We propose sandwiched video compression -- a video compression system that wraps neural networks around a standard video codec. The sandwich framework consists of a neural pre- and post-processor with a standard video codec between them. The networks are trained jointly to optimize a rate-distortion loss function with the goal of significantly improving over the standard codec in various compression scenarios. End-to-end training in this setting requires a differentiable proxy for the standard video codec, which incorporates temporal processing with motion compensation, inter/intra mode decisions, and in-loop filtering. We propose differentiable approximations to key video codec components and demonstrate that, in addition to providing meaningful compression improvements over the standard codec, the neural codes of the sandwich lead to significantly better rate-distortion performance in two important scenarios.When transporting high-resolution video via low-resolution HEVC, the sandwich system obtains 6.5 dB improvements over standard HEVC. More importantly, using the well-known perceptual similarity metric, LPIPS, we observe 30% improvements in rate at the same quality over HEVC. Last but not least, we show that pre- and post-processors formed by very modestly-parameterized, light-weight networks can closely approximate these results.

This paper introduces a learned hierarchical B-frame coding scheme in response to the Grand Challenge on Neural Network-based Video Coding at ISCAS 2023. We address specifically three issues, including (1) B-frame coding, (2) YUV 4:2:0 coding, and (3) content-adaptive variable-rate coding with only one single model. Most learned video codecs operate internally in the RGB domain for P-frame coding. B-frame coding for YUV 4:2:0 content is largely under-explored. In addition, while there have been prior works on variable-rate coding with conditional convolution, most of them fail to consider the content information. We build our scheme on conditional augmented normalized flows (CANF). It features conditional motion and inter-frame codecs for efficient B-frame coding. To cope with YUV 4:2:0 content, two conditional inter-frame codecs are used to process the Y and UV components separately, with the coding of the UV components conditioned additionally on the Y component. Moreover, we introduce adaptive feature modulation in every convolutional layer, taking into account both the content information and the coding levels of B-frames to achieve content-adaptive variable-rate coding. Experimental results show that our model outperforms x265 and the winner of last year's challenge on commonly used datasets in terms of PSNR-YUV.

This paper proposes a learning-based video compression framework for variable-rate coding on YUV 4:2:0 content. Most existing learning-based video compression models adopt the traditional hybrid-based coding architecture, which involves temporal prediction followed by residual coding. However, recent studies have shown that residual coding is sub-optimal from the information-theoretic perspective. In addition, most existing models are optimized with respect to RGB content. Furthermore, they require separate models for variable-rate coding. To address these issues, this work presents an attempt to incorporate the conditional inter-frame coding for YUV 4:2:0 content. We introduce a conditional flow-based inter-frame coder to improve the inter-frame coding efficiency. To adapt our codec to YUV 4:2:0 content, we adopt a simple strategy of using space-to-depth and depth-to-space conversions. Lastly, we employ a rate-adaption net to achieve variable-rate coding without training multiple models. Experimental results show that our model performs better than x265 on UVG and MCL-JCV datasets in terms of PSNR-YUV. However, on the more challenging datasets from ISCAS'22 GC, there is still ample room for improvement. This insufficient performance is due to the lack of inter-frame coding capability at a large GOP size and can be mitigated by increasing the model capacity and applying an error propagation-aware training strategy.

Most of the existing deep learning based end-to-end video coding (DLEC) architectures are designed specifically for RGB color format, yet the video coding standards, including H.264/AVC, H.265/HEVC and H.266/VVC developed over past few decades, have been designed primarily for YUV 4:2:0 format, where the chrominance (U and V) components are subsampled to achieve superior compression performances considering the human visual system. While a broad number of papers on DLEC compare these two distinct coding schemes in RGB domain, it is ideal to have a common evaluation framework in YUV 4:2:0 domain for a more fair comparison. This paper introduces a new DLEC architecture for video coding to effectively support YUV 4:2:0 and compares its performance against the HEVC standard under a common evaluation framework. The experimental results on YUV 4:2:0 video sequences show that the proposed architecture can outperform HEVC in intra-frame coding, however inter-frame coding is not as efficient on contrary to the RGB coding results reported in recent papers.

Most of the existing deep learning based end-to-end image/video coding (DLEC) architectures are designed for non-subsampled RGB color format. However, in order to achieve a superior coding performance, many state-of-the-art block-based compression standards such as High Efficiency Video Coding (HEVC/H.265) and Versatile Video Coding (VVC/H.266) are designed primarily for YUV 4:2:0 format, where U and V components are subsampled by considering the human visual system. This paper investigates various DLEC designs to support YUV 4:2:0 format by comparing their performance against the main profiles of HEVC and VVC standards under a common evaluation framework. Moreover, a new transform network architecture is proposed to improve the efficiency of coding YUV 4:2:0 data. The experimental results on YUV 4:2:0 datasets show that the proposed architecture significantly outperforms naive extensions of existing architectures designed for RGB format and achieves about 10% average BD-rate improvement over the intra-frame coding in HEVC.