'Our cast is representative of the world' (from left) Jimmy Gonzales, Matt Damon and Himesh Patel in The Odyssey. 'Our cast is representative of the world' (from left) Jimmy Gonzales, Matt Damon and Himesh Patel in The Odyssey. Elon Musk says Grok Imagine will make'historically accurate' AI adaptation of Homer's Odyssey The billionaire says the AI-generated film will stay true to Homer's original, after repeatedly criticising Christopher Nolan's blockbuster over its casting choices Elon Musk has said his AI platform Grok Imagine will make a "historically accurate" adaptation of Homer's Odyssey, after the success of Christopher Nolan's blockbusting treatment which the SpaceX founder has regularly criticised over its casting. In a post on X, Musk said: "Before this year ends, Grok Imagine will make a full-length movie of The Odyssey that is historically accurate and true to the art of Homer." Musk also linked to a post containing a three-minute clip of footage that the user said had been generated from Grok Imagine, showing a scene between Odysseus and the nymph Calypso.

Einstein's field equations, Newton's universal law and artificial intelligence are among the subjects of Laidlow's ambitious orchestral works R obert Laidlow is as at home in the realms of science and technology as he is in the world of classical music. As this NMC debut album demonstrates, his intricate, wildly imaginative work is eminently approachable, even if the core concepts are highly complex. Warp, a terse, 12-minute piano concerto, proposes a musical solution to Einstein's field equations as the intrepid Joseph Havlat boldly goes where no pianist has gone before amid the distorting fabric of orchestral space-time. Strident orchestral lines spiral ever upwards, stretching instruments to their limits, while the piano maintains its course towards a serene conclusion. Handsomely recorded, the BBC Philharmonic and Vimbayi Kaziboni offer vibrantly detailed support. The Piatti Quartet plays Gravity, a harmonically unstable if slightly verbose homage to Newton's universal law that at one point pitches the players into the musical equivalent of a black hole.

The Star Wars director has called AI technology'the future' of film-making and advised'there's nothing you can do about it' Star Wars director George Lucas has added his voice to the growing chorus of film-makers receptive to the rising use of AI tools in moviemaking. Speaking in an interview with A Rabbit's Foot, Lucas, 82, said: "Artificial intelligence means it's much easier for us to make movies." Resistance to the new technology, he continued, is "very much like sitting here saying, 'Well, I believe the horse and the buggy is really where it's at. These cars, they break down, they need gas, there's all kinds of problems with them and pretty soon they'll be making them into tanks, and then they'll be killing people. Adoption of such tools, continued Lucas, is an inevitability. "There's nothing you can do about it.

Complainants claim that their works on Google Play Books were not licensed for use in training Gemini. Complainants claim that their works on Google Play Books were not licensed for use in training Gemini. The case, filed in federal court in New York, has been brought by three publishers - Hachette Book Group, Cengage Learning, and Elsevier - and bestselling American author Scott Turow. The publishers argue that Google repurposed books that had been supplied for limited services such as Google Books, Google Play Books and Google Scholar. Those services allowed Google to use the works in specific ways - for example, to display searchable snippets or sell ebooks - but not, the lawsuit claims, to copy them for training commercial AI products.

Josh Fawaz' YouTube channel, HIs cover of Like A Prayer has topped the Australian commercial radio charts and the global iTunes electronic music charts. Josh Fawaz' YouTube channel, HIs cover of Like A Prayer has topped the Australian commercial radio charts and the global iTunes electronic music charts. Is the most popular song played on Australian radio stations the product of generative AI? Josh Fawaz's song, a cover of Like a Prayer, has raised questions over how generative AI is being used in music and whether it should be declared An Australian producer has gone from a little-known artist to a viral sensation in a matter of months, with his hit song catapulting onto global charts and receiving thousands of radio spins. There's just one problem: music experts and other musicians are questioning whether he produced it. They claim Josh Fawaz's most popular song, a cover of Madonna's Like a Prayer which reached the #1 spot on the National Radio Airplay chart, could have been made using AI.

Christopher Nolan says young people in particular are pushing back on AI and'they coined this term AI slop'. Christopher Nolan says young people in particular are pushing back on AI and'they coined this term AI slop'. Christopher Nolan says people'disdain' AI and the idea it will replace humans is'nonsense' Odyssey director addresses industry fears over artificial intelligence and says rightwing criticism of Lupita Nyong'o as Helen of Troy is'irrelevant' The Oscar-winning director Christopher Nolan believes the kind of movies he makes - big-budget action films shot mostly on location - would survive the spread of artificial intelligence, a technology he says many people "disdain". The Oppenheimer and The Dark Knight director is promoting his latest blockbuster, an adaptation of the Greek epic The Odyssey, which will be released in cinemas this week. "The interesting thing with AI is I've never seen a technology that's been so successfully adopted by Wall Street and by investors and by tech companies that the public has so thoroughly rejected," he told AFP in Paris.

Headlong's take on Karel Čapek's 1920 tale of romance and robots is rife with timely debates about tech's threat but at times the philosophical discussions drag on I f our world is currently thinking through the brave new future of generative AI and super intelligence, Karel Čapek's 1920 play RUR: Rossum's Universal Robots proves the notion of robot consciousness and rebellion is not a new anxiety. So does Mary Shelley's Frankenstein, which Čapek's drama resembles in its philosophical debates and moral warnings, despite its futurism. Ella Road adapts Čapek's play for our times in this Headlong and Schwarzman Centre co-production, its science apparently informed by research from Oxford University academics, which gives it a cutting-edge, real-world underpinning. The stage is presented as the operations office for the company, also named RUR, which is creating humanoids by mixing human flesh and blood with code and data at its headquarters on an island (a lovely, lush foliage and scaffold design by Loren Elstein). Dom (Trevor Fox) is the company's boss - a "dom" in more ways than one as he is having a Secretary-style, S&M romance with his robot personal assistant, Sulla (Tiffany Gray).

We Are Not Machines by Sarah O'Connor review - can dignity at work survive the tech revolution? I t's never been easy to land and keep a decent job. But it feels like it's getting harder. In June, the number of job vacancies in the UK fell to a five-year low; headlines warn of a looming AI-employment shock. What might the future of work look like - and who or what will shape its terms?

Don't get Pushing Buttons delivered to your inbox? Wed 1 Jul 2026 10.00 EDTLast modified on Wed 1 Jul 2026 10.02 EDT It was once a truth universally acknowledged that an ageing console in possession of good revenue must be in line for a price reduction. Those days may be over. In March, Sony announced a price increase of £90 for the PS5, while last month Microsoft informed gamers that it would be charging at least £75 more for the Xbox Series S and X consoles from August. All three were first released back in 2020.

'This story began in my childhood in rural Trinidad' Jamir Nazir. 'This story began in my childhood in rural Trinidad' Jamir Nazir. Jamir Nazir's The Serpent in the Grove, which critics allege has'obvious markers' of AI use, was described as'original, poetic and deeply moving' by the judging chair A story widely accused on social media of being written using AI has gone on to win the overall Commonwealth short story prize. Jamir Nazir's story The Serpent in the Grove went viral after being named as a regional winner in mid-May, with critics on X and Bluesky claiming it showed "obvious markers" of AI use. The literary magazine Granta subsequently pulled out of its long-running agreement to publish the Commonwealth winners.