Doubles, doppelgangers, clones; twin visions have long fascinated directors and audiences alike. It's unnerving, however, when technologies that once belonged to the realm of science fiction are now realised in the present. A German model called Lale is interested in creating a 3D clone of herself and this documentary from Katharina Pethke taps into a new unsettling reality. The rationale behind the project sounds promising on the surface. As the company that offers the body scanning service to Lale explains, a 3D clone can take on a larger number of campaigns, without the hassle of paying an in-person crew, thus increasing Lale's income.

From Ian Holm's portrayal of Ashe in Alien to Brent Spiner's Data in Star Trek, our fascination with realistic Artificial Intelligence has evolved over time. The premise is certainly not a new one, but it still touches us at a primal level: What does it mean to be human? The old adage of "if it looks like a duck and walks like a duck…" is ultimately one of identity and identification. If it looks human and acts human, well… That's a question that has tripped us up for decades. UNCANNY is the story of a gifted young scientist, David (Mark Webber), who has spent the last 10 years of his life willingly locked away in a Tony Stark-esque candyland with state of the art technology creating the most realistic artificial intelligence the world has ever seen: Adam (David Clayton Rogers).