It's an interesting time to be a long-running science fantasy media property in the streaming TV age. Star Trek is in the grip of an existential crisis as it (wrongly) fears it's too old-aged to be relevant. Star Wars became a battlefield in the culture war and, to duck all future bad faith criticism, gave us The Rise of Skywalker. And then there's Doctor Who, which is somehow managing to plough a 62-year furrow and still fill it with original ideas. This week the Doctor and Belinda go up against a sentient cartoon holding the patrons of a 1950s cinema hostage.

The start of any season of Doctor Who is important, doubly so when there's a new co-star to introduce. "The Robot Revolution" has to get us to fall in love with Belinda Chandra (Varada Sethu), ensnare new fans and keep existing ones hooked. Especially since it's the second of two series that Disney paid for, meaning it's got to do well enough to keep the money flowing. It's an awkward teenage date, with Alan clearly trying to win the heart of his beau by buying her one of those star adoption certificates. In 2025, Belinda is now a nurse at a busy London hospital where, in the background, the Doctor is searching for her.

Has the fourth agricultural revolution arrived and does it have the capacity to solve the issues of farming and food production? Or is it too early to know just what impact robotics could have on agriculture? CPM found out more at Cereals. The fourth agricultural revolution can't simply be about automating the third one. A lot of the discussion centred around technology hails it as a revolution and something that could bring about transformational change, but speaking at the Cereals Event, Harry Henderson of AHDB asked if this would be the case.

Charles "Chuck" Lumley (Henry Winkler), formerly a successful stockbroker, has found a refuge from the ulcer-inducing Wall Street rat race in his job as an attendant at the New York City morgue. His displeasure at being "promoted" to Night Shift Supervisor to make room for his boss' nephew Leonard (Di Cicco) is exacerbated by the irrational exuberance of Bill "Blaze" Blazejowski (Michael Keaton), his new co-worker. They are inspired by the plight of Chuck's prostitute neighbor, Belinda (Shelly Long), to apply Chuck's financial acumen and Bill's entrepreneurial spirit to open a prostitution service headquartered at the morgue. Chuck falls in love with Belinda, but their relationship becomes complicated when Belinda refuses to quit prostitution. Chuck's passiveness keeps him from telling Belinda he loves her.