In the tabular setting or with linear function approximation, our meta theorem shows that the performance gap incurred by ourapproachachievestheoptimal eO min(H3/2/Nexp,H/ p Nexp dependency, undersignificantly weakerassumptions compared topriorwork.

Neural Network Pruning has been established as driving force in the exploration of memory and energy efficient solutions with high throughput both during training and at test time. In this paper, we introduce a novel criterion for model compression, named "Expressiveness". Unlike existing pruning methods that rely on the inherent "Importance" of neurons' and filters' weights, ``Expressiveness" emphasizes a neuron's or group of neurons ability to redistribute informational resources effectively, based on the overlap of activations. This characteristic is strongly correlated to a network's initialization state, establishing criterion autonomy from the learning state stateless and thus setting a new fundamental basis for the expansion of compression strategies in regards to the "When to Prune" question. We show that expressiveness is effectively approximated with arbitrary data or limited dataset's representative samples, making ground for the exploration of Data-Agnostic strategies. Our work also facilitates a "hybrid" formulation of expressiveness and importance-based pruning strategies, illustrating their complementary benefits and delivering up to 10x extra gains w.r.t. weight-based approaches in parameter compression ratios, with an average of 1% in performance degradation. We also show that employing expressiveness (independently) for pruning leads to an improvement over top-performing and foundational methods in terms of compression efficiency. Finally, on YOLOv8, we achieve a 46.1% MACs reduction by removing 55.4\% of the parameters, with an increase of 3% in the mean Absolute Precision ($mAP_{50-95}$) for object detection on COCO dataset.

Computational modeling of artwork meaning is complex and difficult. This is because art interpretation is multidimensional and highly subjective. This paper experimentally investigated the degree to which a state-of-the-art Deep Convolutional Neural Network (DCNN), a popular Machine Learning approach, can correctly distinguish modern conceptual art work into the galleries devised by art curators. Two hypotheses were proposed to state that the DCNN model uses Exhibited Properties for classification, like shape and color, but not Non-Exhibited Properties, such as historical context and artist intention. The two hypotheses were experimentally validated using a methodology designed for this purpose. VGG-11 DCNN pre-trained on ImageNet dataset and discriminatively fine-tuned was trained on handcrafted datasets designed from real-world conceptual photography galleries. Experimental results supported the two hypotheses showing that the DCNN model ignores Non-Exhibited Properties and uses only Exhibited Properties for artwork classification. This work points to current DCNN limitations, which should be addressed by future DNN models.

It is known that determinining whether a DEC-POMDP, namely, a cooperative partially observable stochastic game (POSG), has a cooperative strategy with positive expected reward is complete for NEXP. It was not known until now how cooperation affected that complexity. We show that, for competitive POSGs, the complexity of determining whether one team has a positive-expected-reward strategy is complete for the class NEXP with an oracle for NP.

It is known that determinining whether a DEC-POMDP, namely, a cooperative partially observable stochastic game (POSG), has a cooperative strategy with positive expected reward is complete for NEXP. It was not known until now how cooperation affected that complexity. We show that, for competitive POSGs, the complexity of determining whether one team has a positive-expected-reward strategy is complete for the class NEXP with an oracle for NP. Papers published at the Neural Information Processing Systems Conference.