CLIPDraw is an algorithm that synthesizes novel drawings from natural language input. It does not require any additional training; rather, a pre-trained CLIP language-image encoder is used as a metric for maximizing similarity between the given description and a generated drawing. Crucially, CLIPDraw operates over vector strokes rather than pixel images, which biases drawings towards simpler human-recognizable shapes. Results compare CLIPDraw with other synthesisthrough-optimization methods, as well as highlight various interesting behaviors of CLIPDraw, such as satisfying ambiguous text in multiple ways, reliably producing drawings in diverse styles, and scaling from simple to complex visual representations as stroke count increases.

Large vision language models, such as CLIP, demonstrate impressive robustness to spurious features than single-modal models trained on ImageNet. However, existing test datasets are typically curated based on ImageNet-trained models, which aim to capture the spurious features inherited in ImageNet. Benchmarking CLIP models based on the ImageNet-oriented spurious features may not be sufficient to reflect the extent to which CLIP models are robust to spurious correlations within CLIP training data, e.g., LAION. To this end, we craft a new challenging dataset named CounterAnimal designed to reveal the reliance of CLIP models on realistic spurious features. Specifically, we split animal photos into groups according to the backgrounds, and then identify a pair of groups for each class where a CLIP model shows high-performance drops across the two groups. Our evaluations show that the spurious features captured by CounterAnimal are generically learned by CLIP models with different backbones and pre-train data, yet have limited influence for ImageNet models. We provide theoretical insights that the CLIP objective cannot offer additional robustness. Furthermore, we also re-evaluate strategies such as scaling up parameters and high-quality pre-trained data. We find that they still help mitigate the spurious features, providing a promising path for future developments.

Contrastive Language-Image Pretraining (CLIP) performs zero-shot image classification by mapping images and textual class representation into a shared embedding space, then retrieving the class closest to the image. This work provides a new approach for interpreting CLIP models for image classification from the lens of mutual knowledge between the two modalities. Specifically, we ask: what concepts do both vision and language CLIP encoders learn in common that influence the joint embedding space, causing points to be closer or further apart? We answer this question via an approach of textual concept-based explanations, showing their effectiveness, and perform an analysis encompassing a pool of 13 CLIP models varying in architecture, size and pretraining datasets. We explore those different aspects in relation to mutual knowledge, and analyze zero-shot predictions. Our approach demonstrates an effective and human-friendly way of understanding zero-shot classification decisions with CLIP.

We find that the performance of the pre-training data varies substantially across distribution shifts, with no single data source dominating.

"Effective robustness" measures the extra out-of-distribution (OOD) robustness