We have implemented a real time front end for detecting voiced speech and estimating its fundamental frequency. The front end performs the signal processing for voice-driven agents that attend to the pitch contours of human speech and provide continuous audiovisual feedback. The al- gorithm we use for pitch tracking has several distinguishing features: it makes no use of FFTs or autocorrelation at the pitch period; it updates the pitch incrementally on a sample-by-sample basis; it avoids peak picking and does not require interpolation in time or frequency to obtain high res- olution estimates; and it works reliably over a four octave range, in real time, without the need for postprocessing to produce smooth contours. The algorithm is based on two simple ideas in neural computation: the introduction of a purposeful nonlinearity, and the error signal of a least squares fit. The pitch tracker is used in two real time multimedia applica- tions: a voice-to-MIDI player that synthesizes electronic music from vo- calized melodies, and an audiovisual Karaoke machine with multimodal feedback.

We have implemented a real time front end for detecting voiced speech and estimating its fundamental frequency. The front end performs the signal processing for voice-driven agents that attend to the pitch contours of human speech and provide continuous audiovisual feedback. The algorithm weuse for pitch tracking has several distinguishing features: it makes no use of FFTs or autocorrelation at the pitch period; it updates the pitch incrementally on a sample-by-sample basis; it avoids peak picking and does not require interpolation in time or frequency to obtain high resolution estimates;and it works reliably over a four octave range, in real time, without the need for postprocessing to produce smooth contours. The algorithm is based on two simple ideas in neural computation: the introduction of a purposeful nonlinearity, and the error signal of a least squares fit. The pitch tracker is used in two real time multimedia applications: avoice-to-MIDI player that synthesizes electronic music from vocalized melodies,and an audiovisual Karaoke machine with multimodal feedback. Both applications run on a laptop and display the user's pitch scrolling across the screen as he or she sings into the computer.

We have implemented a real time front end for detecting voiced speech and estimating its fundamental frequency. The front end performs the signal processing for voice-driven agents that attend to the pitch contours of human speech and provide continuous audiovisual feedback. The algorithm we use for pitch tracking has several distinguishing features: it makes no use of FFTs or autocorrelation at the pitch period; it updates the pitch incrementally on a sample-by-sample basis; it avoids peak picking and does not require interpolation in time or frequency to obtain high resolution estimates; and it works reliably over a four octave range, in real time, without the need for postprocessing to produce smooth contours. The algorithm is based on two simple ideas in neural computation: the introduction of a purposeful nonlinearity, and the error signal of a least squares fit.