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Sora Has Lost Its App Store Crown to Drake and Free Chicken

WIRED

Dave's Hot Chicken is the top app in the iOS App Store, ending Sora's weeks-long reign. On Friday, its reign came to an end. Your new champion is Dave's Hot Chicken. Dave's Hot Chicken now rules over the App Store, where its slack-beaked, bug-eyed mascot icon expresses appropriate surprise at its ascent. How did it break the grasp of OpenAI's golem TikTok?


'I'm sorry, Dave': 9 real times AI has given us the creeps 3 - Page 3 ZDNet

#artificialintelligence

In the early 2000s, Mike Sellers was working on social AI agents for DARPA. During one simulation, two AI agents named Adam and Eve were given a few basic skills. They knew how to eat, but not what to eat. When they tried to eat apples from a tree, they felt happy. When they tried to eat wood from the same tree they didn't get any reward.


Opinion

AI Magazine

AI Magazine Volume 18 Number 2 (1997) ( AAAI) Date: 4/1/2002 WASA -- World Aeronautics & Space Administration Executive Summary of Committee Report on Disaster Investigation, Incident # 362 Analysis of records downloaded from the 2001 Jupiter Orbital Black Parallelopiped Investigation Mission indicates that the basic source of failure was excessive emotional stress in the HAL computer, leading to a previously unknown condition now called Computational Paranoia. This in turn was an unforeseen side-effect of the design of the HAL-9000 series. HAL was given a genuine personality, enabling it to act as an onboard psychiatric advisor, colleague, and confidante to the human crew members. As a consequence, much of HAL's perceptual software was devoted to reading subtleties of facial expression, unconscious intonation stresses, and other emotional signals. Its performance at empathy and emotional insight was at least two orders of magnitude (as measured by the Kraft-Ebbing-Rachmaninoff method) better than that of the rest of the crew.


Essay in the Style of Douglas Hofstadter

AI Magazine

It was written not by a human being, but by my computer program EWI (an acronym for "experiments in writing intelligence"). EWI was fed the texts of two of Hofstadter's books--namely, Gödel, Escher, Bach (winner of the Pulitzer Prize for General Nonfiction in 1980) and Metamagical Themas--and then, following its code, EWI carefully analyzed these two books for their uniquely Hofstadterian stylistic elements and features, after which it recombined these stylistic elements in new fashions. EWI thereby came up with some 25 new and highly diverse "Hofstadter articles," one of which is given below, and the article is followed by a brief commentary about EWI and its output by Hofstadter himself. Actually, I should state up front that the wonderful sparkling dialogues of GEB, which are a substantial part of that book, were not used by EWI in generating any of the articles, because EWI is unfortunately not yet able to work with inputs that belong to different genres, such as chapters and dialogues. To combine stylistic aspects of two or more different genres of writing represents a very thorny challenge indeed.


David L. Waltz, in Memoriam

AI Magazine

Waltz served as Association for the Advancement of Artificial Intelligence (AAAI) president from 1997 to 1999, was a Fellow of AAAI and the Association for Computing Machinery (ACM), a senior member of the Institute for Electrical and Electronics Engineers (IEEE), and former chair of the ACM Special Interest Group on Artificial Intelligence (SIGART). Prior to joining CCLS, he was president of the NEC Research Institute in Princeton, and from 1984-1993 was director of Advanced Information Systems at Thinking Machines Corporation and a professor of computer science at Brandeis University. A celebration of his life was held in the spring of 2012, and a symposium in his honor was held September 23, 2012, at Brandeis University in Waltham, Massachusetts. That dissertation created the field of constraint propagation by showing that constraints and a rich but simple descriptive system were sufficient to recover threedimensional information from a two-dimensional projection. Besides an education, Dave picked up a passion for the highenergy atmosphere that propelled the MIT AI Lab to prominence -- an atmosphere that he spent the rest of his life recreating. In 1973, Dave Waltz with Richard P. Gabriel in tow headed west from MIT to the University of Illinois at Urbana-Champaign (UIUC) with the goals of starting a first-rate AI program and creating a lab in the image of the MIT AI Lab. All they had were an enthusiastic home in the Coordinated Science Laboratory, some friendly faculty in the Electrical Engineering department, a PDP-10, a shaky connection to the Advanced Research Projects Agency Network (ARPANET), and a small but eager coterie of misfit graduate students.


An Artist Who Explores the Deep Creepiness of Facial-Recognition Technology

The New Yorker

On a very warm afternoon in April, the image of a bald young white man's head floated on a gray screen at the Kitchen, in Chelsea. The man spoke in a tone that shifted worryingly between aggressive and confessional, punctuating his lines with two disembodied hands. "And I could have been your haruspex, sexy," he said at one point, snarling. "I could have read omens in your extricated liver." There were pale red marks beneath his eyes, a five-o'clock shadow on his jaw.