Green indicates factual, red indicates nonfactual, and striked text indicates repetition. So ci ety es ti mates that more than 228,000 peo ple will be di ag nosed with lung can cer in the United... That would make an oxygen mask one of the more popular treatments for this devastating disease. It helps ease breathing and give patients back their strength. The symptoms of lung cancer may resemble those of a bad cold or pneumonia.

Breakthroughs, discoveries, and DIY tips sent every weekday. This month marks the 40th anniversary of the Commodore Amiga's release. Alongside contemporaries like the Macintosh and Acorn desktop computers, the Amiga helped usher the digital era into homes and played a major role in the PC revolution. Originally billed as a versatile, business-oriented machine, the Amiga 1000 featured a 16/32-bit Motorola 68000 CPU, some of the most cutting-edge graphics and sound systems of the time, and a multitasking operating system running on 256 KB of ROM. The Amiga line became known for its creative capacities, including its abilities to help craft video games, artwork, and music.

Andy Warhol probably never said that thing about everyone in the future getting their 15 minutes of fame. It might have been Swedish art collector Pontus Hultén. Warhol is the household name, though, so he gets the credit. But he did say this: "Being good in business is the most fascinating kind of art." Warhol won his first advertising award in 1952.

In essence, Getty is claiming that Stability AI is benefiting from training its model on images published by Getty to the internet, without compensation. Getty images are published to the internet with a visible watermark; licensed images have the watermark removed. Getty said that Stability AI did not seek a license to use Getty's images. "We think similarly these generative models need to address the intellectual property rights of others, that's the crux of it," Craig Peters, the chief executive of Getty Images, told The Verge. "And we're taking this action to get clarity."

In 1917, Marcel Duchamp submitted a sculpture to the Society of Independent Artists under a false name. Fountain was a urinal, bought from a toilet supplier, with the signature R. Mutt on its side in black paint. Duchamp wanted to see if the society would abide by its promise to accept submissions without censorship or favor. But Duchamp was also looking to broaden the notion of what art is, saying a ready-made object in the right context would qualify. Then, as before, the debate raged about if something mechanically produced – a urinal, or a soup can (albeit hand-painted by Warhol) – counted as art, and what that meant. Now, the debate has been turned upon its head, as machines can mass-produce unique pieces of art on their own.

In 1917, Marcel Duchamp submitted a sculpture to the Society of Independent Artists under a false name. Fountain was a urinal, bought from a toilet supplier, with the signature R. Mutt on its side in black paint. Duchamp wanted to see if the society would abide by its promise to accept submissions without censorship or favor. But Duchamp was also looking to broaden the notion of what art is, saying a ready-made object in the right context would qualify. Then, as before, the debate raged about if something mechanically produced – a urinal, or a soup can (albeit hand-painted by Warhol) – counted as art, and what that meant.

Back in 1982, Andy Warhol was, somewhat infamously, turned into a robot. The machine was made by a Disney Imagineering veteran for a project that never really took off, but Warhol liked his animatronic self. "Machines have less problems," he once said. "I'd like to be a machine, wouldn't you?" The artist, who died in 1987, was a master of his own cult of personality, and the robot was practically a manifestation of how the world perceived him: meticulously crafted, if a bit rigid and monotone in his conversational style.

Continuing a trend that has been controversial among filmmakers, a new Andy Warhol documentary series, coming to Netflix next month, will resurrect the Pop artist using artificial intelligence. In the show, Warhol can be heard reading from his diaries. That voice, however, is not the artist's own but rather the product of AI made to sound like him. Andrew Rossi, who created the series, titled The Andy Warhol Diaries, undertook this unusual measure with the Andy Warhol Foundation's permission, according to a trailer released by Netflix on Wednesday. The series also portrays the AI-generated narration as something Warhol himself would've wanted.

"I don't think you'll ever figure [Andy] Warhol out, and I hope no one ever does," art critic Donna de Salvo says in the trailer for Netflix's upcoming docuseries, The Andy Warhol Diaries. Ironically, though, it is that very series--with the help of Warhol's diaries and some artificial intelligence--attempting to do just that. The Andy Warhol Diaries, a six-part series from super-producer Ryan Murphy will explore the life of the artist, from his birth in Pittsburgh to Austria-Hungarian immigrants to his immense fame, various relationships, and eventual death. For over ten years beginning in 1976, Warhol would often call up his longtime friend, journalist Pat Hackett, and dictate his diary to her, which she later edited and published in 1989. Now, Murphy and director Andrew Rossi are using Warhol's own words, and the testimonials of everyone from John Waters and Debbie Harry to Rob Lowe, to dive into the still-mysterious life of the icon.