Recently, there has been growing interest around less-restrictive solution concepts than Nash equilibrium in extensive-form games, with significant effort towards the computation of extensive-form correlated equilibrium (EFCE) and extensive-form coarse correlated equilibrium (EFCCE). In this paper, we show how to leverage the popular counterfactual regret minimization (CFR) paradigm to induce simple no-regret dynamics that converge to the set of EFCEs and EFCCEs in an n-player general-sum extensive-form games. For EFCE, we define a notion of internal regret suitable for extensive-form games and exhibit an efficient no-internal-regret algorithm. These results complement those for normal-form games introduced in the seminal paper by Hart and Mas-Colell. For EFCCE, we show that no modification of CFR is needed, and that in fact the empirical frequency of play generated when all the players use the original CFR algorithm converges to the set of EFCCEs.

Coarse correlation models strategic interactions of rational agents complemented by a correlation device, that is a mediator that can recommend behavior but not enforce it. Despite being a classical concept in the theory of normal-form games for more than forty years, not much is known about the merits of coarse correlation in extensive-form settings. In this paper, we consider two instantiations of the idea of coarse correlation in extensive-form games: normal-form coarse-correlated equilibrium (NFCCE), already defined in the literature, and extensive-form coarse-correlated equilibrium (EFCCE), which we introduce for the first time. We show that EFCCE is a subset of NFCCE and a superset of the related extensive-form correlated equilibrium. We also show that, in two-player extensive-form games, social-welfare-maximizing EFCCEs and NFCEEs are bilinear saddle points, and give new efficient algorithms for the special case of games with no chance moves. In our experiments, our proposed algorithm for NFCCE is two to four orders of magnitude faster than the prior state of the art.