpretability. Moreover, these systems offer limited control to users over their recommendations. Inspired by recent work, we introduce TExtuAl Representations for Scrutable recommendations (TEARS) to address these challenges. Instead of representing a user's interests through a latent embedding, TEARS encodes them in natural text, providing transparency and allowing users to edit them. To do so, TEARS uses a modern LLM to generate user summaries based on user preferences. We find the summaries capture user preferences uniquely. Using these summaries, we take a hybrid approach where we use an optimal transport procedure to align the summaries' representation with the learned representation of a standard VAE for collaborative filtering. We find this approach can surpass the performance of three popular VAE models while providing user-controllable recommendations. We also analyze the controllability of TEARS through three simulated user tasks to evaluate the effectiveness of a user editing its summary.

This paper proposes a machine learning approach for classifying classical and new Egyptian music by composer and generating new similar music. The proposed system utilizes a convolutional neural network (CNN) for classification and a CNN autoencoder for generation. The dataset used in this project consists of new and classical Egyptian music pieces composed by different composers. To classify the music by composer, each sample is normalized and transformed into a mel spectrogram. The CNN model is trained on the dataset using the mel spectrograms as input features and the composer labels as output classes. The model achieves 81.4\% accuracy in classifying the music by composer, demonstrating the effectiveness of the proposed approach. To generate new music similar to the original pieces, a CNN autoencoder is trained on a similar dataset. The model is trained to encode the mel spectrograms of the original pieces into a lower-dimensional latent space and then decode them back into the original mel spectrogram. The generated music is produced by sampling from the latent space and decoding the samples back into mel spectrograms, which are then transformed into audio. In conclusion, the proposed system provides a promising approach to classifying and generating classical Egyptian music, which can be applied in various musical applications, such as music recommendation systems, music production, and music education.

Balancing helpfulness and safety (harmlessness) is a critical challenge in aligning large language models (LLMs). Current approaches often decouple these two objectives, training separate preference models for helpfulness and safety, while framing safety as a constraint within a constrained Markov Decision Process (CMDP) framework. However, these methods can lead to ``safety interference'', where average-based safety constraints compromise the safety of some prompts in favor of others. To address this issue, we propose \textbf{Rectified Policy Optimization (RePO)}, which replaces the average safety constraint with stricter (per prompt) safety constraints. At the core of RePO is a policy update mechanism driven by rectified policy gradients, which penalizes the strict safety violation of every prompt, thereby enhancing safety across nearly all prompts. Our experiments on Alpaca-7B demonstrate that RePO improves the safety alignment and reduces the safety interference compared to baseline methods. Code is available at https://github.com/pxyWaterMoon/RePO.

The rise of social media has amplified the spread of fake news, now further complicated by large language models (LLMs) like ChatGPT, which ease the generation of highly convincing, error-free misinformation, making it increasingly challenging for the public to discern truth from falsehood. Traditional fake news detection methods relying on linguistic cues also becomes less effective. Moreover, current detectors primarily focus on binary classification and English texts, often overlooking the distinction between machine-generated true vs. fake news and the detection in low-resource languages. To this end, we updated detection schema to include machine-generated news with focus on the Urdu language. We further propose a hierarchical detection strategy to improve the accuracy and robustness. Experiments show its effectiveness across four datasets in various settings.

With the growing spread of misinformation online, research has increasingly focused on detecting and tracking fake news. However, an overlooked issue is that fake news does not naturally exist in social networks -- it often originates from distorted facts or deliberate fabrication by malicious actors. Understanding how true news gradually evolves into fake news is critical for early detection and prevention, reducing its spread and impact. Hence, in this paper, we take the first step toward simulating and revealing this evolution, proposing a Fake News evolUtion Simulation framEwork (FUSE) based on large language models (LLMs). Specifically, we employ LLM as agents to represent individuals in a simulated social network. We define four types of agents commonly observed in daily interactions: spreaders, who propagate information; commentators, who provide opinions and interpretations; verifiers, who check the accuracy of information; and bystanders, who passively observe without engaging. For simulated environments, we model various social network structures, such as high-clustering networks and scale-free networks, to mirror real-world network dynamics. Each day, the agents engage in belief exchanges, reflect on their thought processes, and reintroduce the news accordingly. Given the lack of prior work in this area, we developed a FUSE-EVAL evaluation framework to measure the deviation from true news during the fake news evolution process. The results show that FUSE successfully captures the underlying patterns of how true news transforms into fake news and accurately reproduces previously discovered instances of fake news, aligning closely with human evaluations. Moreover, our work provides insights into the fact that combating fake news should not be delayed until it has fully evolved; instead, prevention in advance is key to achieving better outcomes.

Coordinated reply attacks are a tactic observed in online influence operations and other coordinated campaigns to support or harass targeted individuals, or influence them or their followers. Despite its potential to influence the public, past studies have yet to analyze or provide a methodology to detect this tactic. In this study, we characterize coordinated reply attacks in the context of influence operations on Twitter. Our analysis reveals that the primary targets of these attacks are influential people such as journalists, news media, state officials, and politicians. We propose two supervised machine-learning models, one to classify tweets to determine whether they are targeted by a reply attack, and one to classify accounts that reply to a targeted tweet to determine whether they are part of a coordinated attack. The classifiers achieve AUC scores of 0.88 and 0.97, respectively. These results indicate that accounts involved in reply attacks can be detected, and the targeted accounts themselves can serve as sensors for influence operation detection.

Synthesizers are essential in modern music production. However, their complex timbre parameters, often filled with technical terms, require expertise. This research introduces a method of timbre control in wavetable synthesis that is intuitive and sensible and utilizes semantic labels. Using a conditional variational autoencoder (CVAE), users can select a wavetable and define the timbre with labels such as bright, warm, and rich. The CVAE model, featuring convolutional and upsampling layers, effectively captures the wavetable nuances, ensuring real-time performance owing to their processing in the time domain. Experiments demonstrate that this approach allows for real-time, effective control of the timbre of the wavetable using semantic inputs and aims for intuitive timbre control through data-based semantic control.