The Netflix and Warner Bros. deal might be great for shareholders, but not for anyone else Hollywood does not need more consolidation. Netflix's $82.7 billion acquisition of Warner Bros. is, in many ways, the last thing a weakened Hollywood needs right now. The industry is still recovering from the COVID-19 pandemic, where theaters were forced to close and audiences became even more comfortable with streaming films at home . The WGA and SAG-AFTRA strikes in 2023, which were driven by legitimate concerns around studio interest in generative AI, delayed production and promotion of many film and TV projects. And the rise of streaming content pushed many media companies towards taking on debt and unwise mergers (see: Warner Bros. Discovery), which led to higher subscription costs, layoffs and production belt-tightening.

Our healthcare systems are struggling with the ageing population resulting in an increasing demand and rising expenditures while facing a shortage of healthcare professionals at the same time [7, 12]. When a system is under stress and demand exceeds supply, among other strategies, scheduling resources efficiently and planning becomes important [8]. Hospitals are a critical component of the healthcare system, playing a vital role in care coordination, system development, and supporting population health needs [11]. Efficient planning in hospitals is important to utilized the limited resources in the best possible manner. Here approaches from Operations Research can be of benefit to optimize planning problems such as admission planning, bed allocation, nurse scheduling and surgery scheduling [6, 10]. It has been recognized in the past that resources should be planned in an integrated manner to improve the overall outcomes instead of focusing on individual departments or resources [10].

English actor Christopher Lee famously played the blood-sucking Dracula in ten different films. Here he plays the infamous vampire in'Dracula A.D. 1972,' directed by Alan Gibson. Breakthroughs, discoveries, and DIY tips sent every weekday. This spooky season, as you binge horror flicks, peep the Halloween décor, and peruse potential costumes, pay attention to the fake blood and you'll notice something odd: It all looks wildly different . Some of it's thin and watery, and some is viscous and goopy.

Novel categories names:['High_Jump', 'Front_Crawl', 'Pole_V ault', 'Hammer_Throw', All experiments are conducted under the 16-shot setting. An incremental bayesian approach tested on 101 object categories. Conditional prompt learning for vision-language models.

Sign up for the Slatest to get the most insightful analysis, criticism, and advice out there, delivered to your inbox daily. Last Friday, the A.I. lab Anthropic announced in a blog post that it has given its chatbot Claude the right to walk away from conversations when it feels "distress." In its post, the company says it will let certain models of Claude nope out in "rare, extreme cases of persistently harmful or abusive user interactions." It's not Claude saying "The lawyers won't let me write erotic Donald Trump/Minnie Mouse fanfic for you." It's Claude saying "I'm sick of your bullshit, and you have to go." Anthropic, which has been quietly dabbling in the question of "A.I. welfare" for some time, conducted actual tests to see if Claude secretly hates his job.

Nintendo just announced the official release date of the live-action Legend of Zelda movie. It hits theaters on March 26, 2027, which is just about two years from now. The film was first announced back in 2023. The company dropped this bombshell on the official Nintendo Today! app that was surprise-released during a recent Direct livestream. The stream promised that the app would be a constant source of news and information. It looks like that promise was not hyperbole.

The courageous story of Afghanistan's first all-girls robotics team is coming to a theater near you. Rule Breakers is based on the true story of The Afghan Girls Robotics Team, who grabbed the world's attention when they were denied member visas by the United States in 2017 while attempting to compete at the First Global Challenge international robotics competition. Fifty three members of Congress signed a petition and President Donald Trump intervened to give the girls travel documents on special humanitarian grounds allowing them to enter the US and compete in the robotics games, according to a New York Times profile. The story of the team's struggle to compete in the robotics competition goes much deeper than their attempts to enter the US. First Global founder Dean Kamen, who is best known for designing the Segway, put together his competitive robotics league as a way to spark interest in science and technology among high schoolers.

Zack Snyder doesn't seem to be all that worried about AI disrupting the filmmaking world, bringing scores of novices to the fold. At WIRED's The Big Interview event in San Francisco on Tuesday, the director told managing editor Hemal Jhaveri that "every single person has a pretty good movie camera on their phone and yet we don't have--right this second, anyway--millions of awesome movies being uploaded out of peoples' pockets." That doesn't mean he thinks Hollywood creatives can avoid AI altogether. "Educating yourself and understanding what it can and can't do is important right now, especially where it exists in image-making and storytelling," Snyder said. "You have to understand what it is and what it's not capable of, and you have to be able to use it as a tool as opposed to standing on the sidelines with your hands on your hips."

Mubi has secured the US rights and global SVOD rights to Grand Theft Hamlet. In this documentary, two out-of-work actors attempt to stage an entire production of William Shakespeare's tragedy Hamlet within the game world of Grand Theft Auto Online during the Covid-19 pandemic. According to The Hollywood Reporter, Mubi plans to give the film a release in early 2025, and Mubi's own posts on X say that it will be in "US theaters and streaming globally." The movie is composed of more than 300 hours of GTA footage. Sam Crane and Mark Oosterveen might be the main drivers of making the play the thing, but they looped in other random players through in-game auditions to fill out the cast.

Ayad Akhtar's brilliant new play, McNeal, currently at the Lincoln Center Theater, is transfixing in part because it tracks without flinching the disintegration of a celebrated writer, and in part because Akhtar goes to a place that few writers have visited so effectively--the very near future, in which large language models threaten to undo our self-satisfied understanding of creativity, plagiarism, and originality. And also because Robert Downey Jr., performing onstage for the first time in more than 40 years, perfectly embodies the genius and brokenness of the title character. Check out more from this issue and find your next story to read. I've been in conversation for quite some time with Akhtar, whose play Disgraced won the Pulitzer Prize in 2013, about artificial generative intelligence and its impact on cognition and creation. He's one of the few writers I know whose position on AI can't be reduced to the (understandable) plea For God's sake, stop threatening my existence! In McNeal, he not only suggests that LLMs might be nondestructive utilities for human writers, but also deployed LLMs as he wrote (he's used many of them, ChatGPT, Claude, and Gemini included). To my chagrin and astonishment, they seem to have helped him make an even better play. As you will see in our conversation, he doesn't believe that this should be controversial. In early September, Akhtar, Downey, Bartlett Sher--the Tony Award winner who directed McNeal--and I met at Downey's home in New York for what turned out to be an amusing, occasionally frenetic, and sometimes even borderline profound discussion of the play, its origins, the flummoxing issues it raises, and, yes, Avengers: Age of Ultron. We were joined intermittently by Susan Downey, Robert's wife (and producing partner), and the person who believed that Akhtar's play would tempt her husband to return to the stage. The conversation that follows is a condensed and edited version of our sprawling discussion, but I think it captures something about art and AI, and it certainly captures the exceptional qualities of three people, writer, director, and actor, who are operating at the pinnacle of their trade, without fear--perhaps without enough fear--of what is inescapably coming.