This paper presents a comparative analysis of machine learning methodologies for automatic music genre classification. We evaluate the performance of classical classifiers, including Support Vector Machines (SVM) and ensemble methods, trained on a comprehensive set of hand-crafted audio features, against a Convolutional Neural Network (CNN) operating on Mel spectrograms. The study is conducted on the widely-used GTZAN dataset. Our findings demonstrate a noteworthy result: the SVM, leveraging domain-specific feature engineering, achieves superior classification accuracy compared to the end-to-end CNN model. We attribute this outcome to the data-constrained nature of the benchmark dataset, where the strong inductive bias of engineered features provides a regularization effect that mitigates the risk of overfitting inherent in high-capacity deep learning models. This work underscores the enduring relevance of traditional feature extraction in practical audio processing tasks and provides a critical perspective on the universal applicability of deep learning, especially for moderately sized datasets.

Recommendation systems have become essential in modern music streaming platforms, shaping how users discover and engage with songs. One common approach in recommendation systems is collaborative filtering, which suggests content based on the preferences of users with similar listening patterns to the target user. However, this method is less effective on media where interactions are sparse. Music is one such medium, since the average user of a music streaming service will never listen to the vast majority of tracks. Due to this sparsity, there are several challenges that have to be addressed with other methods. This review examines the current state of research in addressing these challenges, with an emphasis on the role of content filtering in mitigating biases inherent in collaborative filtering approaches. We explore various methods of song classification for content filtering, including lyrical analysis using Large Language Models (LLMs) and audio signal processing techniques. Additionally, we discuss the potential conflicts between these different analysis methods and propose avenues for resolving such discrepancies.

Classifying music into separate genres is an important task, which helps listeners discover new tracks, allows streaming services to better adjust to user preferences, and allows labels and music stores to advertise new albums more effectively. As the accessibility and ease-of-use of digital audio workstations increases, so does the quantity of music available to the public; additionally, differences between genres are not always well defined and can be abstract, with numerous records representing widely varying combinations of genres. In this article, multiple preprocessing methods and approaches to model training are described and compared, accounting for the eclectic nature of today's music. A custom and manually labeled dataset of more than 18000 entries has been used to perform the experiments.

Music genres are shaped by both the stylistic features of songs and the cultural preferences of artists' audiences. Automatic classification of music genres using lyrics can be useful in several applications such as recommendation systems, playlist creation, and library organization. We present a multi-label, cross-lingual genre classification system based on multilingual sentence embeddings generated by sBERT. Using a bilingual Portuguese-English dataset with eight overlapping genres, we demonstrate the system's ability to train on lyrics in one language and predict genres in another. Our approach outperforms the baseline approach of translating lyrics and using a bag-of-words representation, improving the genrewise average F1-Score from 0.35 to 0.69. The classifier uses a one-vs-all architecture, enabling it to assign multiple genre labels to a single lyric. Experimental results reveal that dataset centralization notably improves cross-lingual performance. This approach offers a scalable solution for genre classification across underrepresented languages and cultural domains, advancing the capabilities of music information retrieval systems.

Music Genre Classification is one of the most popular topics in the fields of Music Information Retrieval (MIR) and digital signal processing. Deep Learning has emerged as the top performer for classifying music genres among various methods. The letter introduces a novel approach by combining ensemble learning with attention to sub-components, aiming to enhance the accuracy of identifying music genres. The core innovation of our work is the proposal to classify the subcomponents of the music pieces separately, allowing our model to capture distinct characteristics from those sub components. By applying ensemble learning techniques to these individual classifications, we make the final classification decision on the genre of the music. The proposed method has superior advantages in terms of accuracy compared to the other state-of-the-art techniques trained and tested on the GTZAN dataset.

Music genre classification is a critical component of music recommendation systems, generation algorithms, and cultural analytics. In this work, we present an innovative model for classifying music genres using attention-based temporal signature modeling. By processing spectrogram sequences through Convolutional Neural Networks (CNNs) and multi-head attention layers, our approach captures the most temporally significant moments within each piece, crafting a unique "signature" for genre identification. This temporal focus not only enhances classification accuracy but also reveals insights into genre-specific characteristics that can be intuitively mapped to listener perceptions. Our findings offer potential applications in personalized music recommendation systems by highlighting cross-genre similarities and distinctiveness, aligning closely with human musical intuition. This work bridges the gap between technical classification tasks and the nuanced, human experience of genre.

This project explores the application of machine learning techniques for music genre classification using the GTZAN dataset, which contains 100 audio files per genre. Motivated by the growing demand for personalized music recommendations, we focused on classifying five genres--Blues, Classical, Jazz, Hip Hop, and Country--using a variety of algorithms including Logistic Regression, K-Nearest Neighbors (KNN), Random Forest, and Artificial Neural Networks (ANN) implemented via Keras. The ANN model demonstrated the best performance, achieving a validation accuracy of 92.44%. We also analyzed key audio features such as spectral roll-off, spectral centroid, and MFCCs, which helped enhance the model's accuracy. Future work will expand the model to cover all ten genres, investigate advanced methods like Long Short-Term Memory (LSTM) networks and ensemble approaches, and develop a web application for real-time genre classification and playlist generation. This research aims to contribute to improving music recommendation systems and content curation.

This paper addresses the unique challenge of conducting research in lyric studies, where direct use of lyrics is often restricted due to copyright concerns. Unlike typical data, internet-sourced lyrics are frequently protected under copyright law, necessitating alternative approaches. Our study introduces a novel method for generating copyright-free lyrics from publicly available Bag-of-Words (BoW) datasets, which contain the vocabulary of lyrics but not the lyrics themselves. Utilizing metadata associated with BoW datasets and large language models, we successfully reconstructed lyrics. We have compiled and made available a dataset of reconstructed lyrics, LyCon, aligned with metadata from renowned sources including the Million Song Dataset, Deezer Mood Detection Dataset, and AllMusic Genre Dataset, available for public access. We believe that the integration of metadata such as mood annotations or genres enables a variety of academic experiments on lyrics, such as conditional lyric generation.

This paper presents the External Attention Vision Transformer (EAViT) model, a novel approach designed to enhance audio classification accuracy. As digital audio resources proliferate, the demand for precise and efficient audio classification systems has intensified, driven by the need for improved recommendation systems and user personalization in various applications, including music streaming platforms and environmental sound recognition. Accurate audio classification is crucial for organizing vast audio libraries into coherent categories, enabling users to find and interact with their preferred audio content more effectively. In this study, we utilize the GTZAN dataset, which comprises 1,000 music excerpts spanning ten diverse genres. Each 30-second audio clip is segmented into 3-second excerpts to enhance dataset robustness and mitigate overfitting risks, allowing for more granular feature analysis. The EAViT model integrates multi-head external attention (MEA) mechanisms into the Vision Transformer (ViT) framework, effectively capturing long-range dependencies and potential correlations between samples. This external attention (EA) mechanism employs learnable memory units that enhance the network's capacity to process complex audio features efficiently. The study demonstrates that EAViT achieves a remarkable overall accuracy of 93.99%, surpassing state-of-the-art models.

The aim of this study is to teach an algorithm how to recognize different types of music. Users will submit songs for analysis. Since the algorithm hasn't heard these songs before, it needs to figure out what makes each song unique. It does this by breaking down the songs into different parts and studying things like rhythm, melody, and tone via supervised learning because the program learns from examples that are already labelled. One important thing to consider when classifying music is its genre, which can be quite complex. To ensure accuracy, we use five different algorithms, each working independently, to analyze the songs. This helps us get a more complete understanding of each song's characteristics. Therefore, our goal is to correctly identify the genre of each submitted song. Once the analysis is done, the results are presented using a graphing tool, making it easy for users to understand and provide feedback.