Bungie's Marathon arrives on March 5 How to claim Verizon's $20 outage credit Ryan Coogler's Sinners, however, walked away with a record-breaking 16 noms. The nominees for the 2026 Academy Awards were just announced and Ryan Coogler's vampire-adjacent period drama received a record-breaking 16 nominations. That's the highest number of Oscar nominations for a single film in the history of the awards, followed by, and with 14 noms each. The same goes for the performances, as Michael B. Jordan captured the nomination for Best Actor. Even Delroy Lindo got nominated for Best Supporting Actor, which is his very first Oscar nomination after 50 years in the business.

Hollywood has revealed the nominations for this year's Oscars, which will honour the film industry's finest stars and movies from the past 12 months. Sinners leads the way with a record 16 nominations, breaking the record for the most Oscar nominations, which was previously held by All About Eve (1950), Titanic (1997) and La La Land (2016). One Battle After Another is next with 13 nominations, while Marty Supreme, Frankenstein and Sentimental Value are next with nine, and Hamnet has eight. The awards will take place on 15 March, hosted by US comedian Conan O'Brien. Rose Byrne - If I Had Legs I'd Kick You Read more about this year's nominated films: Could Oscar glory be next for Jessie Buckley and Hamnet?

The Oscar nominations will be announced later, with Leonardo DiCaprio's politically-charged thriller One Battle After Another expected to lead the field. Marty Supreme, Frankenstein, Sentimental Value, Bugonia and The Secret Agent are also expected to perform strongly when the shortlists are announced from 13:30 GMT. It's a weaker year for UK talent - Wunmi Mosaku from vampire horror Sinners is one of the few British stars with a chance of securing an acting nomination. But Irish actors Jessie Buckley and Paul Mescal are expected to be recognised for their roles in the screen adaptation of Maggie O'Farrell's novel Hamnet. US comedian Conan O'Brien will return to host this year's Academy Awards ceremony, which takes place on 15 March.

Sinners, Marty Supreme and One Battle After Another are among the films set to compete at the Golden Globe Awards on Sunday night. Frankenstein, Sentimental Value, Hamnet and Wicked: For Good are some of the other films going for gold at the ceremony in Los Angeles. A new category, best podcast, has been introduced this year, while Adolescence, The Pitt and The Studio are nominated in the TV categories. The Golden Globes are a major milestone of the film awards season, and take place with less than a fortnight to go until the announcement of the Oscar nominations (22 January). The Globes hand out more trophies than many other ceremonies, as they split their film categories by drama and musical or comedy.

Oscar nominations are an important factor in the movie industry because they can boost both the visibility and the commercial success. This work explores whether it is possible to predict Oscar nominations for screenplays using modern language models. Since no suitable dataset was available, a new one called Movie-O-Label was created by combining the MovieSum collection of movie scripts with curated Oscar records. Each screenplay was represented by its title, Wikipedia summary, and full script. Long scripts were split into overlapping text chunks and encoded with the E5 sentence em bedding model. Then, the screenplay embed dings were classified using a logistic regression model. The best results were achieved when three feature inputs related to screenplays (script, summary, and title) were combined. The best-performing model reached a macro F1 score of 0.66, a precision recall AP of 0.445 with baseline 0.19 and a ROC-AUC of 0.79. The results suggest that even simple models based on modern text embeddings demonstrate good prediction performance and might be a starting point for future research.

The Academy of Motion Picture Arts and Sciences has decide that its official stance towards AI-use in films is to take no stance at all, according to a statement the organization shared outlining changes to voting for the 98th Oscars. The issue of award-nominated films using AI was first raised in 2024 when the productions behind Best Picture nominees The Brutalist and Emilia Pérez admitted to using the tech to alter performances. "With regard to Generative Artificial Intelligence and other digital tools used in the making of the film, the tools neither help nor harm the chances of achieving a nomination, " AMPAS writes. "The Academy and each branch will judge the achievement, taking into account the degree to which a human was at the heart of the creative authorship when choosing which movie to award." While the organization at least reaffirms that human involvement is their primary concern, they also don't seem to believe that using AI -- potentially trained on the ill-gotten work of their membership -- is an existential problem.

The 2025 Oscar nominations were announced on Thursday, and two New Yorker films are among the contenders. "Incident," which uses body-camera and surveillance footage to examine a police shooting in Chicago, is nominated in the Documentary Short Film category, while "I'm Not a Robot," a darkly humorous Dutch film about a woman taking a series of CAPTCHA tests, is nominated for best Live Action Short. Seventeen previous New Yorker films have been nominated for Academy Awards; a victory at this year's ceremony, scheduled for March 2nd in Los Angeles, would be the magazine's first win. "Incident," directed by Bill Morrison, who produced with Jamie Kalven, chronicles a police killing and its aftermath. On a Chicago sidewalk, an African American man named Harith (Snoop) Augustus is questioned and then pursued by a foot patrol after leaving the barbershop where he works; after a brief scuffle, he is fatally wounded.

On the surface, The Godfather, The Sixth Sense and Little Miss Sunshine appear to have little in common. But even though these films belong to different genres and have very different plots, technically they have the same "emotional arc" - a journey of highs and lows. Using artificial intelligence, we analysed more than 6,000 scripts from the past 80 years and discovered all films fall within six emotional arcs. These include the emotional rise of "rags to riches" films such as The Shawshank Redemption and the rise and fall of "man in a hole" films such as Who Framed Roger Rabbit. But which of these are the most successful, critically and commercially? Tragedies, which depict a continuing emotional fall, appear to receive the highest number of Oscar nominations per film.

I wanted to review one of Netflix's new, original movies this week, but after checking out The Discovery, Sandy Wexler, and Win It All, I was uninspired. In any case, I dug into some other, much brighter gems to highlight. How about a couple of horror movies that wouldn't be out of place at a 1970s grindhouse? How about a couple of sci-fi movies that are based on actual ideas rather than explosions? I could go on, but don't just take it from me. Peep the whole curated list of 13 movies below--and then start streaming.

In a typical sci-fi movie about extraterrestrials, there are certain kinds of sounds you'd expect to hear: electronic bleeps and bloops, whooshing spaceships, the slithering of slimy aliens, some pew-pew-pew laser blasts. But as anyone who's seen it will tell you, "Arrival" is not a typical sci-fi movie about extraterrestrials. To help create a unique aural feel for the film -- the story of a linguistics professor (Amy Adams) who is recruited by the military to help communicate with mysterious alien visitors -- director Denis Villeneuve turned to a longtime friend and frequent collaborator, sound editor Sylvain Bellemare. The atmospheric, emotionally stirring soundscape Bellemare crafted has now earned him his first Oscar nomination. A native of Montreal, Canada, the 49-year-old Bellemare had never worked on a big science-fiction film before, nor had he been part of a Hollywood studio production.