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The best new science fiction books of December 2025

New Scientist

Author Simon Stålenhag has a new work out this month. December is traditionally a quieter month for new releases from publishers and that's definitely true this year, with a sparser than usual science-fiction offering to chew over. That said, there are some intriguing titles out this month, and I'm looking forward to the new book from artist and author Simon Stålenhag, another illustrated dystopia, as well as a mysterious-sounding Russian novel, and the conclusion of Bethany Jacobs's excellent space opera trilogy. Jacobs has written a piece for the New Scientist Book Club about how the late Iain M. Banks inspired her own world-building. The Book Club is currently reading Banks's classic Culture novel - do join us .


The 12 best science fiction books of 2025

New Scientist

From drowned worlds to virtual utopias via deep space, wild ideas abound in Emily H. Wilson's picks for her favourite sci-fi reads of the year So: what were the best works of science fiction published this year? I will start with two new books that aren't actually new, but have only just been published in English. First up is Ice by Jacek Dukaj, originally published to great acclaim in Poland all the way back in 2007. It is an alternative history set in Europe in the early 1920s. A terrible winter grips the land, and the cause of it may be something very alien.


Author Philip Pullman calls on government to act on AI using books for training

BBC News

Author Philip Pullman calls on government to act over'wicked' AI scraping Writers whose work has been scraped don't get compensation or recognition, something authors including Kate Mosse and Richard Osman have criticised, saying it could destroy growth in creative fields and amount to theft. Sir Philip, author of the hugely popular novels about Lyra Silvertongue, the heroine of His Dark Materials and The Book of Dust trilogies, thinks writers should be compensated. They can do what they like with my work if they pay me for it, he told the BBC's culture editor Katie Razzall. The Department for Culture, Media and Sport has been contacted for a response to Sir Philip's comments. Sir Philip said: As far as I know everybody's work has been stolen, scraped like a trawler... at the bottom of the sea. You name it, it's all killed.


How to watch Star Wars in order--even the shows

Popular Science

Since filmmaker George Lucas introduced audiences to the ways of the Jedi with Star Wars (now titled A New Hope) in 1977, the chronicles of that galaxy far, far away have grown to 11 movies, nine animated shows, five TV series, and a slew of non-canon shows, miniseries, video games, books, and other media. Even if you just stick to the canon stuff, it can be overwhelming, especially if you're trying to figure out how to watch Star Wars in order. But before we dive in, we'll emphasize that there really isn't a "correct" viewing order. There are several ways to enjoy the Star Wars universe as you proceed along your Jedi journey, and you may even be able to create your own method. The prequel trilogy dropped in the late 1990s and early 2000s, and the sequel trilogy hit theaters in the 2010s. Various standalone films were released intermittently throughout this timeline, offering fans opportunities to explore specific characters and events more deeply.


'Less Star Wars – more Blade Runner': the making of Mass Effect 2's Bafta-nominated soundtrack

The Guardian

Mass Effect is some of the best science fiction ever made. That may sound like a grandiose comment, but it's true. As a trilogy, the original games from 2007-2013 effortlessly plucked the most cerebral ideas from the sci-fi genre and slotted them into a memorable military role-playing game that had players invested from beginning to controversial end. Whether you prefer the hopeful, optimistic outlook of Asimov, the dark and reflective commentary of Shelley, the accessible thought experiments of Star Trek, or the arch melodrama of Battlestar Galactica, Mass Effect has it all. The trilogy is as happy grazing on the western-inspired tropes of Star Wars as the "hard" sci-fi of Iain M Banks, blending all its moods and micro-stories into a compelling, believable galaxy that somehow walks a line between breathless optimism and suffocating bleakness.


The Best Animated Movie of the Year Is Here

Slate

From the very first scene of The Wild Robot, the new animated movie from director Chris Sanders (How to Train Your Dragon), adapted from the first in a trilogy of children's novels by Peter Brown, the viewer is plunged along with the protagonist into a new and alien world. A robot washes up on the shore of a lushly forested island, surrounded by the flotsam of some sort of wrecked vehicle--a plane? a spacecraft?--and immediately begins scanning the area for someone she can help. Rozzum Unit 7134, voiced by Lupita Nyong'o and soon to be known as "Roz," has been designed to, as she puts it, offer "integrated, multifaceted task accomplishment" to whatever human requests it of her. The problem is, the island where she's washed up has no human inhabitants, and the animals witnessing the arrival of this hulking metal biped regard Roz as nothing but a menacing predator to be either fought or fled. A witty time-lapse montage shows the robot powering down for a bit so her software can learn to decode the animal sounds around her, enabling her to communicate with all the island's denizens.


Netflix's '3 Body Problem' Adapts the Unadaptable

WIRED

Scientists keep taking their own lives, and no one knows why. That's the central mystery at the start of 3 Body Problem, the new Netflix series based on a trilogy of sci-fi novels by Chinese author Cixin Liu. But it soon unfolds into something far grander: There's a mysterious VR video game, flashbacks to revolutionary China, shady billionaires, and strange cults. Liu's novels are beloved in China and have a smaller but similarly dedicated following among English-language readers, but they are hard science fiction--heavy on concept, light on character. More than once in the series, someone resorts to wheeling out a chalkboard to make their point, and there are scenes in the books that seem impossible to film: multidimensional structures collapsing in on themselves, a computer made up of millions of soldiers, nano-wires cutting through steel, diamond, flesh.


The 20 best video games of 2022

The Guardian

Smartphones, PC Lightning-quick matches, collectible superheroes and enticing simplicity make this the smartphone card game of dreams. Free of convoluted rules and sprawling decks, this is card-battling boiled down to the elegant essentials. What we said: A wonderful combination of nostalgia, fun and challenge. If the seemingly unstoppable Marvelisation of popular culture must continue, let it at least occasionally throw up gems like this. PC, Mac A puzzle game that draws upon the human talent for pattern recognition to turn us all into neat-freaks, rearranging books and cutlery and stationery by size, colour, shape, or whatever else feels right.


This Comic Series Is Gorgeous. You'd Never Know AI Drew the Whole Thing

#artificialintelligence

You might expect a comic book series featuring art generated entirely by artificial intelligence to be full of surreal images that have you tilting your head trying to grasp what kind of sense-shifting madness you're looking at. Not so with the images in The Bestiary Chronicles, a free, three-part comics series from Campfire Entertainment, a New York-based production house focused on creative storytelling. In The Lesson, a teacher tells students about the monsters that ruined their planet. The team behind the comic used the phrase "Hitchcock Blonde" to describe the story's heroine to AI art-generation tool Midjourney, "and more often than not she came out looking like Grace Kelly," says writer Steve Coulson. The visuals in the trilogy -- believed to be the first comics series made with AI-assisted art -- are stunning.


AI Drew This Gorgeous Comic Series. Can You Tell?

#artificialintelligence

You might expect a comic book series featuring art generated by artificial intelligence technology to be full of surreal images that have you tilting your head trying to grasp what kind of sense-shifting madness you're looking at. Not so with the images in The Bestiary Chronicles, a free, three-part comics series from Campfire Entertainment, a New York-based production house focused on creative storytelling. In The Lesson, a teacher tells students about the monsters that ruined their planet. The team behind the comic used the phrase "Hitchcock Blonde" to describe the story's heroine to AI art-generation tool Midjourney, "and more often than not she came out looking like Grace Kelly," says writer Steve Coulson. The visuals in the trilogy -- believed to be the first comics series made with AI-assisted art -- are stunning.