Anguished Diddy clutches his head in his hands in first image from disastrous sentencing that's gone from bad to worse Mystery deepens over Hulk Hogan's death as his widow faces fresh anguish I'm no longer sleeping with my husband - and never will again, says MOLLY RYDDELL. I love him, but counted down the moments until he climaxed. Then I couldn't bear it any more and the truth spilled out... so many women feel the same Map shows where new strain of Covid is exploding in 19 states as sufferers are hit with'razor-blade' symptoms US military poised to seize ports and airfields in Venezuela as Trump strikes a fourth'narco-terrorist' boat Body count from Houston's bayous rises as serial killer whispers grip city and residents are told: 'Be vigilant' Selena Gomez's $1.3B fortune could create risks in Benny Blanco marriage despite his $50M success, experts reveal His daughter was warped into an ultra-woke monster and set fire to his life. Now, GOP state senator Jay Block fights back... and reveals the dark secrets she was desperate to hide Realtor with expensive ex-wife arrested over shocking $11.6m claims about how he was funding Palm Beach lifestyle The'middle-class kinks' saving marriages: Wives reveal the eight buzzy sex trends that revived their lagging libidos - including the fantasy husbands are secretly obsessed with Scientists discover key part of the brain that degrades in Alzheimer's... paving way for breakthrough therapies Lori Loughlin's estranged husband Mossimo Giannulli seen with mystery brunette amid shock split Manchester synagogue terrorist was on bail for alleged rape at the time of his rampage and was'struggling with debt' after'splitting up with his wife and young son' Scientists behind study linking Tylenol to autism accuse Trump of'spreading misinformation' Teresa Giudice thought she was going to'die' during panic attack on Special Forces... after she was called'stupid' Shroud of Turin mystery deepens as surgeon spots hidden detail that points to Jesus' resurrection A dental surgeon who had achieved professional success felt a void in his life until a rare exhibition in Turin, Italy, changed everything. Dr John Sottosanti stood before the Shroud of Turin, the ancient linen believed to have wrapped Jesus' body after the crucifixion, when he noticed something few had ever seen: the faint outline of human teeth beneath the cloth's imprint.

Rod Stewart had a few surprise guests at a recent concert in Charlotte, North Carolina. His old friend Ozzy Osbourne, the lead singer of Black Sabbath who died last month, was apparently beamed in from some kind of rock heaven, where he was reunited with other departed stars including Michael Jackson, Tina Turner and Bob Marley. The AI-generated images divided Stewart's fans. Some denounced them as disrespectful and distasteful; others found the tribute beautiful. At about the same time, another AI controversy erupted when Jim Acosta, a former CNN White House correspondent, interviewed a digital recreation of Joaquin Oliver, who was killed at the age of 17 in a 2018 high school shooting in Florida.

Lilly and Lana Wachowski thrive on being complicated. As directors, their calling cards are mixing disparate genres and styles--American action, Chinese martial arts, Dicksian sci-fi, Hollywood romance, German experimental thriller; you name it, they do it. And they create these mash-ups sometimes coherently (at best), other times unintelligible (at worst), like they ripped what they enjoyed from each category and squashed it altogether willy-nilly. Take The Matrix franchise, undoubtedly the Wachowskis' best work: They're high-concept sci-fi movies, punctuated by bullets and kung-fu. The pair added a sheen of cyberpunk fiction over a first-year philosophy class conundrum, but they also personified hard rock music as men in slick duster coats and women in vinyl catsuits who shoot faceless goons in slo-mo as they strut.

In "The Matrix," from 1999, Keanu Reeves plays Thomas Anderson, who pops a mysterious red pill proffered by an equally mysterious stranger and promptly discovers that his so-called life as an alienated nineteen-nineties hacker with a cubicle-farm day job has, in fact, been a computer-generated dream, designed--I swear I'm going to get all this into a single sentence--to keep Anderson from realizing that he's actually Neo, a kung-fu messiah destined to save a post-apocalyptic earth's last living humans from a race of sentient machines who've hunted mankind to near-extinction. Neo spends the rest of the film and its two sequels bouncing back and forth between the simulated world, where he's a leather-clad superhero increasingly unbound by physical laws, and the bleak real world, laid to waste by humanity's long war with artificial intelligence. Like "Star Wars" before it, "The Matrix" was fundamentally recombinant, unprecedented in its joyful derivativeness. Practically every cool visual or narrative thing about it came from some other mythic or pop-cultural source, from scripture to anime. And, like "Star Wars," it quickly became a pop-cultural myth unto itself, and a primary source to be stolen from.

When a star's variety of hair styles is the real star of a movie, you know it's a sign of trouble. So it is, unfortunately, with "The Matrix Resurrections," which makes poignant use of hair cuts and color to mark the eighteen years separating the new film from the last installment in the "Matrix" trilogy. Little else in the new film is as moving. The action picks up where the last one left off. There, Neo (Keanu Reeves), having saved the last human city, the underground realm of Zion, died from the effort.

Our Father God created us (all) in wider space natural-economy. We have to live from wise use of nature by advanced tools. Our wealth is nature including our natural body. Our Father God given spirit (Love Peace Joy Sense of God Realism Manners Compassion) makes us supernatural. As children of God we can develop and have required capabilities to live from wider space nature in kingdom of God.

Today artificial intelligence (AI) driven digital technologies are giving us new pathways to always have your loved ones with you, 7x24. Not really, despite the eeriness from Black Mirror episodes, or Carrie Fisher digitally created to carry on as Princess Leia in Star Wars, and Microsoft securing a patent for software that could reincarnate people as a chat bot, opening the door to more uses of AI contemplating how to bring the dead back to life are rapidly accelerating. Are we ready for death resurrections? Is this the right thing for us to be doing? From my research, we don't have all the answers to this complex question yet, but what we have are many innovators, academics, researchers shaping the answer to this question that will enable richer immersive digital learning experiences – and others that bringing grandma back to life – and persisting forever – may feel positively therapeutic to ease a deep grief, or feel like you are immersed in a Stephen King movie.

Today artificial intelligence (AI) driven digital technologies are giving us new pathways to always have your loved ones with you, 7x24. Not really, despite the eeriness from Black Mirror episodes, or Carrie Fisher digitally created to carry on as Princess Leia in Star Wars, and Microsoft securing a patent for software that could reincarnate people as a chat bot, opening the door to more uses of AI contemplating how to bring the dead back to life are rapidly accelerating. Are we ready for death resurrections? Is this the right thing for us to be doing? From my research, we don't have all the answers to this complex question yet, but what we have are many innovators, academics, researchers shaping the answer to this question that will enable richer immersive digital learning experiences – and others that bringing grandma back to life – and persisting forever – may feel positively therapeutic to ease a deep grief, or feel like you are immersed in a Stephen King movie.

"I do plan to bring back my father," Ray Kurzweil says. He is standing in the anemic light of a storage unit, his frame dwarfed by towers of cardboard boxes and oblong plastic bins. He is in his early sixties, but something about the light or his posture, his paunch protruding over his beltline, makes him seem older. Kurzweil is now a director of engineering at Google, but this documentary was filmed in 2009, back when it was still possible to regard him as a lone visionary with eccentric ideas about the future. The boxes in the storage unit contain the remnants of his father's life: photographs, letters, newspaper clippings, and financial documents. For decades, he has been compiling these artifacts and storing them in this sepulcher he maintains near his house in Newton, Massachusetts. He takes out a notebook filled with his father's handwriting and shows it to the camera. His father passed away in 1970, but Kurzweil believes that, one day, artificial intelligence will be able to use the memorabilia, along with DNA samples, to resurrect him. "People do live on in our memories, and in the creative works they leave behind," he muses, "so we can gather up all those vibrations and bring them back, I believe." Technology, Kurzweil has conceded, is still a long way from bringing back the dead. His only hope of seeing his father resurrected is to live to see the Singularity -- the moment when computing power reaches an "intelligence explosion." At this point, according to transhumanists such as Kurzweil, people who are merged with this technology will undergo a radical transformation. They will become posthuman: immortal, limitless, changed beyond recognition. Kurzweil predicts this will happen by the year 2045. Unlike his father, he, along with those of us who are lucky enough to survive into the middle of this century, will achieve immortality without ever tasting death.

Hidetaka Miyazaki, president and game director of FromSoftware, is one of the most renowned game designers of his generation. The director of "Demon's Souls" (2009), "Dark Souls" (2011) and "Bloodborne" (2015) recently took the time to answer some questions about "Sekiro: Shadows Die Twice," a game about a one-armed ninja, set for release on March 22. FromSoftware has a reputation for making challenging games. Has this reputation shaped the types of projects that the studio is willing to consider? How much flexibility is there to pursue more offbeat projects like the recent VR game "Déraciné"? Hidetaka Miyazaki: While I don't think it's fair to say there's zero influence, we as a studio don't tend to worry about such things.