Neural Information Processing Systems http://nips.cc/

The performance of OCR has improved with the evolution of AI technology. As OCR continues to broaden its range of applications, the increased likelihood of interference introduced by various usage environments can prevent it from achieving its inherent performance. This results in reduced recognition accuracy under certain conditions, and makes the quality control of recognition devices more challenging. Therefore, to ensure that users can properly utilize OCR, we compiled the real-world external disturbance factors that cause performance degradation, along with the resulting image degradation phenomena, into an external disturbance factor table and, by also indicating how to make use of it, organized them into guidelines.

Color constancy is the recovery of true surface color from observed color, and requires estimating the chromaticity of scene illumination to correct for the bias it induces. In this paper, we show that the per-pixel color statistics of natural scenes---without any spatial or semantic context---can by themselves be a powerful cue for color constancy. Specifically, we describe an illuminant estimation method that is built around a classifier for identifying the true chromaticity of a pixel given its luminance (absolute brightness across color channels). During inference, each pixel's observed color restricts its true chromaticity to those values that can be explained by one of a candidate set of illuminants, and applying the classifier over these values yields a distribution over the corresponding illuminants. A global estimate for the scene illuminant is computed through a simple aggregation of these distributions across all pixels.

Color constancy is the recovery of true surface color from observed color, and requires estimating the chromaticity of scene illumination to correct for the bias it induces. In this paper, we show that the per-pixel color statistics of natural scenes--without any spatial or semantic context--can by themselves be a powerful cue for color constancy. Specifically, we describe an illuminant estimation method that is built around a "classifier" for identifying the true chromaticity of a pixel given its luminance (absolute brightness across color channels). During inference, each pixel's observed color restricts its true chromaticity to those values that can be explained by one of a candidate set of illuminants, and applying the classifier over these values yields a distribution over the corresponding illuminants. A global estimate for the scene illuminant is computed through a simple aggregation of these distributions across all pixels.

Several recent works on self-supervised learning are trained by mapping different augmentations of the same image to the same feature representation. The data augmentations used are of crucial importance to the quality of learned feature representations. In this paper, we analyze how the color jitter traditionally used in data augmentation negatively impacts the quality of the color features in learned feature representations. To address this problem, we propose a more realistic, physics-based color data augmentation - which we call Planckian Jitter - that creates realistic variations in chromaticity and produces a model robust to illumination changes that can be commonly observed in real life, while maintaining the ability to discriminate image content based on color information. Experiments confirm that such a representation is complementary to the representations learned with the currently-used color jitter augmentation and that a simple concatenation leads to significant performance gains on a wide range of downstream datasets. In addition, we present a color sensitivity analysis that documents the impact of different training methods on model neurons and shows that the performance of the learned features is robust with respect to illuminant variations.

Systems engineering, in particular in the automotive domain, needs to cope with the massively increasing numbers of requirements that arise during the development process. To guarantee a high product quality and make sure that functional safety standards such as ISO26262 are fulfilled, the exploitation of potentials of model-driven systems engineering in the form of automatic analyses, consistency checks, and tracing mechanisms is indispensable. However, the language in which requirements are written, and the tools needed to operate on them, are highly individual and require domain-specific tailoring. This hinders automated processing of requirements as well as the linking of requirements to models. Introducing formal requirement notations in existing projects leads to the challenge of translating masses of requirements and process changes on the one hand and to the necessity of the corresponding training for the requirements engineers. In this paper, based on the analysis of an open-source set of automotive requirements, we derive domain-specific language constructs helping us to avoid ambiguities in requirements and increase the level of formality. The main contribution is the adoption and evaluation of few-shot learning with large pretrained language models for the automated translation of informal requirements to structured languages such as a requirement DSL. We show that support sets of less than ten translation examples can suffice to few-shot train a language model to incorporate keywords and implement syntactic rules into informal natural language requirements.

Style may refer to different concepts (e.g. painting style, hairstyle, texture, color, filter, etc.) depending on how the feature space is formed. In this work, we propose a novel idea of interpreting the lighting in the single- and multi-illuminant scenes as the concept of style. To verify this idea, we introduce an enhanced auto white-balance (AWB) method that models the lighting in single- and mixed-illuminant scenes as the style factor. Our AWB method does not require any illumination estimation step, yet contains a network learning to generate the weighting maps of the images with different WB settings. Proposed network utilizes the style information, extracted from the scene by a multi-head style extraction module. AWB correction is completed after blending these weighting maps and the scene. Experiments on single- and mixed-illuminant datasets demonstrate that our proposed method achieves promising correction results when compared to the recent works. This shows that the lighting in the scenes with multiple illuminations can be modeled by the concept of style. Source code and trained models are available on https://github.com/birdortyedi/lighting-as-style-awb-correction.

Computational Colour Constancy (CCC) consists of estimating the colour of one or more illuminants in a scene and using them to remove unwanted chromatic distortions. Much research has focused on illuminant estimation for CCC on single images, with few attempts of leveraging the temporal information intrinsic in sequences of correlated images (e.g., the frames in a video), a task known as Temporal Colour Constancy (TCC). The state-of-the-art for TCC is TCCNet, a deep-learning architecture that uses a ConvLSTM for aggregating the encodings produced by CNN submodules for each image in a sequence. We extend this architecture with different models obtained by (i) substituting the TCCNet submodules with C4, the state-of-the-art method for CCC targeting images; (ii) adding a cascading strategy to perform an iterative improvement of the estimate of the illuminant. We tested our models on the recently released TCC benchmark and achieved results that surpass the state-of-the-art. Analyzing the impact of the number of frames involved in illuminant estimation on performance, we show that it is possible to reduce inference time by training the models on few selected frames from the sequences while retaining comparable accuracy.

Color constancy is the recovery of true surface color from observed color, and requires estimating the chromaticity of scene illumination to correct for the bias it induces. In this paper, we show that the per-pixel color statistics of natural scenes---without any spatial or semantic context---can by themselves be a powerful cue for color constancy. Specifically, we describe an illuminant estimation method that is built around a classifier for identifying the true chromaticity of a pixel given its luminance (absolute brightness across color channels). During inference, each pixel's observed color restricts its true chromaticity to those values that can be explained by one of a candidate set of illuminants, and applying the classifier over these values yields a distribution over the corresponding illuminants. A global estimate for the scene illuminant is computed through a simple aggregation of these distributions across all pixels.

Digital camera pipelines employ color constancy methods to estimate an unknown scene illuminant, enabling the generation of canonical images under an achromatic light source. By taking advantage of large amounts of labelled images, learning-based color constancy methods provide state-of-the-art estimation accuracy. However, for a new sensor, data collection is typically arduous, as it requires both imaging physical calibration objects across different settings (such as indoor and outdoor scenes), as well as manual image annotation to produce ground truth labels. In this work, we address sensor generalisation by framing color constancy as a meta-learning problem. Using an unsupervised strategy driven by color temperature grouping, we define many related, yet distinct, illuminant estimation tasks, aggregating data from four public datasets with different camera sensors and diverse scene content. Experimental results demonstrate it is possible to produce a few-shot color constancy method competitive with the fully-supervised, camera-specific state-of-the-art.