And no sound bite I come up with, no matter how good my English gets, will bring them back to life." First written in the aftermath of the 2008-2009 Israeli war on Gaza, these words from Rafeef Ziadah's poem "We Teach Life, Sir" became popularised by a 2011 performance that went viral. A Palestinian performance poet based in London, Ziadah is an activist in her own right and a member of the Palestinian Boycott, Divestment and Sanctions (BDS) National Committee. She has helped spearhead many of the initiatives calling for the academic and cultural boycott of Israel until it adheres to the demands granting Palestinians rights under international law. The poem is now featured on Ziadah's latest album of the same name, which blends her poetry with original music composed by Phil Mansour. Al Jazeera spoke with Ziadah about her latest album, the inspiration and politics of her art, as well as her UK-based activism. Al Jazeera: Your poems were previously known for your captivating performance. Why did you decide to add music to your poems? Rafeef Ziadah: Both my first album "Hadeel" and this second one "We Teach Life" have been collaborations with wonderful musicians who deliberately worked to ensure the music strengthened and emphasised the words. With an album, unlike live performances, people are not able to see me and relate to my facial expressions or hand gestures - on the album we wanted to recreate that connection and music really helped to bring the poems to life. I was happy to work with activist-artist Phil Monsour (who produced the album). The music has also helped introduce the work to a broader audience and is beginning to have radio play on independent radio stations around the world. Al Jazeera: How long did it take you to make this album? Why have you decided to release it now and what do you hope will come out of its release? Ziadah: The album was a slow collaboration that started with a number of poetry pieces and slowly grew in number. It took about 12 months to complete the final production, but the poems were written over several years and recorded in a few countries depending on accessibility. It is really an attempt to capture in words a number of recent experiences of Palestinians inside historic Palestine and in exile as well. This work is also - in many ways- a collective effort beyond myself and the musicians because we launched a crowd funding campaign to support the final stages of production and many people generously donated to make sure narratives that are largely absent in the Western mainstream can be heard. As I explain in the album's artwork "the poems and music here have been written over several years, three wars, two sieges, too many borders and many protests and picket lines.