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 protagonist








Who Is the Story About? Protagonist Entity Recognition in News

Gabín, Jorge, Ares, M. Eduardo, Parapar, Javier

arXiv.org Artificial Intelligence

News articles often reference numerous organizations, but traditional Named Entity Recognition (NER) treats all mentions equally, obscuring which entities genuinely drive the narrative. This limits downstream tasks that rely on understanding event salience, influence, or narrative focus. We introduce Protagonist Entity Recognition (PER), a task that identifies the organizations that anchor a news story and shape its main developments. To validate PER, we compare the predictions of Large Language Models (LLMs) against annotations from four expert annotators over a gold corpus, establishing both inter-annotator consistency and human-LLM agreement. Leveraging these findings, we use state-of-the-art LLMs to automatically label large-scale news collections through NER-guided prompting, generating scalable, high-quality supervision. We then evaluate whether other LLMs, given reduced context and without explicit candidate guidance, can still infer the correct protagonists. Our results demonstrate that PER is a feasible and meaningful extension to narrative-centered information extraction, and that guided LLMs can approximate human judgments of narrative importance at scale.


CreativityPrism: A Holistic Benchmark for Large Language Model Creativity

Hou, Zhaoyi Joey, Zhang, Bowei Alvin, Lu, Yining, Baghel, Bhiman Kumar, Brei, Anneliese, Lu, Ximing, Jiang, Meng, Brahman, Faeze, Chaturvedi, Snigdha, Chang, Haw-Shiuan, Khashabi, Daniel, Li, Xiang Lorraine

arXiv.org Artificial Intelligence

Creativity is often seen as a hallmark of human intelligence. While large language models (LLMs) are increasingly perceived as producing creative text, there is still no holistic framework to evaluate their creativity across diverse scenarios. Existing evaluation methods remain fragmented, with dramatic variation across domains and tasks, largely due to differing definitions and measurements of creativity. Inspired by the hypothesis that creativity is not one fixed idea, we propose CreativityPrism, an evaluation analysis framework that decomposes creativity into three dimensions: quality, novelty, and diversity. CreativityPrism incorporates nine tasks, three domains, i.e., divergent thinking, creative writing, and logical reasoning, and twenty evaluation metrics, which measure each dimension in task-specific, unique ways. We evaluate 17 state-of-the-art (SoTA) proprietary and open-sourced LLMs on CreativityPrism and analyze the performance correlations among different metrics and task domains. Our results reveal a notable gap between proprietary and open-source models. Overall, model performance tends to be highly correlated across tasks within the same domain and less so across different domains. Among evaluation dimensions, diversity and quality metrics show strong correlations - models that perform well on one often excel on the other - whereas novelty exhibits much weaker correlation with either. These findings support our hypothesis that strong performance in one creativity task or dimension does not necessarily generalize to others, underscoring the need for a holistic evaluation of LLM creativity.