Transformers have become the predominant architecture in foundation models due to their excellent performance across various domains. However, the substantial cost of scaling these models remains a significant concern. This problem arises primarily from their dependence on a fixed number of parameters within linear projections. When architectural modifications (e.g., channel dimensions) are introduced, the entire model typically requires retraining from scratch. As model sizes continue growing, this strategy results in increasingly high computational costs and becomes unsustainable. To overcome this problem, we introduce Tokenformer, a natively scalable architecture that leverages the attention mechanism not only for computations among input tokens but also for interactions between tokens and model parameters, thereby enhancing architectural flexibility. By treating model parameters as tokens, we replace all the linear projections in Transformers with our token-parameter attention layer, where input tokens act as queries and model parameters as keys and values. This reformulation allows for progressive and efficient scaling without necessitating retraining from scratch. Our model scales from 124M to 1.4B parameters by incrementally adding new key-value parameter pairs, achieving performance comparable to Transformers trained from scratch while greatly reducing training costs.

For Music Information Retrieval downstream tasks, the most common audio representation is time-frequency-based, such as Mel spectrograms. In order to identify musical genres, this study explores the possibilities of a new form of audio representation one of the most usual MIR downstream tasks. Therefore, to discretely encoding music using deep vector quantization; a novel audio representation was created for the innovative generative music model i.e. Jukebox. The effectiveness of Jukebox's audio representation is compared to Mel spectrograms using a dataset that is almost equivalent to State-of-the-Art (SOTA) and an almost same transformer design. The results of this study imply that, at least when the transformers are pretrained using a very modest dataset of 20k tracks, Jukebox's audio representation is not superior to Mel spectrograms. This could be explained by the fact that Jukebox's audio representation does not sufficiently take into account the peculiarities of human hearing perception. On the other hand, Mel spectrograms are specifically created with the human auditory sense in mind.