Despite impressive visual fidelity, modern video generative models frequently produce sequences that violate intuitive physical laws, such as objects floating, teleporting, or morphing in ways that defy causality. While humans can easily detect such implausibilities, there remains no robust method for quantitatively assessing physical realism in video. In this work, we explore whether Video-Language Models (VLMs) can be trained to serve as reliable judges of physical plausibility. We find that existing VLMs struggle to identify physics violations, exposing fundamental limitations in their temporal and causal reasoning. To address this, we introduce TRAVL, a fine-tuning recipe that combines a balanced training dataset with a trajectory-aware attention module to improve motion encoding and discrimination in VLMs. To evaluate physical reasoning more rigorously, we propose ImplausiBench, a benchmark of 300 videos (150 real, 150 generated) that removes linguistic biases and isolates visual-temporal understanding. Performance is reported both with gold-standard human judgments and stricter LLM-as-judge metrics. Together, TRAVL and ImplausiBench offer a unified framework for probing and improving physical plausibility in multimodal models, shedding light on a challenging and underexplored aspect of visual-temporal understanding.

Diffusion model-generated images can appear indistinguishable from authentic photographs, but these images often contain artifacts and implausibilities that reveal their AI-generated provenance. Given the challenge to public trust in media posed by photorealistic AI-generated images, we conducted a large-scale experiment measuring human detection accuracy on 450 diffusion-model generated images and 149 real images. Based on collecting 749,828 observations and 34,675 comments from 50,444 participants, we find that scene complexity of an image, artifact types within an image, display time of an image, and human curation of AI-generated images all play significant roles in how accurately people distinguish real from AI-generated images. Additionally, we propose a taxonomy characterizing artifacts often appearing in images generated by diffusion models. Our empirical observations and taxonomy offer nuanced insights into the capabilities and limitations of diffusion models to generate photorealistic images in 2024.

The high level of photorealism in state-of-the-art diffusion models like Midjourney, Stable Diffusion, and Firefly makes it difficult for untrained humans to distinguish between real photographs and AI-generated images. In order to address this problem, we designed a guide to help readers develop a more critical eye towards identifying artifacts, inconsistencies, and implausibilities that often appear in AI-generated images. The guide is organized into five categories of artifacts and implausibilities: anatomical, stylistic, functional, violations of physics, and sociocultural. For this guide, we generated 138 images with diffusion models, curated 9 images from social media, and curated 42 real photographs. These images showcase the kinds of cues that prompt suspicion towards the possibility an image is AI-generated and why it's often difficult to draw conclusions about an image's provenance without any context beyond the pixels in an image. Human-perceptible artifacts are not always present in AI-generated images, but this guide reveals artifacts and implausibilities that often emerge. By drawing attention to these kinds of artifacts and implausibilities, we aim to better equip people to distinguish AI-generated images from real photographs in the future.

The objective of this study is to evaluate the potential for History Matching (HM) to tune a climate system with multi-scale dynamics. By considering a toy climate model, namely, the two-scale Lorenz96 model and producing experiments in perfect-model setting, we explore in detail how several built-in choices need to be carefully tested. We also demonstrate the importance of introducing physical expertise in the range of parameters, a priori to running HM. Finally we revisit a classical procedure in climate model tuning, that consists of tuning the slow and fast components separately. By doing so in the Lorenz96 model, we illustrate the non-uniqueness of plausible parameters and highlight the specificity of metrics emerging from the coupling. This paper contributes also to bridging the communities of uncertainty quantification, machine learning and climate modeling, by making connections between the terms used by each community for the same concept and presenting promising collaboration avenues that would benefit climate modeling research.

The "willing suspension of disbelief" is the idea that the audience (readers, viewers, content consumers) is willing to suspend judgment about the implausibility of the narrative for the quality of the audience's own enjoyment. We do it all the time. Two-dimensional video on our screens is smaller than life and flat and not in real time, but we ignore those facts and immerse ourselves in the stories as if they were real. We have also learned the "conventions" of each medium. While we watch a movie or a video, we don't yell to the characters on the screen "Duck!" or "Look out!" when something is about to happen to them.

The "willing suspension of disbelief" is the idea that we (the audience, readers, viewers, content consumers) are willing to suspend judgment about the implausibility of the narrative for the quality of our own enjoyment. We do it all the time. Two-dimensional video on our screens is smaller than life and flat and not in real time, but we ignore those facts and immerse ourselves in the stories as if they were real. We have also learned the "conventions" of each medium. While we watch a movie or a video, we don't yell to the characters on the screen "Duck!" or "Look out!" when something is about to happen to them.