When you purchase through links in our articles, we may earn a small commission. The em dash is seen by some as a dead giveaway of AI-generated text, mainly because ChatGPT loves to use it. OpenAI CEO Sam Altman shared in a social media post that the company has now fixed ChatGPT's overuse of the "em dash," which is the extra-long hyphen that's commonly seen in AI-generated text. In the past, ChatGPT was overzealous in its use of the em dash, to the point where it'd continue to include them even when users asked it not to. Now, with the fix, a user can instruct ChatGPT to not use em dashes and it will respect the instruction.

Our obsession with deadly game shows--from "The Running Man" and "Squid Game" to MrBeast's real-life reënactments--reflects a shift in the national mood to something increasingly zero-sum. It seems we can't get enough of game shows in which the losers die. "The Hunger Games" became a multibillion-dollar media franchise over the past decade, with audiences returning to the theatre, time and time again, to watch adolescents try to kill one another in an enormous arena--a contest devised by the leaders of a society rife with inequality. Netflix's " Squid Game " followed four hundred and fifty-six desperate individuals into an underworld where they play lethal versions of children's games in the hope of winning a life-changing amount of money. Four weeks after its release, the show had become Netflix's most-watched series ever; to date, the first season has been viewed more than two hundred and sixty-five million times.

While there's a sprawling patchwork of ideas and philosophies powering these visions, three features play a central role, says Adam Becker, a science writer and astrophysicist: an unshakable certainty that technology can solve any problem, a belief in the necessity of perpetual growth, and a quasi-religious obsession with transcending our physical and biological limits. In his timely new book, More Everything Forever: AI Overlords, Space Empires, and Silicon Valley's Crusade to Control the Fate of Humanity, Becker calls this triumvirate of beliefs the "ideology of technological salvation" and warns that tech titans are using it to steer humanity in a dangerous direction. "In most of these isms you'll find the idea of escape and transcendence, as well as the promise of an amazing future, full of unimaginable wonders--so long as we don't get in the way of technological progress." "The credence that tech billionaires give to these specific science-fictional futures validates their pursuit of more--to portray the growth of their businesses as a moral imperative, to reduce the complex problems of the world to simple questions of technology, [and] to justify nearly any action they might want to take," he writes. Becker argues that the only way to break free of these visions is to see them for what they are: a convenient excuse to continue destroying the environment, skirt regulations, amass more power and control, and dismiss the very real problems of today to focus on the imagined ones of tomorrow.

At the end of 2019, an outbreak of a novel coronavirus was reported in China, leading to the COVID-19 pandemic. In Spain, the first cases were detected in late January 2020, and by mid-March, infections had surpassed 5,000. On March the Spanish government started a nationwide lockdown to contain the spread of the virus. While isolation measures were necessary, they posed significant psychological and socioeconomic challenges, particularly for vulnerable populations. Understanding the psychological impact of lockdown and the factors influencing mental health is crucial for informing future public health policies. This study analyzes the influence of personal, socioeconomic, general health and living condition factors on psychological states during lockdown using AI techniques. A dataset collected through an online questionnaire was processed using two workflows, each structured into three stages. First, individuals were categorized based on psychological assessments, either directly or in combination with unsupervised learning techniques. Second, various Machine Learning classifiers were trained to distinguish between the identified groups. Finally, feature importance analysis was conducted to identify the most influential variables related to different psychological conditions. The evaluated models demonstrated strong performance, with accuracy exceeding 80% and often surpassing 90%, particularly for Random Forest, Decision Trees, and Support Vector Machines. Sensitivity and specificity analyses revealed that models performed well across different psychological conditions, with the health impacts subset showing the highest reliability. For diagnosing vulnerability, models achieved over 90% accuracy, except for less vulnerable individuals using living environment and economic status features, where performance was slightly lower.

A significant proportion of people today live in towns and cities that grew up around trade, industry, and cars. Think of the docks of Liverpool, the factories of Osaka, the automobile obsession of New York's Robert Moses, or the low-density sprawl of modern Riyadh. Few of these places were created with human health in mind. Meanwhile, as humanity has shifted its center of gravity to cities, there's been an alarming rise in illnesses such as depression, cancer, and diabetes. This mismatch between humans and our habitat shouldn't come as a surprise.

The past is a big deal in the video games industry right now. Hardly a month goes by when we're not being tempted by a new retro mini console, whether that's a cutesy Nintendo or a demure ZX Spectrum (a new version of which is arriving in November, complete with rubbery keys and 48 legendary games). And this year's release schedule is absolutely crammed with remasters of classic titles. In April, the video game news site Kotaku listed 30 old timers being exhumed and revived for 2024, including The Last of Us Part II, Tomb Raider 1-3 and Star Wars: Dark Forces. And the article missed a few! October alone will see updated versions of horror adventures Until Dawn, Silent Hill 2 and Clock Tower, as well as Lego Harry Potter.

Several times a day, Francesca Simon, the author of the Horrid Henry children's books, gets out her phone to check the weather – not just for where she is, but where friends and family live, where she has been on holiday, where she was brought up. I find them quite magical," she said. With about 10 locations logged, her friends make fun of her "weather porn" habit. This week, Simon discovered she shared a weather app fixation with Queen Camilla when the pair discussed a miserable summer's day at a charity event. "[Camilla] said everybody teases her … so we were laughing at our mutual obsession," Simon said. It is an obsession shared by millions. If you are going on holiday, planning a summer barbecue, worrying about your garden or suffering from hay fever, you are likely to check an app at least daily for the latest forecast. The apps give much more localised and detailed information than traditional weather forecasts, including wind speeds and the percentage chance of rain, in ...

When the history of our time comes to be written, one thing that will amaze historians is how an entire civilisation managed to impale itself on its worship of optimisation and efficiency. This obsession is what underpinned the hubris of globalisation. Apple's famous slogan "Designed by Apple in California, manufactured in China" became its guiding light. So long as products could be made available to consumers everywhere, it no longer mattered where they were made. We first twigged this when the pandemic struck, and we became suddenly aware of how fragile supply chains built to maximise efficiency could be.

Unsurprisingly, Google doesn't see things this way. Shenaz Zack, director of product management for Google's Pixel phones, told The Washington Post that she thinks of the feature as a way to "re-create" moments she wasn't fast enough to shoot in real time. Fair enough, but since we haven't been able to thoroughly test this feature yet, consider the jury undecided on how weird this is for now.

Late last month, during yet another inexplicable rebranding exercise, HBO's Max streaming service changed the way it organizes film credits. Rather than separate out discrete production categories for users to peruse, Max's credits lumped writers and directors together under an ominous header, dubbing them "creators." The recategorization enraged writers, filmmakers, and the Directors Guild of America. Within a few hours, Max's parent company, Warner Bros., apologized for the move, calling it "an oversight in the technical transition from HBO Max to Max." The change--made by a company with a market cap that is approaching $30 billion during a contentious writers' strike--felt petty and vindictive to Hollywood professionals.