The proposed model improvesoverthe state-of-the-art methods with better semantic structures and more adaptivestyle patterndetails.

Secondly, TANGO is more robust to the number of vertices (i.e., the mesh quality).

Owing to advancements in image synthesis techniques, stylization methodologies for large models have garnered remarkable outcomes. However, when it comes to processing facial images, the outcomes frequently fall short of expectations. Facial stylization is predominantly challenged by two significant hurdles. Firstly, obtaining a large dataset of high-quality stylized images is difficult. The scarcity and diversity of artistic styles make it impractical to compile comprehensive datasets for each style.

Visual stylization has been a very popular research area in recent times. While image stylization has seen a rapid advancement in the recent past, video stylization, while being more challenging, is relatively less explored. The immediate method of stylizing videos by stylizing each frame independently has been tried with some success. To the best of our knowledge, we present the first approach to video stylization using 3D CNN directly, building upon insights from 2D image stylization. Stylizing video is highly challenging, as the appearance and video motion, which includes both camera and subject motions, are inherently entangled in the representations learnt by a 3D CNN.

Creation of 3D content by stylization is a promising yet challenging problem in computer vision and graphics research. In this work, we focus on stylizing photorealistic appearance renderings of a given surface mesh of arbitrary topology. Motivated by the recent surge of cross-modal supervision of the Contrastive Language-Image Pre-training (CLIP) model, we propose TANGO, which transfers the appearance style of a given 3D shape according to a text prompt in a photorealistic manner. Technically, we propose to disentangle the appearance style as the spatially varying bidirectional reflectance distribution function, the local geometric variation, and the lighting condition, which are jointly optimized, via supervision of the CLIP loss, by a spherical Gaussians based differentiable renderer. As such, TANGO enables photorealistic 3D style transfer by automatically predicting reflectance effects even for bare, low-quality meshes, without training on a task-specific dataset. Extensive experiments show that TANGO outperforms existing methods of text-driven 3D style transfer in terms of photorealistic quality, consistency of 3D geometry, and robustness when stylizing low-quality meshes. Our codes and results are available at our project webpage https://cyw-3d.github.io/tango/.

The video object segmentation (VOS) task involves the segmentation of an object over time based on a single initial mask. Current state-of-the-art approaches use a memory of previously processed frames and rely on matching to estimate segmentation masks of subsequent frames. Lacking any adaptation mechanism, such methods are prone to test-time distribution shifts. This work focuses on matching-based VOS under distribution shifts such as video corruptions, stylization, and sim-to-real transfer. We explore test-time training strategies that are agnostic to the specific task as well as strategies that are designed specifically for VOS.